A chance encounter on a country bus. A brush of thigh against thigh and a sideways, then a downward, glance. Nineteen-year-olds Tom and Mick could hardly have guessed the epic nature of the journey they were setting out on. A journey that would take them into business partnership together. A journey that would bring them little by little to the deepest reaches of the human heart. An adventure that would catapult them into the sweet and sometimes painful mysteries of life and sex and love.

Adam, in his early 20s, has to balance the need to develop his career as a pro musician with the demands of home life - he runs a vineyard in France - and partner Sylvain. The arrival in his life of Josh - they meet on a concert tour - adds extra pressure. Though Sylvain, left at home to manage the vineyard, has his own ideas for self-advancement. This third and final volume in the Adam trilogy stands alone also: A self-contained story of life, partnership, and, inevitably, music.

At 22, Adam Wheeler learns that he has come into property, a mill house and vineyard in southern France. Leaving old friends behind, Adam moves across the Channel. His new life is a lonely one, until new neighbour Stéphane turns out to be offering more than just a helping hand with his vines. But when the love of Adam’s teen years, Sylvain, appears on the scene, Adam must decide exactly what, and who, he really wants.

The tragic-comic story of two young men, aged 21 and 18, who fall in love in the summer of 1962, but who have the misfortune to be working as teachers in a Catholic preparatory school at the time. Their names are Tom and Christopher. In the opposite corner to them stands Father Louis, the elderly headmaster. It is his conviction that the sixties will go down in history as the decade which sees the earthly triumph of the Catholic Church. Life becomes more complicated for Tom and Christopher when Miss O'Deere, the art mistress, decides to paint the pair as David and Jonathan and to enter the result in a public exhibition. To say nothing of the inconvenient attentions paid to them by 13-year-old Angelo Dexter.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

Abandoned by his father, Gareth Inglis grew up lonely, prickly, and used to disappointment. Still, he longs for a connection. When he meets a charming stranger, he falls head over heels—until everything goes wrong and he's left alone again. Then Gareth's father dies, turning the shabby London clerk into Sir Gareth, with a grand house on the remote Romney Marsh and a family he doesn't know. The Marsh is another world, a strange, empty place notorious for its ruthless gangs of smugglers. And one of them is dangerously familiar…

Devastatingly handsome and insanely rich, Farrell Covington is capable of anything and impossible to resist. He’s a clear-eyed romantic, an aesthete but not a snob, self-indulgent yet wildly generous. As the son of one of the country’s most powerful and deeply conservative families, the world could be his. But when he falls for Nate Reminger, an aspiring writer from a nice Jewish family in Piscataway, New Jersey, the results are passionate and catastrophic. Together, the two embark on a unique romance that spans half a century.

Nick Russo has worked his way from a rough Brooklyn neighborhood to a reporting job at one of the city’s biggest newspapers. But the late 1950s are a hostile time for gay men, and Nick knows that he can’t let anyone into his life. He just never counted on meeting someone as impossible to say no to as Andy. Andy Fleming’s newspaper-tycoon father wants him to take over the family business. Andy, though, has no intention of running the paper. He’s barely able to run his life.

1941. Steven Katz is the son of prosperous landowners in rural California. Although his parents don’t approve, he’s found true friends in Nick, Suki, and Ollie, sons of field workers. The group is inseparable. But Steven is in turmoil. He’s beginning to acknowledge that his feelings for Nick amount to more than friendship. When the bombing of Pearl Harbor draws the US into World War II, Suki and his family are forced to leave their home for the internment camp at Manzanar. Ollie enlists in the army and ships out. And Nick must flee.

You think you know me. That's the way I want it. Making you feel like we know each other - like we could go grab a beer sometime - is part of my job. Maybe the most vital part. It doesn't hurt that I'm easy on the eyes, single at 35, and born richer than sin. My aesthetic matters much more than it should, but all the better for my worthy cause. And it's a worthy cause. I've made an art out of making you feel good, and my influence makes you want to be good. Good like me. You think you know me, but you don't. Everyone has secrets. Mine could cost me everything.

Julian Jessop, an eccentric, lonely artist and septuagenarian believes that most people aren’t really honest with each other. But what if they were? And so he writes—in a plain, green journal—the truth about his own life and leaves it in his local café. It’s run by the incredibly tidy and efficient Monica, who furtively adds her own entry and leaves the book in the wine bar across the street. Before long, the others who find the green notebook add the truths about their own deepest selves - and soon find each other In Real Life at Monica’s Café.

1333. Edward III is at war with Scotland. Nineteen-year-old Sir Harry de Lyon yearns to prove himself and jumps at the chance when a powerful English baron, William Montagu, invites him on a secret mission with a dozen elite knights. They ride north, to a crumbling Scottish keep, capturing a feral, half-starved boy within and putting the other inhabitants to the sword. But nobody knows why the flower of English knighthood snuck over the border to capture a savage, dirty teenage boy. Montagu gives the boy to Harry as his squire, with only two rules.

Bookstore owner Aubrey Barnes likes his quiet, orderly London life, thank you very much. His shop may be struggling, his only employee is a menace, and his plumbing is one creaky pipe away from disaster, but he can handle it. Maybe. He cannot, however, handle the film company that's thrown his Soho street into chaos. And he definitely can't handle the charismatic American actor Blake Sinclair.

When Roisin and Joe join their friends for a weekend at a country house, it’s a triple celebration—a birthday, an engagement, and the launch of Joe’s shiny new TV show. But as the weekend unfolds, tensions come to light in the group and Roisin begins to question her own relationship. And as they watch the first episode of Joe’s drama, she realizes that the private things she told him—which should have stayed between them—are right there on the screen.

Juliette and her husband have finally made it to France on the romantic getaway of her dreams—but as the days pass, all she discovers is quite how far they’ve grown apart. She’s craving a new adventure, so when she happens across a tiny, abandoned shop with a for-sale sign in the window, it feels fated. And she’s about to learn that the forgotten bookshop hides a lot more than meets the eye.