Demeter: a goddess of life, living half of one. Demeter did not always live in fear. Once, she loved the world and the humans who inhabited it. After an act of devastating violence, though, she hides herself away among the grasses and wildflowers. Her only solace is her daughter . . . Before she was Persephone, she was Core. Core is as bright as summer and devoted to her mother, even during their millennia in exile from Olympus. But she craves freedom. Naïve and determined, she secretly builds a life of her own—and as she does so, she catches the eye of a powerful god . .

When the immortal goddess Hera and her brother Zeus overthrow their tyrannical father, she dreams of ruling at his side. But as they establish their reign on Mount Olympus, Hera begins to see that Zeus is just as ruthless and cruel as the father they betrayed. While Zeus ascends, Hera is relegated to the role of wife and mother, a role she never wanted. She was always born to rule, but must she lose herself in perpetuating this cycle of violence and cruelty? Or can she find a way to forge a better world?

It's been five years since Charlotte Donovan was ditched at the altar by her ex-fiancée, and she’s doing more than okay. Sure, her single mother never checks in, but she has her strings ensemble, the Rosalind Quartet, and her life in New York is a dream come true. As the holidays draw near, her ensemble mate Sloane persuades Charlotte and the rest of the quartet to spend Christmas with her family in Colorado. But when Charlotte arrives, she discovers that Sloane’s sister Adele also brought a friend home—and that friend is none other than her ex, Brighton.

The only mortal daughter of two sea gods, and a priestess of Athena, Medusa was a woman who thought she had found her place in the world. But when Medusa suffers a horrific violation at the hands of Poseidon, Athena is outraged over the desecration of her name and sends a message by transforming Medusa into the snake-haired monster of legend. With one look, any who meet her gaze is turned to stone. Word of her monstrosity travels fast, igniting a king’s fear so greatly that he commands the boy-hero Perseus to bring him her head.

Before Gods and mortals, there were The Fates - three sisters born out of Nyx's darkness, destined to weave the lives, and deaths, of humankind for eternity. But immortality is a heavy burden, and Clotho, Lachesis and Atropos are captivated by the gloriously human lives of the mortals below, especially those of the great warrior Atalanta and her ill-fated lover, Meleager. However, being a Goddess of Fate doesn't make you a master of it. Will these three sisters find a way to free the couple, and themselves, from their destinies? Or will they be bound by Fate forever?

In Greek myth, Alcestis is known as the ideal wife; she loved her husband so much that she died and went to the underworld in his place. But who was Alcestis before she was married? Other than her love for Admetus, what circumstances led her to make this ultimate sacrifice? And what happened to her in the three days she spent in the underworld?

Jocasta is just fifteen when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be, unless she outlives her strange, absent husband. Ismene is the same age when she is attacked in the palace she calls home. Since the day of her parents' tragic deaths a decade earlier, she has always longed to feel safe with the family she still has. But with a single act of violence, all that is about to change. With the turn of these two events, a tragedy is set in motion. But not as we’ve known it.

Powerless witch Saika is ready to enact her sister's final request: to plant her remains at the famed Ash Gardens. When Saika arrives at the always-stormy sanctuary, she is welcomed by its owner, an enormous, knit-cardiganed mythical beast named Frank, who offers her a role as one of the estate's caretakers. Overcome with grief, Saika accepts, desperate to put off her final farewell to her sister. But the work requires a witch with intrinsic power, and Saika's been disconnected from her magic since her sister's death two years prior.

New York City, 1932: Eva Le Gallienne is trying to save her theatre company from the jaws of the Depression by mounting an innovative new production of Alice in Wonderland. She agrees to give a radio interview for the sake of publicity, but while revisiting the moments that shaped her career, she struggles with the need to keep a significant secret: she and her leading lady are in love. As Eva’s work careens toward catastrophe, she fights to preserve her dream of a people’s theatre—but will she destroy the people she loves in the process?

Sold by her impoverished mother. Enslaved in an infamous brothel in Pompeii. Determined to fight for her freedom at all costs. . . . Enter into the Wolf Den.

Even before they were transformed into Gorgons, Medusa, Stheno, and Euryale were unique among their immortal family. Curious about mortals and their lives, Medusa and her sisters entered the human world in search of a place to belong, yet quickly found themselves at the perilous center of a dangerous Olympian rivalry and learned—too late—that a god's love is a violent one.

Nationally bestselling author of Daughters of Sparta Claire Heywood returns with an imaginative and female-centered reinterpretation of the myth of the great hero Perseus, told through the voices of three women who are sidelined in the traditional version—his mother, Danae; his trophy, Medusa; and his wife, Andromeda—but whose viewpoints reveal a man who is not, in fact, a hero at all.

Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice. When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur.

Told with humour and heart, Herc gives voice to the silenced characters, in this feminist, queer (and sometimes shocking) retelling of classic Hercules myth.

When Princess Atalanta is born, a daughter rather than the son her parents hoped for, she is left on a mountainside to die. But even then, she is a survivor. Raised by a mother bear under the protective eye of the goddess Artemis, Atalanta grows up wild and free, with just one condition: if she marries, Artemis warns, it will be her undoing. Although she loves her beautiful forest home, Atalanta yearns for adventure. When Artemis offers her the chance to fight in her name alongside the Argonauts, the fiercest band of warriors the world has ever seen, Atalanta seizes it.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

The only mortal daughter of two sea gods, and a priestess of Athena, Medusa was a woman who thought she had found her place in the world. But when Medusa suffers a horrific violation at the hands of Poseidon, Athena is outraged over the desecration of her name and sends a message by transforming Medusa into the snake-haired monster of legend. With one look, any who meet her gaze is turned to stone. Word of her monstrosity travels fast, igniting a king’s fear so greatly that he commands the boy-hero Perseus to bring him her head.

Before Gods and mortals, there were The Fates - three sisters born out of Nyx's darkness, destined to weave the lives, and deaths, of humankind for eternity. But immortality is a heavy burden, and Clotho, Lachesis and Atropos are captivated by the gloriously human lives of the mortals below, especially those of the great warrior Atalanta and her ill-fated lover, Meleager. However, being a Goddess of Fate doesn't make you a master of it. Will these three sisters find a way to free the couple, and themselves, from their destinies? Or will they be bound by Fate forever?

Demeter: a goddess of life, living half of one. Demeter did not always live in fear. Once, she loved the world and the humans who inhabited it. After an act of devastating violence, though, she hides herself away among the grasses and wildflowers. Her only solace is her daughter . . . Before she was Persephone, she was Core. Core is as bright as summer and devoted to her mother, even during their millennia in exile from Olympus. But she craves freedom. Naïve and determined, she secretly builds a life of her own—and as she does so, she catches the eye of a powerful god . .

In Greek myth, Alcestis is known as the ideal wife; she loved her husband so much that she died and went to the underworld in his place. But who was Alcestis before she was married? Other than her love for Admetus, what circumstances led her to make this ultimate sacrifice? And what happened to her in the three days she spent in the underworld?

When the immortal goddess Hera and her brother Zeus overthrow their tyrannical father, she dreams of ruling at his side. But as they establish their reign on Mount Olympus, Hera begins to see that Zeus is just as ruthless and cruel as the father they betrayed. While Zeus ascends, Hera is relegated to the role of wife and mother, a role she never wanted. She was always born to rule, but must she lose herself in perpetuating this cycle of violence and cruelty? Or can she find a way to forge a better world?

When a sharp cry wakes Jean in the middle of the night during a terrible tempest, she’s convinced it must have been a dream. But when the cry comes again, Jean ventures outside and is shocked by what she discovers—a young woman in labor, drenched to the bone in the bitter cold and able to speak barely a word of English.

Lavinia never asked to be fought over. But now her childhood sweetheart has waged a war that threatens to destroy everything she holds dear, all because Lavinia's father has promised her to somebody else–Aeneas. Aeneas, rumored to be the son of Venus, is famed for his bravery, cunning, and his vision for a new great Empire. He is also secretive, slippery—and Lavinia wonders why he will never discuss the past he left behind. So when a stranger arrives in the camp with stories about Aeneas that suggest he is not what he seems, Lavinia realizes she has to take her future into her own hands.

There are many paths to power. They all come with a price. Neferura, princess and high priestess of Kemet, knows her duty is to her people. When your mother is the great Pharaoh, it is hard to forget. But Neferura's unique position at court comes with high stakes for her country, especially when she's forced to serve her vile half-brother, a man determined to stop Neferura's potential rise.

A genre-defining novel and De Robertis's masterpiece, Cantoras is a breathtaking portrait of queer love, community, forgotten history, and the strength of the human spirit. At once timeless and groundbreaking, Cantoras is a tale about the fire in all our souls and those who make it burn.

Among the women of Greek mythology, the witch Medea may be the most despised. Known for the brutal act of killing her own children to exact vengeance on her deceitful husband, Jason, the leader of the Argonauts, Medea has carved out a singularly infamous niche in our histories.

When Jezebel learns she can't be a king like her father simply because she’s a girl, she vows never to become someone’s decorative wife, nameless and lost to history. At fifteen she’s married off, despite her protests, to Prince Ahab of Israel. There, she does what she must to gain power and remake the dry and distant kingdom in the image of her beloved, prosperous seaside homeland of Tyre, beginning by building temples to the gods she grew up worshipping. As her initiatives usher in an era of prosperity for Israel, her new subjects love her, and her name rings through the land.

The names Romulus and Remus may be immortalized in map and stone and chronicle, but their mother exists only as a preface to her sons’ journey, the princess turned oath-breaking priestess, condemned to death alongside her children. But she did not die; she survived. And so does her story. Beautiful, royal, rich: Rhea has it all—until her father loses his kingdom in a treacherous coup, and she is sent to the order of the Vestal Virgins to ensure she will never produce an heir. Except when mortals scheme, gods laugh.

When the Guardian of the West Passage died in her bed, the women of Grey Tower fed her to the crows and went back to their chores. No successor was named as Guardian, no one took up the fallen blade; the West Passage went unguarded. Now, snow blankets Grey in the height of summer. Rats erupt from beneath the earth, fleeing that which comes. Crops fail. Hunger looms. And none stand ready to face the Beast, stirring beneath the poisoned soil. The fate of all who live in the palace hangs on narrow shoulders.

New York City, 1932: Eva Le Gallienne is trying to save her theatre company from the jaws of the Depression by mounting an innovative new production of Alice in Wonderland. She agrees to give a radio interview for the sake of publicity, but while revisiting the moments that shaped her career, she struggles with the need to keep a significant secret: she and her leading lady are in love. As Eva’s work careens toward catastrophe, she fights to preserve her dream of a people’s theatre—but will she destroy the people she loves in the process?

Òdòdó's hometown of Timbuktu has been conquered by the warrior king of Yorùbáland. Already shunned as social pariahs, living conditions for Òdòdó and the other women in her blacksmith guild grow even worse under Yorùbá rule.Then Òdòdó is abducted. She is whisked across the Sahara to the capital city of Ṣàngótẹ̀, where she is shocked to discover that her kidnapper is none other than the vagrant who had visited her guild just days prior. But now that he is swathed in riches rather than rags, Òdòdó realizes he is not a vagrant at all.