University professor Gela Nathaniel must make her new master’s program in multimedia art succeed. If it doesn’t, then Royal Hastings University will cut her funding and she’ll be out of the job she loves. The six students in this inaugural course will be key to that success…but how well has she selected the team? At the end of the academic year, when the examiner arrives to grade the students’ final project, he finds himself asking what happened. Because if someone in that course isn’t in mortal danger, then they are already dead. But who, and why?

Forty years ago, Steven “Smithy” Smith found a copy of a famous children’s book by disgraced author Edith Twyford, its margins full of strange markings and annotations. When he showed it to his remedial English teacher Miss Iles, she believed that it was part of a secret code that ran through all of Twyford’s novels. And when she later disappeared on a class field trip, Smithy becomes convinced that she had been right.

The Christmas season has arrived in Lower Lockwood, and the Fairway Players are busy rehearsing their festive holiday production of Jack and the Beanstalk to raise money for a new church roof. But despite the season, goodwill is distinctly lacking among the amateur theater enthusiasts with petty rivalries, a possibly asbestos-filled beanstalk, and some perennially absent players behind the scenes. Of course, there’s also the matter of the dead body onstage. Who could possibly have had the victim on their naughty list?

The Fairway Players, a local theatre group, is in the midst of rehearsals when tragedy strikes the family of director Martin Hayward and his wife Helen, the play’s star. Their young granddaughter has been diagnosed with a rare form of cancer, and with an experimental treatment costing a tremendous sum, their castmates rally to raise the money to give her a chance at survival.

It’s 1965 and teenage Frances Adams is at an English country fair with her two best friends. But Frances’s night takes a hairpin turn when a fortune-teller makes a bone-chilling prediction: One day, Frances will be murdered. Frances spends a lifetime trying to solve a crime that hasn’t happened yet, compiling dirt on every person who crosses her path in an effort to prevent her own demise. For decades, no one takes Frances seriously, until nearly sixty years later, when Frances is found murdered, like she always said she would be.

“I’ll be dead in three months. Come tell my story.” So writes Sebastian Trapp, reclusive mystery novelist, to his longtime correspondent Nicky Hunter, an expert in detective fiction. With mere months to live, Trapp invites Nicky to his spectacular San Francisco mansion to help draft his life story . . . while living alongside his beautiful second wife, Diana; his wayward nephew, Freddy; and his protective daughter, Madeleine. Soon Nicky finds herself caught in an irresistible case of real-life “detective fever.”

One bitterly cold February night at the remote MacKinnon Hotel, Remie Yorke begins her last shift at the front desk as the snow begins to fall. She has booked a one-way flight for the next day—and she's never coming back to Scotland. Or so she thinks. As the storm quickly invades the surrounding Highlands, the roads become impassable and the phone lines fall dead. When the icy temperatures plummet further, an injured man stumbles into the hotel lobby from the blizzard. Police Constable Don Gaines has been in a car accident on the mountain road, and Remie welcomes him to safety.

Tattooed, pierced, and a bit of a mess, Maggie Moore is a surprising genius when it comes to words, a savant able to solve any linguistic puzzle. The top student in her forensic linguistics class, she’s tapped by local police to use her skills to decipher harrowing notes left by a stalker-turned-rapist—and succeeds brilliantly. But when the daughter of a local mayor is abducted, Maggie isn’t sure she’s the right person to help the police solve the crime. Given what happened to her best childhood friend, Maggie just might be too close to this one.

The New York Times best-selling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues.

Freya Lockwood is shocked when she learns that Arthur Crockleford, antiques dealer and her estranged mentor, has died under mysterious circumstances. She has spent the last twenty years avoiding her quaint English hometown, but when she receives a letter from Arthur asking her to investigate—sent just days before his death—Freya has no choice but to return to a life she had sworn to leave behind.

Louise Manson is the newest student at Highfield Manor, Dublin’s most exclusive private school. It seems nearly perfect: the high arched window alcoves and tall granite pillars, the overspill of lilac at the front gate and the immaculate playing fields, the giggling students, the dusty, oak-lined library, and the dark, festering secret she has come to expose. At first, Lou’s working-class status makes her the consummate outsider, though all that changes when she is befriended by the beautiful and wealthy Shauna Power.

Years ago Alex Marks escaped to New York City for a fresh start. Now, aside from trips to her regular diner for coffee, she keeps to herself, gets her perfectly normal copywriting job done, and doesn’t date. Her carefully cultivated world is upended when her childhood hero, Francis Keen, is brutally murdered. Francis was the woman behind the famous advice column, Dear Constance, and her words helped Alex through some of her darkest times. When Alex sees an advertisement searching for her replacement, she impulsively applies, never expecting to actually get the job.

Rupert's 30th birthday party is a black-tie dinner at the Kentish Town McDonald's—catered with cocaine and Veuve Clicquot. The morning after, his girlfriend Clemmie is found murdered on Hampstead Heath, a single stiletto heel jutting from under a bush. All the party-goers have alibis. Naturally. This investigation is going to be about aristocrats and Classics degrees, Instagram influencers and whose father knows who.

Two couples in two separate but similar times-set against a backdrop of political disappointment and intellectual controversy-face the challenges of marriage, fidelity, and pregnancy. Lauren Elkin's Scaffolding is about the way our homes hold communal memories of all their inhabitants and their stories; about the bonds we create, and the difficulty of ever fully severing them; about the ways people we've loved live on in us.

Twelve years ago, eight friends ran an exclusive group at university: the Masquerade Murder Society. The mysteries they solved may have been grisly, and brilliantly staged, but they were always fictional—until their final Christmas Masquerade, when one of the group disappeared, never to be seen again. Now our privileged young cast of old university friends are summoned to the depths of Scotland for a Christmas-themed masquerade party. But all are hiding something deep below the surface that could make or break their careers.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Everyone thinks my husband is dead. Just like we planned. Eleven years ago, my husband disappeared. Eleven long hard years I waited, my heart breaking for our son, who didn’t know his father was coming back. Today, my hands shake as I try to understand what I’ve just learned: my husband has a new wife. This wasn’t part of our plan. Eleven years ago, my husband made a terrible mistake. I sacrificed everything to help him fix it. But now he’s put our son and me in danger again. We had a plan. He broke the rules. But who will pay the price?

Forty years ago, Steven “Smithy” Smith found a copy of a famous children’s book by disgraced author Edith Twyford, its margins full of strange markings and annotations. When he showed it to his remedial English teacher Miss Iles, she believed that it was part of a secret code that ran through all of Twyford’s novels. And when she later disappeared on a class field trip, Smithy becomes convinced that she had been right.

The Fairway Players, a local theatre group, is in the midst of rehearsals when tragedy strikes the family of director Martin Hayward and his wife Helen, the play’s star. Their young granddaughter has been diagnosed with a rare form of cancer, and with an experimental treatment costing a tremendous sum, their castmates rally to raise the money to give her a chance at survival.

University professor Gela Nathaniel must make her new master’s program in multimedia art succeed. If it doesn’t, then Royal Hastings University will cut her funding and she’ll be out of the job she loves. The six students in this inaugural course will be key to that success…but how well has she selected the team? At the end of the academic year, when the examiner arrives to grade the students’ final project, he finds himself asking what happened. Because if someone in that course isn’t in mortal danger, then they are already dead. But who, and why?

The Christmas season has arrived in Lower Lockwood, and the Fairway Players are busy rehearsing their festive holiday production of Jack and the Beanstalk to raise money for a new church roof. But despite the season, goodwill is distinctly lacking among the amateur theater enthusiasts with petty rivalries, a possibly asbestos-filled beanstalk, and some perennially absent players behind the scenes. Of course, there’s also the matter of the dead body onstage. Who could possibly have had the victim on their naughty list?

Three rival actresses team up to solve a murder at the stately home of Lettice Davenport, the author whose sleuthing creation of the 1930s, Dahlia Lively, had made each of them famous to a new generation.

Zoe Nolan disappeared from Manchester University in 2011. Her story was sad, certainly, but hardly sensational, Joseph Knox thought. As a crime writer, he felt that dead girls were everywhere, and the missing ones just didn't cut it. He wouldn't have given her any more thought were it not for Evelyn Mitchell. Another writer struggling to come up with a new idea, Evelyn attended one of Joseph's publicity events, and she was wondering just what happened to all the girls who go missing.

Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life. But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...

The young English narrator of Lea Carpenter’s dazzling new novel has grown up unhappily in London, dreaming of escape, pretending to be someone else and obsessed with a locked private garden. On the eve of her twenty-first birthday, at a party near that garden, she meets its charismatic and mysterious new owner, Marcus, thirty-three years older, who sweeps her off her feet. Before long they are married at his finca in Mallorca, and at last she has escaped into a new role–but at what price?

A debut thriller about a woman who is trying to escape the past and the horrific event she witnessed at the prestigious journalism school she attended.

When the misanthropic Dr Miriam Price wakes up dead, her day has only just started to go wrong. With everyone mistakenly thinking she killed herself, she's condemned to half a century in Limbo as a 'Death By Misadventure' - unless she can prove that she was murdered. Unable to communicate with anyone living, Miriam's investigative options look decidedly limited.

Getting snowed in at a luxurious, rustic ski chalet high in the French Alps doesn’t sound like the worst problem in the world. Especially when there’s a breathtaking vista, a full-service chef and housekeeper, a cozy fire to keep you warm, and others to keep you company. Unless that company happens to be eight coworkers…each with something to gain, something to lose, and something to hide.

His drinking is getting worse by the day, his emotional wounds after a deployment to Afghanistan are as raw as ever, his marriage and career are over, and the only job he can hold down is with the local sheriff’s department. And that’s only because the sheriff is his mother—and she’s overwhelmed with small town Shaky Lake’s dwindling budget and the fallout from the opioid epidemic.

Tattooed, pierced, and a bit of a mess, Maggie Moore is a surprising genius when it comes to words, a savant able to solve any linguistic puzzle. The top student in her forensic linguistics class, she’s tapped by local police to use her skills to decipher harrowing notes left by a stalker-turned-rapist—and succeeds brilliantly. But when the daughter of a local mayor is abducted, Maggie isn’t sure she’s the right person to help the police solve the crime. Given what happened to her best childhood friend, Maggie just might be too close to this one.

Lee left Craw Valley at eighteen without a backward glance. She wanted no part of the generations of her family who tapped into the power of the land to heal and help their community. But when she abandons her new life in California and has nowhere else to go, Lee returns to Craw Valley with her children in tow to live with her grandmother, Belva. Lee vows to stay far away from Belva’s world of magic, but when the target of one of her grandmother’s spells is discovered dead, Lee fears that Belva’s magic may have conjured something far more sinister.

In February 1986, the Halland police receive a call from a man who claims to have attacked his first victim. I’m going to do it again, he says before the line cuts off. By the time police officer Sven Jörgensson reaches the crime scene, the woman is taking her last breath. For Sven, this will prove a decisive moment. On the same night, Sweden plunges into a state of shock after the murder of the prime minister. Could there possibly be a connection?