The Christmas season has arrived in Lower Lockwood, and the Fairway Players are busy rehearsing their festive holiday production of Jack and the Beanstalk to raise money for a new church roof. But despite the season, goodwill is distinctly lacking among the amateur theater enthusiasts with petty rivalries, a possibly asbestos-filled beanstalk, and some perennially absent players behind the scenes. Of course, there’s also the matter of the dead body onstage. Who could possibly have had the victim on their naughty list?

Everyone knows the story of the Alperton Angels: the cult who brainwashed a teenage girl into believing her baby was the anti-Christ. When the girl came to her senses and called the police, the Angels committed suicide and mother and baby disappeared.

The Fairway Players, a local theatre group, is in the midst of rehearsals when tragedy strikes the family of director Martin Hayward and his wife Helen, the play’s star. Their young granddaughter has been diagnosed with a rare form of cancer, and with an experimental treatment costing a tremendous sum, their castmates rally to raise the money to give her a chance at survival.

Forty years ago, Steven “Smithy” Smith found a copy of a famous children’s book by disgraced author Edith Twyford, its margins full of strange markings and annotations. When he showed it to his remedial English teacher Miss Iles, she believed that it was part of a secret code that ran through all of Twyford’s novels. And when she later disappeared on a class field trip, Smithy becomes convinced that she had been right.

Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written—let alone published—anything decent in years. When Evan Parker, his most arrogant student, announces he doesn’t need Jake’s help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then...he hears the plot.

Three rival actresses team up to solve a murder at the stately home of Lettice Davenport, the author whose sleuthing creation of the 1930s, Dahlia Lively, had made each of them famous to a new generation.

Influencer Meredith Lee didn’t teach Aspen Palmer how to blossom on social media just to be ditched as soon as Aspen became big. So can anyone really blame Mer for doing a little stalking? Nothing serious, more like Stalking Lite. Then, Mer gets lucky; she finds one of Aspen’s kids’ iPads and swipes it. Now, she has access to everything: the family calendar and Aspen’s social media accounts. Would anyone else be able to resist tweaking things a little here and there, showing up in Aspen’s place for meetings with potential sponsors?

Case One: A little girl goes missing in the night. Case Two: A beautiful young office worker falls victim to a maniac's apparently random attack. Case Three: A new mother finds herself trapped in a hell of her own making - with a very needy baby and a very demanding husband - until a fit of rage creates a grisly, bloody escape.

Editor Susan Ryeland has left her Greek island, her hotel, and her Greek boyfriend Andreas in search of a new life back in England. Freelancing for Causton Books, she’s working on the manuscript of a novel, Pund’s Last Case, by a young author named Eliot Crace, a continuation of the popular Alan Conway series. Susan is surprised to learn that Eliot is the grandson of legendary children’s author Marian Crace, who died some fifteen years ago—murdered, Elliot insists, by poison.

Nikki Serafino is enjoying the sunset from her boat in her beloved port city of Naples, Italy, when she discovers the body of a man in the warm waters of the bay. An investigator working as the liaison between local police and American troops, Nikki is certainly no stranger to violence and organized crime, but this case grows complicated when the victim turns out to be a U.S. Navy captain stationed at the nearby military base—and the autopsy reveals foul play.

Judith Potts is 77 years old and blissfully happy. She lives on her own in a faded mansion just outside Marlow, there’s no man in her life to tell her what to do or how much whisky to drink, and to keep herself busy she sets crosswords for The Times newspaper. One evening, while out swimming in the Thames, Judith witnesses a brutal murder. The local police don’t believe her story, so she decides to investigate for herself and is soon joined in her quest by Suzie, a salt-of-the-earth dog-walker, and Becks, the prim and proper wife of the local vicar.

Remi Finch has spent the better part of her adult life avoiding family—especially her sisters. They just don’t click. Besides, her unconventional upbringing and major anxiety have convinced Remi that she can’t build a relationship with anyone. Period. When her parents plan a family reunion camping trip to celebrate their anniversary, Remi’s willing to reconnect, if only because she doesn’t have a choice. But then a dead body turns up at their campsite, and their sisterly bonding kicks into high gear.

Eighty-one-year-old widow Maggie Burkhardt came to the Royal Karnak to escape. But not in quite the same way as most other guests who are relaxing at this hotel on the banks of the Nile. Maggie, a compulsive fixer of other people’s lives, may have found herself in hot water at her last hotel in Switzerland and just might have needed to get out of there fast. But here at the Royal Karnak, under the hot Saharan sun, she has a comfortable suite, a loyal confidante in the hotel manager, Ahmed, and a handful of sympathetic friends. One morning, however, Maggie notices a new arrival at check-in.

In England in the 1700s, a woman who was an intellectual, spoke out, or wrote professionally was considered unnatural. After all, as the wisdom of the era dictated, a clever woman—if there were such a thing—would never make a good wife. But a circle of women called the Bluestockings did something extraordinary: Coming together in glittering salons to discuss and debate as intellectual equals with men, they fought for women to be educated and to have a public role in society. In this intimate and revelatory history, Susannah Gibson delves into the lives of these pioneering women.

Nina, still grieving from the loss of her father, discovers that she has inherited property in the British Virgin Islands—a vacation home she had no idea existed, until now. The house is extraordinary: state-of-the-art, all glass and marble. How did her sensible father come into enough money for this? Why did he keep it from her? And what else was he hiding?

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

The Fairway Players, a local theatre group, is in the midst of rehearsals when tragedy strikes the family of director Martin Hayward and his wife Helen, the play’s star. Their young granddaughter has been diagnosed with a rare form of cancer, and with an experimental treatment costing a tremendous sum, their castmates rally to raise the money to give her a chance at survival.

Forty years ago, Steven “Smithy” Smith found a copy of a famous children’s book by disgraced author Edith Twyford, its margins full of strange markings and annotations. When he showed it to his remedial English teacher Miss Iles, she believed that it was part of a secret code that ran through all of Twyford’s novels. And when she later disappeared on a class field trip, Smithy becomes convinced that she had been right.

Everyone knows the story of the Alperton Angels: the cult who brainwashed a teenage girl into believing her baby was the anti-Christ. When the girl came to her senses and called the police, the Angels committed suicide and mother and baby disappeared.

The Christmas season has arrived in Lower Lockwood, and the Fairway Players are busy rehearsing their festive holiday production of Jack and the Beanstalk to raise money for a new church roof. But despite the season, goodwill is distinctly lacking among the amateur theater enthusiasts with petty rivalries, a possibly asbestos-filled beanstalk, and some perennially absent players behind the scenes. Of course, there’s also the matter of the dead body onstage. Who could possibly have had the victim on their naughty list?

Three rival actresses team up to solve a murder at the stately home of Lettice Davenport, the author whose sleuthing creation of the 1930s, Dahlia Lively, had made each of them famous to a new generation.

Alfred Smettle is not your average Hitchcock fan. He is the founder, owner, and manager of The Hitchcock Hotel, a sprawling Victorian house in the White Mountains dedicated to the Master of Suspense. There, Alfred offers his guests round-the-clock film screenings, movie props and memorabilia in every room, plus an aviary with fifty crows. To celebrate the hotel’s first anniversary, he invites his former best friends from his college Film Club for a reunion. He hasn’t spoken to any of them in sixteen years, not after what happened.

Roman Grady is the sole reporter for the local newspaper in a tiny Hudson Valley town—a town so small that every store opening and DUI is considered newsworthy. But when Roman's longtime girlfriend, Ashley, the mother of his four-year-old son, is found dead, he realizes he had no idea what was really going on in her life. And when he starts asking questions, he’s not prepared for the answers.

Quill has lived on the Red Pine reservation in Minnesota her whole life. She knows what happens to women who look like her. Just a girl when Jimmy Sky jumped off the railway bridge and she ran for help, Quill realizes now that she’s never stopped running. As she trains for the Boston Marathon early one morning in the woods, she hears a scream. When she returns to search the area, all she finds are tire tracks and a single beaded earring.

July 2015, Sevenoaks. 12-year-old schoolgirl Alice Johnson went missing while doing her paper round, her bag found discarded on the pavement. At 08.00, she was spotted standing in heavy rain at the side of the busy by-pass. At 11.00, she was seen talking to the driver of a black car in Tonbridge. After that, nothing. Alice was never found. Nine years later the body of another schoolgirl, Joleen Price, is pulled from a nearby lake and a local man named Vince Burns detained. Convinced that Burns is guilty in both cases, SIO Dave Armstrong calls in the Finder.

In London, the police storm Heathrow Airport to bring in a father for questioning about his missing daughter. In Florida, a mother makes a connection between her son and the bomber, fearing he has been radicalized. And in Oregon, an unknown organization’s conspiracy to bring America to its knees unfolds. On the run from the authorities, the two parents are thrown together in a race against time to stop a catastrophe that will derail the country’s future forever.

Things are going well for Jane Murphy, or so it seems. She’s making it in New York, a sort of wunderkind at the social media marketing startup where she works. She’s put an experimental writer, Jeremy Miller, on the map by helping him concoct a viral internet novel, told in fragments through various fake social media accounts. But privately, Jane feels trapped, ruled by her routines and her compulsions, caught up in an endless cycle of soothing and punishing herself.

When true-Crime obsessed Paige, along with her family, move across the Atlantic to her father's eerie hometown, it's not long before she uncovers the town's dark history—a string of unsolved murders and disappearances in the 90s. Soon after, notes start appearing at their home, about the secrets the old house is keeping. The clues lead Paige to a diary concealed in the walls that belonged to one of the missing girls. Could this be the key to solving a quarter-of-a-century mystery...or will the diary make Paige the next target?

For two years Lucy and Sam renovated their beautiful Victorian home but spiraling debts are forcing them to sell. The agreement with their real estate agent is that they won’t be home for viewings, but when Lucy gets a voicemail saying the Agent is running late, she realizes she will have to show the prospective buyer around herself. Suffering from extreme anxiety and claustrophobia, Lucy watches the stranger on their doorstep waiting to be let in.

The small, rundown village of Great Diddling is full of stories—author Berit Gardner can feel it. The way the villagers avoid outsiders, the furtive stares and whispers in the presence of newcomers… Berit can sense the edge of a story waiting to be unraveled, and she's just the person to do it. In fact, with a book deadline looming over her and no manuscript (not even the idea for a manuscript, truth be told), Berit doesn't just want this story. She needs it. Then, while attending a village tea party, Berit becomes part of the action herself.

The incomparable Booker Prize winner’s next great crime novel - the story of a family whose secrets resurface when a parish priest is found murdered in their ancestral home. Detective Inspector St. John Strafford has been summoned to County Wexford to investigate a murder. A parish priest has been found dead in Ballyglass House, the family seat of the aristocratic, secretive Osborne family.