Successful lady novelist Laura Morland and her boisterous young son, Tony, set off to spend Christmas at her country home in the sleepy surrounds of High Rising. But Laura's wealthy friend and neighbor, George Knox, has taken on a scheming secretary whose designs on marriage to her employer threaten the delicate social fabric of the village.

Beautiful Stacey Marsh made a mistake—she should never have come home for her wedding. She had forsaken her hometown of Dorsham, England, long ago because it was too quiet, not at all the kind of place for the likes of Stacey. Stacey met Jules Charbonnier in Paris and planned to marry. As soon as Stacey returns to Dorsham, the town was frantic with upcoming activity and Stacey’s grandfather’s ghost has come back to haunt them. As for the boy next door, Nigel is simply too handsome for his own good.

Natalie Travers had only just had her house in Brighton converted into flats, and installed five sets of tenants, when her younger brother Julian sent her an appeal for help. Newly deserted by his wife of one year, he was finding it impossible to cope single-handed with his work, with the running of the house and with the care of his baby twins, Rowena and Randall. Natalie’s elder brother, Maurice, and his wife Freddie, were strongly opposed to Natalie’s going to the rescue.

Elfrida Jane, accustomed to the energetic life of a small-part actress, finds life at Mountain Cross very different. At first her mother's old cliff-top house seems lonely and bleak, compared to the glitter and bustle of the theatre. But Elfrida has plenty of courage and soon settles down to enjoy herself. Then, suddenly, her peace is shattered. To the house on the cliff come unexpected visitors from the world of the theatre - a world Elfrida thought she had left behind forever.

In this beautifully nostalgic memoir, eminent author Angela Thirkell recalls in rich detail the three houses in which she grew up. Focusing first on 'The Grange', where her grandfather, the celebrated painted Sir Edward Burne-Jones, set the cultivated tone, Thirkell also reminisces about her parents' home in Kensington Square and the Burne-Jones' seaside retreat, where Angela's cousin, Rudyard Kipling, lived across the green.

When their father dies, none of the three Harcourt girls are particularly upset. The loss of the family's income, however, is not something so easily overcome. When their mother Anna discovers that they have been left penniless, she decides to move them out of London and back to her hometown in Scotland.

Hugo Ross is perfect for the job as irascible inventor Ambrose Minstrel’s new secretary: young, completely inexperienced, and with an occasional stutter that makes him seem somewhat dim—a mug, in fact. But from his first day, odd things begin to happen. A stranger offers him an absurd amount for an ordinary pair of field glasses; soon, the written offer is stolen from his room. A lovely girl he runs into in the dark one night outside his new employer’s house warns him not to take the job.

The scene of this entertaining story is laid in a charming English village. The plot centres round Miss Barbara Buncle, a maiden lady who was obliged to write a book because – as she naively explained – her dividends were so poor. Unfortunately, Miss Buncle had no imagination, so she wrote about her friends – quite kindly and truthfully, of course, for she was a benevolent and veracious soul.

The newly formed Ministry of Fine Arts has a staffing problem - one minister dead within six months of its inception, his successor snuffed out shortly before the General Election. When a third victim, Permanent Secretary Edwin Pompfret is fatally crushed by the fall of a giant bust, Inspector Julian Rivers is drawn into a case of murder of artistic devilment.

The sudden death of the father of the family results in the drastic reduction of the Careys' income and they must leave their comfortable home in Boston. Nancy Carey, the eldest, recalls a vacation in Maine when they all picnicked in the garden of a big, vacant house that her father loved. She discovers that the house is available, the rent is cheap, and persuades her mother that life in The Yellow House in Beulah, Maine is the perfect place to begin their new life.

In the small town of Beilford, Sue, the Baker's daughter, makes an uncharacteristically impulsive decision to accept a post as housekeeper to Mr and Mrs Darnay, dashing her family's hopes of her marrying a local suitor. And when Mrs Darnay suddenly departs, Sue's position in the house is left open to idle gossip - Mr Darnay is after all an artist, and everybody knows what that means. But it is not until Sue is summoned home that she finally realises the strength of her feelings towards her charming employer. . .

The First Collection of Twelve Stories is a captivating collection featuring the brilliant detective Lord Peter Wimsey in a series of thrilling, often witty mysteries. This illustrated volume includes such unforgettable tales as The Fantastic Horror of the Cat in the Bag, where Wimsey faces a bizarre crime involving a mysterious cat, and The Unprincipled Affair of the Practical Joker, which pits the detective against a cunning adversary with a penchant for dark humor.

When a famous theatre actor is found dead in his changing room, it is initially labelled a suicide. But Inspector Alleyn believes there is more to it, and soon the cast of the production find themselves under suspicion.

Bel, an orphan daughter of an Army colonel, is brought up in an English village and flung into the whirl of London life to earn a hard living as a secretary while attempting to navigate romance, unexpected friendships and urban life. Shy and sensitive, she is unaware of the pitfalls that surround her. When Bel is offered a chance to leave London and venture to a fishing hotel in Scotland for a much needed holiday with an old school friend, things begin to change. There she learns that you cannot escape from your troubles by running away from them....

'Lady B. stays to tea. (Mem.: Bread-and-butter too thick. Speak to Ethel.) We talk some more about bulbs, the Dutch School of Painting, our Vicar's wife, sciatica, and All Quiet on the Western Front. (Query: is it possible to cultivate the art of conversation when living in the country all the year round?)' If the question suggests a qualified answer, there is no doubt that the art of diary writing is alive and well and very, very funny in Devonshire in the 1920s. At least in the hands of E. M. Delafield.