
The Moor's Account
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Narrated by:
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Neil Shah
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By:
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Laila Lalami
About this listen
A New York Times Notable Book.
In this stunning work of historical fiction, Laila Lalami brings us the imagined memoirs of the first black explorer of America--a Moroccan slave whose testimony was left out of the official record. In 1527 the conquistador Pnfilo de Narvez sailed from the port of Sanlcar de Barrameda with a crew of 600 men and nearly a hundred horses. His goal was to claim what is now the Gulf Coast of the United States for the Spanish crown and, in the process, become as wealthy and famous as Hernn Corts. But from the moment the Narvez expedition landed in Florida, it faced peril--navigational errors, disease, starvation, as well as resistance from indigenous tribes. Within a year there were only four survivors: the expedition's treasurer, lvar Nez Cabeza de Vaca; a Spanish nobleman named Alonso del Castillo Maldonado; a young explorer named Andrs Dorantes de Carranza; and Dorantes' Moroccan slave, Mustafa al-Zamori, whom the three Spaniards called Estebanico. These four survivors would go on to make a journey across America that would transform them from proud conquistadores to humble servants, from fearful outcasts to faith healers.
The Moor's Account brilliantly captures Estebanico's voice and vision, giving us an alternate narrative for this famed expedition. As the dramatic chronicle unfolds, we come to understand that, contrary to popular belief, black men played a significant part in New World exploration, and Native American men and women were not merely silent witnesses to it.
In Laila Lalami's deft hands, Estebanico's memoir illuminates the ways in which stories can transmigrate into history, even as storytelling can offer a chance for redemption and survival.
©2014 Laila Lalami (P)2014 Audible Inc.Listeners also enjoyed...
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The Moors are well-known for their presence on the Iberian Peninsula during the Middle Ages and for the conflicts they fought in Europe, but the term Moor is a historical rather than an ethnic name. It is an invention of European Christians for the Islamic inhabitants of Maghreb (North Africa), Andalusia (Spain), Sicily, and Malta, and it was sometimes used to designate all Muslims.
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The Moor's Last Sigh
- By: Salman Rushdie
- Narrated by: Sunil Malhotra
- Length: 20 hrs and 18 mins
- Unabridged
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Booker Prize-winning author Salman Rushdie combines a ferociously witty family saga with a surreally imagined and sometimes blasphemous chronicle of modern India and flavors the mixture with peppery soliloquies on art, ethnicity, religious fanaticism, and the terrifying power of love. Moraes "Moor" Zogoiby, the last surviving scion of a dynasty of Cochinese spice merchants and crime lords, is also a compulsive storyteller and an exile.
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The performance is enchanting.
- By Kelly on 05-04-18
By: Salman Rushdie
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Abigail
- By: Magda Szabó, Len Rix - translator
- Narrated by: Samantha Desz
- Length: 13 hrs and 12 mins
- Unabridged
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Abigail, the story of a headstrong teenager growing up during World War II, is the most beloved of Magda Szabo's books in her native Hungary. Gina is the only child of a general, a widower who has long been happy to spoil his bright and willful daughter. Gina is devastated when the general tells her that he must go away on a mission and that he will be sending her to boarding school in the country. She is even more aghast at the grim religious institution to which she soon finds herself consigned.
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Who knew boarding school could be exciting?
- By Wendy on 10-25-20
By: Magda Szabó, and others
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Land of No Regrets
- By: Sadi Muktadir
- Narrated by: Ali Nasser
- Length: 9 hrs and 41 mins
- Unabridged
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Nabil, freshly plucked from middle school in Scarborough, is struggling to find his place at Al Haque Islamic Academy. Between the intense religious studies and new rules, he still longs for his past life of baseball, video games, comic books, and girls. When he stumbles upon Maaz and Nawaaz doing something they shouldn't be doing, he quickly falls into their company and joins them in their misdeeds. And together with the new transfer student and unruly class clown Farid, the group executes their rebellion.
By: Sadi Muktadir
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The Woman Who Lost Her Soul
- By: Bob Shacochis
- Narrated by: Robert Blumenfeld
- Length: 25 hrs and 1 min
- Unabridged
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Renowned through four award-winning stories for his gritty and revelatory visions of the Caribbean, Bob Shacochis returns to occupied Haiti in The Woman Who Lost Her Soul before sweeping across time and continents to unravel tangled knots of romance, espionage, and vengeance. In riveting prose, Shacochis builds a complex and disturbing story about the coming of age of America in a pre-9/11 world.
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Loved it at first, and then...
- By Isadore Ducasse on 08-24-14
By: Bob Shacochis
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Afterlives
- A Novel
- By: Abdulrazak Gurnah
- Narrated by: Damian Lynch
- Length: 10 hrs and 13 mins
- Unabridged
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When he was just a boy, Ilyas was stolen from his parents on the coast of East Africa by German colonial troops. After years away, fighting against his own people, he returns home to find his parents gone and his sister, Afiya, abandoned into de facto slavery. Hamza, too, returns home from the war, scarred in body and soul and with nothing but the clothes on his back—until he meets the beautiful, undaunted Afiya.
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A Compelling book in every way
- By Edward Hower on 11-03-22
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A Golden Age
- A Novel
- By: Tahmima Anam
- Narrated by: Madhur Jaffrey
- Length: 9 hrs and 9 mins
- Unabridged
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As young widow Rehana Haque awakes one March morning, she might be forgiven for feeling happy. Today she will throw a party for her son and daughter. In the garden of the house she has built, her roses are blooming, her children are almost grown, and beyond their doorstep, the city is buzzing with excitement after recent elections. Change is in the air.
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sad, poignant, thought-provoking, beautiful
- By Rio Delta Wild on 06-04-08
By: Tahmima Anam
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Aria
- A Novel
- By: Nazanine Hozar
- Narrated by: Neeky Dalir
- Length: 13 hrs and 24 mins
- Unabridged
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It is the 1950s in a restless Iran, a country rich in oil but deeply divided by class and religion. The government is unpopular and corrupt and under foreign sway. One night, an illiterate army driver hears the pitiful cry of a baby abandoned in an alley and menaced by ravenous wild dogs. He snatches up the child and takes her home, naming her Aria - the first step on an unlikely path from deprivation to privilege. Over the next two decades, the orphan girl acquires three mother figures whose secrets she will learn only much later.
By: Nazanine Hozar
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The Moors in Spain
- By: Stanley Lane-Poole
- Narrated by: Andrea Giordani
- Length: 6 hrs and 24 mins
- Unabridged
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The Alhambra in Granada, the Mosque in Cordova - these are some of the magnificent physical remnants of Moorish rule in Spain. Their influence on culture, engineering, and civilization has also remained in ways often unacknowledged. Lane-Poole was the first to publish a scholarly history in English about a non-Christian civilization, making this a ground-breaking work. Written with extensive knowledge, wit, and admiration, Lane-Poole’s The Moors in Spain is not to be missed.
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An excellent brief intro to Moors Spain
- By wireless-0110 on 06-20-19
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The Beauty of Your Face
- A Novel
- By: Sahar Mustafah
- Narrated by: Lameece Issaq, Michael Braun
- Length: 8 hrs and 9 mins
- Unabridged
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A uniquely American story told in powerful, evocative prose, The Beauty of Your Face navigates a country growing ever more divided. Afaf Rahman, the daughter of Palestinian immigrants, is the principal of Nurrideen School for Girls, a Muslim school in the Chicago suburbs. One morning, a shooter - radicalized by the online alt-right - attacks the school.
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wonderful read!
- By Tana Beverwyk-Abouda on 08-04-22
By: Sahar Mustafah
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African Europeans
- An Untold History
- By: Olivette Otele
- Narrated by: Olivette Otele
- Length: 8 hrs and 37 mins
- Unabridged
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Conventional wisdom holds that Africans are only a recent presence in Europe. But in African Europeans, renowned historian Olivette Otele debunks this and uncovers a long history of Europeans of African descent. From the third century, when the Egyptian Saint Maurice became the leader of a Roman legion, all the way up to the present, Otele explores encounters between those defined as "Africans" and those called "Europeans."
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A fascinating overview of overlooked history
- By Scott GG Haller on 09-25-21
By: Olivette Otele
Very long descriptive story. Tiresome.
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loved reading the history from another perspective
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Compelling story
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Anyone who grew up in Texas, as I did, and attended a public Junior High School remembers the requisite Texas History course. The most fascinating events to come out of that class were the Alamo, of course, and the story of Alvar Nunez Cabeza de Vaca. As the treasurer and royal representative of the ill-fated Spanish exploratory expedition led by Panfilo de Narvaez, he was one of only four known surviviors. The others included two Spanish officers and noblemen, one of whom was Andreas Dorantes, who owned as a slave, the fourth survivor, a Moor named Mustafa al-Zamori, whom his master renamed Esteban. These four eventually became the first Europeans, and, of course, first African, to wander across the future states of Texas, New Mexico, Arizona and California. Later, being found by a group of Spanish slave traders in present day Sonora, Mexico, they ended their eight year rambling trek in the capital of New Spain, present day Mexico City.This outstanding work of historical fiction shows the duplicitous nature of these Spanish would-be conquistadors as seen in their avowed goal to bring Florida under the control of the King of Spain and bringing Christianity to the natives which contrasted with their more obvious self-serving goals of gold, personal wealth, and fame. The Narvaez expedition of 300 men, which landed in Florida near Tampa Bay in April of 1528, completely underestimated both the physical endurance required to navigate through that land as well as the ability of the native tribes to defend themselves. Viewed through the eyes of Esteban, with flashbacks to his days growing up and working as a merchant in Morocco, Neil Shah delivers a 5-star narration, giving the main Spanish characters distinctive voices along with Esteban’s haunting voice and those of several native characters. The story follows Esteban through the miseries of how he became a slave in Spain, traveling to the New World, suffering through the decisions of Narvaez and others that doomed the expedition, and then the struggles thereafter. All the while “The Moor’s” desire to regain his freedom is paramount in his thoughts and deeds.
My only criticism of the story line was there were infrequent descriptions of the lands themselves once having left Florida, so one had difficulty determining exactly where they were geographically, since movement through time was based on moving from tribe to tribe ever westwards. At some point they moved across plains to mountains and eventually to Culican on the Pacific Coast without any geographical references. That said, the fascinating depiction via Esteban of the characters, events, and trials of these four men who end up lost in a 16th century landscape of the present U.S. southwest is an engrossing and entertaining read. The nature of humanity in all its forms of good, evil and everything in between are there.
Terrific read evoking 16th century New World life
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Neil Shah does an excellent job of narrating. He provides convincing and distinct voices for the many Spanish, Native American, and North African characters.
Well Written and Performed historical novel
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I loved this story
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this was a well researched, intimate, and human account of a historic moment. i loved every bit of it.superb reader, excellent story
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The premise of this alone makes it stand out: a North African man, who’s had to sell himself into slavery to pay his family’s debts, arrives in 16th Century “New Spain” to serve as part of a Conquistador’s mission of conquest. On top of that, though, Lalami adds a thoughtful layer of what it means to tell history, and we’re left with an original and provocative story.The premise here reminds me of Toni Morrison’s A Mercy. (If it is not as accomplished as that novel, don’t worry; very few things are.) Both of those books imagine the New World at a moment before it coalesced into a place capable of the sort of slavery we know. Each explores (and largely rejects) the possibility of friendship and partnership between people of different races, but each does so at a moment in American history before there is an America.
The best parts of this one come as the explorers get their first glimpses of a southern North America that, if familiar to us, is bewilderingly new to them. There may be a sameness to our experience of their discoveries – it does get difficult to distinguish one new tribe or one new river from another – but the group’s gradual diminishment changes their experience in ways that sustain the narrative. They lose their arrogance, and the nature of their encounter takes on an ever-changing tone.
Early on, the narrator notes of the would-be conquerors, “They gave speeches not to voice the truth but to create it.” They name everything they see as if they are in a world without history.
Later, once their hardships compel them to acknowledge the history and power of the land around them, they become more descriptive. The narrator even subtly mocks them for switching to a shorthand of “first river” or “second river” where once they thought of themselves as drawing a new map.
Lalami adds to that drama the sense that the very business of telling the group’s story follows a similar pattern. The arrogant tell their story and think of it as history in full. And, at least as I have learned the history, the Spanish story feels like the full and familiar one.
The central joy of this book is the realization that, without “the Moor’s account,” we have only a partial history of that awful and awesome time. It takes a black man, enslaved to the Spanish, to help us see those Native Americans in a new light. If the picaresque of this occasionally drags (but only occasionally) that implicit narrative correction to our history makes it all come together as a compelling and entertaining story.
The Rest of the Story
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Great narration
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good story, monotonous narration<br />
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