After her best friend dies in a coal mine, Benethea "Bennie" Mattox sacrifices her job, her relationship, and her reputation to uncover what’s killing miners on Kire Mountain. When she finds a half-drowned white woman in a dirty mine slough, Bennie takes her in because it's right—but also because she hopes this odd, magnetic stranger can lead her to the proof she needs. Instead, she brings more questions. The woman called Motheater can't remember her true name, or how she ended up inside the mountain.

Welcome to Rydding, the hidden village you might stumble across if you need a home and a fresh start. For Elwyn Howell, the village is a lifesaver when she finds it just as she’s run out of strength and hope while running for her life. The abandoned healer’s cottage welcomes her, even though she’s given up on that calling. She opens a tea shop instead, using her knowledge of herbs and her empathic gift that allows her to select the perfect tea for each customer. Soon, she’s feeling at home in the village community.

1898. Quinn le Blanc, London’s most talented con woman, has five days to pull off her most ambitious plot yet: trap a highly eligible duke into marriage and lift a fortune from the richest family in England. Masquerading as the season’s most enviable debutante, Quinn puts on a brilliant act that earns her entrance into the grand drawing rooms and lavish balls of high society—and propels her straight into the inner circle of her target: the charismatic Kendals.

Zoe Brennan may be the loneliest lesbian in Blue Ridge, but at least she has her family vineyard to keep her busy. When a prestigious wine festival announces it’s coming to town, it kicks off a battle royale among local vineyards vying for the opportunity to host it. Zoe’s in it to win it—being chosen would put Bluebell Vineyards on the map, and she could stick it to the vineyard next door, run by her ex-best friend (now enemy), Rachel. But when Zoe’s father is called home to Italy to care for his sick mother, Bluebell is left without a vintner.

Liza Day’s mother isn’t dead, but leave it to Darla Day to throw herself a funeral anyway. It’s the kind of attention grab Liza left behind to build a quiet life for herself and her rebellious teenage daughter, Avery. But between her students discovering her old daytime TV show—putting her teaching job at risk—and her mother’s unexpected funeral invitation, Liza’s life feels truly like a soap opera.