On the island of Sicily amid the Peloponnesian War, the Syracusans have figured out what to do with the surviving Athenians who had the gall to invade their city: they’ve herded the sorry prisoners of war into a rock quarry and left them to rot. Looking for a way to pass the time, Lampo and Gelon, two unemployed potters with a soft spot for poetry and drink, head down into the quarry to feed the Athenians if, and only if, they can manage a few choice lines from their great playwright Euripides. Before long, the two mates hatch a plan to direct a full-blown production of Medea.

John, an impoverished Scottish minister, has accepted a job evicting the lone remaining occupant of an island north of Scotland—Ivar, who has been living alone for decades, with only the animals and the sea for company. Though his wife, Mary, has serious misgivings about the errand, he decides to go anyway, setting in motion a chain of events that neither he nor Mary could have predicted.

The riotous, raucous, and deeply resonant debut novel from “one of the best story writers in the English language today” (Financial Times), Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry.

Doctor Jack Troy was born and raised in Faha, but his responsibilities for the sick and his care for the dying mean he has always been set apart from the town. His eldest daughter, Ronnie, has grown up in her father’s shadow, and remains there, having missed one chance at love – and passed up another offer of marriage from an unsuitable man. But in the Advent season of 1962, as the town readies itself for Christmas, Ronnie and Doctor Troy’s lives are turned upside down when a baby is left in their care.

On a highway in Houston, Texas, Sarah LaBrie’s mother was found screaming at passing cars, terrified she would be murdered by invisible assailants. The diagnosis of schizophrenia that followed compelled Sarah to rethink her childhood, marked at turns by violence and all-consuming closeness. Digging into the events that led to her mother’s break, Sarah traces her family history of mental illness, from the dysphoria that plagued her great-grandmother, a granddaughter of slaves, to her own experience with depression as a scholarship student at Brown.

The fates of two unforgettable women—one just beginning a journey of reckoning and self-discovery and the other completing her life's last vital act—intertwine in this sweeping, deeply researched debut set in the Black communities of Ontario that were the last stop on the Underground Railroad. In the Upper Country weaves together unlikely stories of love, survival, and familial upheaval that map the interconnected history of the peoples of North America in an entirely new and resonant way.

Half of the United States is waiting for Justice Sylvia Olin Bernstein to die. The other half is praying for her to hold on. At 83, “the contemptuous S.O.B.” doesn’t have much time left. What she has is a story, one she has wrested from the grip of history to tell herself—of how she rose to her historic position on the Supreme Court, and the barriers she broke along the way.

Wisecracking, inquisitive, and bombastic, Selam Asmelash is the youngest child in her large, boisterous family. Even before she is born, she has a wry, bewitching omniscience that animates life in her Small Town in southwestern Ethiopia in the 1980s. Selam and her father listen to the radio in secret as the socialist military junta that recently overthrew the government seizes properties and wages civil war in the North. The Asmelashes, once an enterprising, land-owning family, are ostracized under the new regime.

Somewhere far away - or maybe right nearby - lies an archipelago called Popisho. A place of stunning beauty and incorrigible mischief, destiny, and mystery, it is also a place in need of change. A storm is brewing. Before it comes, before the end of the day, this wildly imaginative narrative will take us across the islands, their history, and into the lives of unforgettable characters.

Sadie Jones, a larger-than-life actress and controversial feminist, never wanted to be a mother. No one feels this more deeply than Jude, the daughter Sadie left behind. While Jude spent her childhood touring with her father’s Shakespearian theater company, desperate for validation from the mother she barely knew, Sadie catapulted to fame on the wings of The Mother Act—a scathing one-woman show about motherhood. Two decades later, Jude is a talented actress in her own right, and her fraught relationship with Sadie has come to a scandalous head.

On rounds at Mount Misery, it's not always easy for Basch to tell the patients from the doctors: Errol Cabot, the drug cowboy whose practice provides him with guinea pigs for his imaginative prescription cocktails . . . Blair Heiler, the world expert on borderlines (a diagnosis that applies to just about everybody) . . . A. K. Lowell, née Aliyah K. Lowenschteiner, whose Freudian analytic technique is so razor sharp it prohibits her from actually speaking to patients . . . And Schlomo Dove, the loony, outlandish shrink accused of having sex with a beautiful, well-to-do female patient.

It’s the holy month of Ramadan, and twin sisters Amira and Lina are about to graduate high school in Bay Ridge, Brooklyn. On the precipice of adulthood, they plan to embark on a summer of teenage revelry, trying on new identities and testing the limits of what they can get away with while still under their parents’ roof. But the twins' expectations of a summer of freedom collide with their older brother's return from prison, whose mysterious behavior threatens to undo the delicate family balance.

For Blue Lake’s entire life, she and her mother, Scarlet, have been on the run from HIM - the man who Scarlet, a talented and enigmatic painter, insists is chasing them. But now, at 15 years old, Blue has begun to resent the nomadic life that once seemed like an adventure, increasingly unsure what to make of the phantom pursuer she’s never seen. She only yearns to settle down in one place, to live a normal life.

Dissatisfied with his empty, Sisyphus-like existence in New York City, where he has abandoned his creative dreams for a job in corporate advertising, a highly cultured aspiring composer wants nothing more than to tear his life up from the root. He soon finds his escape hatch: a university-sponsored mission to South America to look for indigenous musical instruments in one of the few areas of the world not yet touched by civilization. Retracing the steps of time, he voyages with his lover into a land that feels outside of history.

Bear it or perish yourself. Those are the words Helen Jean hears that fateful night in her cousin’s outhouse that change the trajectory of her life. Spanning decades, Perish tracks the choices Helen Jean—the matriarch of the Turner family—makes and the way those choices have rippled across generations, from her children to her grandchildren and beyond. This family’s “reunion” unearths long-kept secrets and forces each member to ask themselves important questions about who is deserving of forgiveness and who bears the cross of blame.

Yumi Fuller hasn’t set foot in her hometown of Liberty Falls, Idaho—heart of the potato-farming industry—since she ran away at age fifteen. Twenty-five years later, the prodigal daughter returns to confront her dying parents, her best friend, and her conflicted past, and finds herself caught up in an altogether new drama. The post-millennial farming community has been invaded by Agribusiness forces at war with a posse of activists, the Seeds of Resistance, who travel the country in a camping car, “The Spudnick,” biofueled by pilfered McDonald’s french-fry oil.

Two sisters - Miranda, the older, responsible one, always her younger sister's protector; Lucia, the headstrong, unpredictable one, whose impulses are huge and, often, life changing. When their mother dies and Lucia starts hearing voices, it is Miranda who must find a way to reach her sister. But Lucia impetuously plows ahead, marrying a bighearted, older man only to leave him, suddenly, to have a baby with a young Latino immigrant.

With her reputation as a vilde chaya (wild animal), Fanny Keismann isn’t like the other women in her shtetl in the Pale of Settlement - certainly not her obedient and anxiety-ridden sister, Mende, whose “philosopher” of a husband has run off to Minsk, abandoning her and their two children. As a young girl, Fanny felt an inexorable pull toward her father’s profession of ritual slaughterer and, under his reluctant guidance, became a master with a knife. And though she long ago gave up that unsuitable profession, Fanny still keeps the knife tied to her right leg.

When Huong arrives in New Orleans with her two young sons, she is jobless, homeless, and worried about her husband, Cong, who remains in Vietnam. As she and her boys begin to settle in to life in America, she continues to send letters and tapes back to Cong, hopeful that they will be reunited and her children will grow up with a father. But with time, Huong realizes she will never see her husband again. While she attempts to come to terms with this loss, her sons grow up in their absent father's shadow, haunted by a man and a country trapped in their memories and imaginations.

Life under Apartheid has created a secure future for Robin Conrad, a 10-year-old white girl living with her parents in 1970s Johannesburg. In the same nation but worlds apart, Beauty Mbali, a Xhosa woman in a rural village in the Bantu homeland of the Transkei, struggles to raise her children alone after her husband's death. Both lives have been built upon the division of race, and their meeting should never have occurred...until the Soweto Uprising.