When a boy leaps to his death from a bridge in the northern town of Umeå, Sweden, police discover drugs scattered in the snow near his body. The town has seen a dramatic increase in narcotic use among its youth, but nobody knows where the pills are coming from.

When a body of a woman is discovered at a lighthouse in the Icelandic town of Akranes, it soon becomes clear that she’s no stranger to the area. Chief Investigating Officer Elma, who has returned to Akranes following a failed relationship, and her collegues Sævar and Hörður commence an uneasy investigation which uncovers a shocking secret in the dead woman’s past that continues to reverberate in the present day.

On the day Stockholm police officer Hanna Ahlander’s personal and professional lives crash, she takes refuge at her sister’s lodge in the Swedish ski resort paradise of Åre. But it’s a brief comfort. The entire village is shaken by the sudden vanishing of a local teenage girl. Hanna can’t help but investigate, and while searching for the missing person, she lands a job with the local police department. There she joins forces with Detective Inspector Daniel Lindskog, who has been tasked with finding the girl. Their only lead: a scarf in the snow.

When Varg Veum reads the newspaper headline 'YOUNG MAN MISSING', he realises he saw the youth just a few days earlier - en route to a demonstration against a commercial fish-farming facility in the tiny village of Solvik, north of Bergen. Varg heads to Solvik, initially out of curiosity, but when he chances upon a dead body in the sea, he's pulled into a dark and complex web of secrets, feuds and jealousies.

Icelandic sisters Áróra and Ísafold live in different countries and aren‘t on speaking terms, but when their mother loses contact with Ísafold, Áróra reluctantly returns to Iceland to find her sister. But she soon realises that her sister isn’t avoiding her...she has disappeared. As she confronts Ísafold’s abusive, drug-dealing boyfriend Björn, and begins to probe her sister’s reclusive neighbours, Áróra is led into an ever-darker web of intrigue and manipulation.

On Christmas Eve, DCI Mackenzie Jones is called to a shooting at a remote farmhouse. Ralph Mallender believes his father lies dead inside. When three more bodies are discovered, it's clear a festive family gathering has turned into a gruesome tragedy. At first it seems like an open and shut case: a murder suicide committed by Ralph's volatile brother Cameron. Then new evidence makes Mack suspect the man who reported the crime is in fact the perpetrator. But Mack isn't the only one with a stake in the case.

Five years ago, DCI John Lomond led the search for notorious Glasgow child-killer ‘The Sandman', until personal tragedy forced him off the case. In Lomond's absence, the killer was never found. Now, with nothing but work left in his life, Lomond remains obsessed with the case–despite the nightmares it brings. When a child is abducted in similar Sandman fashion from an affluent Glasgow suburb, Lomond is brought in to find them before it's too late.

January in Gotland. The days are short, the air is cold, and all the roads are covered in snow. On a deserted, icy backroad, these wintery conditions will soon bring together a group of strangers with a force devastating enough to change their lives forever when, in the midst of a brief period, a deadly accident and two separate crimes leave victims in their wake. Four years later, a single phone call is all it takes to bring back the terror of that day and to set in motion a plot for revenge.

The first time somebody tried to kill him was an accident. The second time was deliberate. Now Paul Mulchrone finds himself on the run with nobody to turn to except a nurse who has read one-too-many crime novels and a renegade copper with a penchant for violence. Together they must solve one of the most notorious crimes in Irish history. Or else they’ll be history.

DS Lucas Walker is on leave in his hometown, Caloodie, looking after his dying grandmother. When two young German backpackers vanish from the area on their way to a ranch, he finds himself unofficially on the case. But why all the interest from the Federal Police, when they have probably just ditched the heat and dust of the outback for the coast? As the number of days the couple are missing climbs, DS Walker is joined by the girl's sister. A detective herself from Berlin, she is desperate to find her before it's too late.

Detective Inspector Karen Eiken Hornby has returned to the main island, Heimö, after many years in London and has worked hard to become one of the few female police officers in Doggerland. So, when she wakes up in a hotel room next to her boss, Jounas Smeed, she knows she's made a big mistake. But things are about to get worse: later that day, Jounas's ex-wife is found brutally murdered. And Karen is the only one who can give him an alibi.

At a former sanatorium in the north of Iceland, now a hospital ward, an old nurse, Yrsa, is found murdered. Detective Hulda Hermannsdottir and her boss, Sverrir, are sent to investigate her death. There, they discover five suspects: the chief physician, two junior nurses, a young doctor, and the caretaker, who is arrested following false testimony from one of the nurses, but subsequently released. Less than a week after the murder, the chief physician, is also found dead, having apparently fallen from a balcony.

In a Stockholm city park, police discover the hideously abused body of a young boy. Detective Superintendent Jeanette Kihlberg heads the investigation, battling an apathetic prosecutor and a bureaucratic police force unwilling to devote resources to solving the murder of a nameless immigrant child. But with the discovery of two more mutilated children's corpses, it becomes clear that a serial killer is at large.

A brutal double murder on a Norfolk beach horrifies the town of Cromer. The way the victims died is chilling and so Norfolk’s Major Investigation Team task DS Ashley Knight to manage the case. It soon becomes clear that the murders were carefully planned and the finger of suspicion points to an organised crime gang, but as the evidence mounts, a far more sinister theory emerges.

Iceland, 1956. Fourteen-year-old Lára decides to spend the summer working for a couple on the small island of Videy, just off the coast of Reykjavík. In early August, the girl disappears without a trace. Time passes, and the mystery becomes Iceland‘s most infamous unsolved case. What happened to the young girl? Is she still alive? Did she leave the island, or did something happen to her there? Thirty years later, as the city of Reykjavík celebrates its 200th anniversary, journalist Valur Robertsson begins his own investigation into Lára's case.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.