Consumption drives everything and what we do with our mouths reveals the surprising depths of our secret hunger. MOUTH explores the American obsession with consumption. The characters in these ten stories are forced to confront who they become when they can't fill their emptiness. In “Hunger,” a newlywed desperate for motherhood secretly grapples with infertility and anorexia, while her husband trains as a competitive eater.

Nineteen-year-old Ryn Electus is captured and brought to the palace for a twelve-week trial period along with three of the fairest maidens in the kingdom to try and "steal the heart" of a young, tormented King with a deadly secret. Unfortunately, the King appears to have no interest in the maidens and keeps getting himself into trouble.

Cassie Black works at a funeral home. She's used to all manner of dead bodies. What she's not used to is them waking up. Which they seem to be doing on a disturbingly regular basis lately. Just when Cassie believes she has the problem under control, the recently-deceased Busby Tenpenny insists he's been murdered and claims Cassie might be responsible thanks to a wicked brand of magic she's been exposed to. The only way for Cassie to get her life back to normal is to tame her magic and uncover Mr. Tenpenny's true killer.

In the tranquil town of Cedar Plains, where safety and community are sacred, Courtney Faith’s ideal life is upended by a body found on a local farm, shattering her peaceful existence. Her friend, Alexa Huston, intimately familiar with chaos, gets entangled in an accidental murder that escalates her spiraling life into deeper darkness. Alexa wrestles with a disturbing question: Is murder justifiable if it targets the deserving?

The king has been appointed by god to marry six queens. Those six queens are all that stand between the kingdom of Elben and ruin. Or so we have been told. Each queen vies for attention. Clever, ambitious Boleyn is determined to be Henry's favourite. And if she must incite a war to win Henry over? So be it. Seymour acts as spy and assassin in a court teeming with dragons, backstabbing courtiers and strange magic. But when she and Boleyn become the unlikeliest of things—allies—the balance of power begins to shift. Together they will discover an ancient, rotting magic at Elben's heart.

Natalie Campbell loses time. She’ll wake up in different places with no memory of how she got there. The blackouts are a symptom of her PTSD, which began after she was sexually assaulted by her boss, who was found not guilty. But she found ways to cope by setting up routines and relying on her supportive husband, Ryan. Then one day, her husband is accused of committing the same crime that ruined her life.

John’s House provides all he needs. Surrounded by a vast, beautiful ocean under a void of sky, the House is John’s haven. He is alone, but never lonely; he is here now, but neither remembers nor longs for a before. In his House, John is safe and untroubled. But then a terrible shadow creature breaks in—and it wants him out. Pushed from the House, John falls into the light… And finds himself in modern-day Los Angeles, the first person to ever come back from the other side.

To escape her violent ex, Charlotte flees her home in the middle of the night with nothing but the cash in her pocket and a paper map leading her north to Alaska. She sheds her old self along the way: dyeing her hair, scrubbing off her fake California tan, and pawning all her jewelry. None of it is worth anything if she can't stay alive. Alone in the wilderness, Charlotte feels safe at last. Even if she's lost, even if she's only got a burner phone that lost its last bar miles ago, and even if she missed her turn and can't find the cabin she was promised by a friend.

Your Body of Water is an interweaving of autofiction with hydro-feminist mythologies, exploring via the emotional landscapes of four rivers and four "tragic feminine characters" (Ophelia, Leda, the Lady of Shalott, and Sappho) the author's own real life journey, with a dose of tongue-in-cheek humor—through coming out in Australia, an abusive relationship in Berlin, and navigating queer love in the context of a world literally burning around us—and finding hope for the future in the stories of her ancestors before her.

Every day, all across the world, inhuman creatures are waking up with no memory of who they are or where they came from—and the Caravan exists to help them. The traveling community is made up of these very creatures and their families who’ve acclimated to this new existence by finding refuge in each other. That is, until the morning five teenage travelers wake to find their community has disappeared overnight.

It only took four years for the world to fall apart. Now the last member of my family has died, and I'm forced to travel across what's left of three states to find the only people I know left alive. To survive, I'll have to scavenge food and supplies and try to avoid violent men who've learned they can take what they want by force. The only way I'm going to make it is by trusting Travis.

Running from strife in her homeland, Maribella Waters becomes the new owner of the fabled Cozy Quill. After finding squatters on her property, she employs Asteria Helsdottir, a giant, barbarian warrior woman more accustomed to swinging an axe than opening a book. Together, the odd couple must make a success out of the bookshop—and survive a dizzying procession of seasonal festivals. But the local evil noblewoman has other plans in mind.

It’s 2067 and Florida is partially underwater, but even that can’t bring down the residents of Palm Meridian Retirement Resort, a utopian home for women who want to revel in their twilight years. Inside, Hula-Hoopers shimmy across the grass, fiercely competitive book clubs nearly come to blows, and the roller-ski team races up and down the winding paths. Injuries can occur, hips and backs not being what they were, but everywhere you look, these women are living large.

The house does not have electricity, and the eccentric nature of the family is displayed through the grotesque artwork that lines the walls of the manor. As Noelle wrestles with her own struggles with understanding her connection to death, she is also plunged headfirst into the dark mysteries surrounding the August family. The dying patriarch who she is strangely never able to see. The head of the household who is incapable of giving a straight answer. And a boy unable to speak but clearly terrified of something.

Moving to the countryside with Patrick was supposed to be my fresh start. But from the moment we arrived, something felt… off. The locals are strange, and I feel like I’m being watched. The constantly moving shadows outside our window can’t just be from the trees, can they? And when someone breaks into our home, I can’t shake the feeling someone’s out to get me.