The happily married Mr. Knightley and Emma are throwing a party at their country estate, bringing together distant relatives and new acquaintances—characters beloved by Jane Austen fans. Definitely not invited is Mr. Wickham, whose latest financial scheme has netted him an even broader array of enemies. As tempers flare and secrets are revealed, it’s clear that everyone would be happier if Mr. Wickham got his comeuppance. Yet they’re all shocked when Wickham turns up murdered—except, of course, for the killer hidden in their midst.

When Mr. Rushworth, the former husband of Edmund's sister Maria, is discovered dead in his home, Jonathan and Juliet find themselves with problems far weightier than the marriage market. In one of the greatest scandals of its day, Maria abandoned her new husband in favor of the notorious rake Henry Crawford, and when he wouldn't marry her, was forced to flee to the continent in disgrace. Now Maria is back, accompanied by a daughter she claims Mr. Rushworth fathered after their divorce—and who he wrote into his will just before his death.

Elizabeth Bennet loathes insufferable Mr. Darcy. When a series of mishaps repeatedly throws them into each other’s company—first with her unconscious at Netherfield, then him injured at Rosings—Elizabeth begins to see a different side of the proud man she thought she knew. This tender, low-angst Regency variation of Jane Austen’s Pride & Prejudice proves that pride does indeed come before a fall…and that, in this case, love always comes after.

At a dinner party in London during the season, Fitzwilliam Darcy meets an enchanting young woman. Though he recognizes her beauty and poise, he is struck by a sense of familiarity and realizes she is someone connected to him. What follows is a whirlwind of events in which the woman's lineage is discovered and her true identity is established. Darcy quickly realizes she is a woman estimable in her own right, and he finds himself besotted. But amid the miraculous events of a lost soul returning home, dark forces conspire against the young woman, for her loss was not an accident.

When a scandalous murder shocks London high society, 17-year-old aspiring lawyer Lizzie Bennet seizes the opportunity to prove herself, despite the interference of Mr. Fitzwilliam Darcy, the stern young heir to the prestigious firm Pemberley Associates. Convinced the authorities have imprisoned the wrong person, Lizzie vows to solve the murder on her own. But as the case - and her feelings for Darcy - become more complicated, Lizzie discovers that her dream job could make her happy, but it might also get her killed

Less than one year into her marriage to respected magistrate George Knightley, Emma has grown unusually content in her newfound partnership and refreshed sense of independence. The height of summer sees the former Miss Woodhouse gracefully balancing the meticulous management of her elegant family estate and a flurry of social engagements, with few worries apart from her beloved father's health . . . But cheery circumstances change in an instant when Emma and Harriet Martin, now the wife of one of Mr. Knightley's tenant farmers, discover a hideous shock at the local church.

Widowed at a young age, Fitzwilliam Darcy has no reason to think he'll ever find the love his first marriage lacked. Instead, he dedicates himself to his roles as father and co-guardian, determined to excel at both. But when love finally finds him, will he be too mired by the strife of the past to recognize it?

Fitzwilliam Darcy is enraged when, already reeling from Elizabeth Bennet’s disdain, he discovers his sister locked in a passionate embrace with George Wickham—and suffers an apoplexy at the sight. With proper speech locked uselessly inside his mind, his Fitzwilliam relations are quick to take advantage of the situation, calling his illness insanity, and scheming to keep both Darcys under their control.

Tabitha, Lady Chesterton, the Countess of Pembroke, is newly widowed at only 22 years of age. With no son to inherit the title, it falls to a dashing, distant cousin of her husband's, Jeremy Chesterton, known as Wolf. It quickly becomes apparent that Wolf had consorted with some of London's most dangerous citizens before inheriting the title. Can he leave this world behind, or will shadowy figures from his past follow him into his new aristocratic life in Mayfair? And can Tabitha avoid being caught up in Wolf's dubious activities?

Rosalind Thorne may not have a grand fortune of her own, but she possesses virtues almost as prized by the haut ton: discretion, and a web of connections that enable her to discover just about anything about anyone. Known as a "most useful woman," Rosalind helps society ladies in need--for a modest fee, of course--and her client roster is steadily increasing.

Twenty-six-year-old Beatrice Hyde-Clare is far too shy to investigate the suspicious death of a fellow guest in the Lake District. A spinster who lives on the sufferance of her relatives, she would certainly not presume to search the rooms of her host's son and his friend looking for evidence. Reared in the twin virtues of deference and docility, she would absolutely never think to question the imperious Duke of Kesgrave about anything, let alone how he chose to represent the incident to the local constable. And yet that's exactly what she does.

On a visit to the estate of her friend, the young and beautiful Isobel, countess of Scargrave, Jane bears witness to a tragedy. Isobel's husband - a gentleman of mature years - is felled by a mysterious and agonizing ailment. The earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the earl's nephew of adultery - and murder. Desperately afraid that the letter will expose her to the worst sort of scandal, Isobel begs Jane for help.

The morning of Mr. Collins's proposal, Elizabeth leaves Longbourn for a walk, furious at the parson for proposing and her mother for pressing her to accept, eager to put some distance between herself and those who would persecute her. While walking, she meets a most unexpected acquaintance.

Spring, 1918. The Great War is at a crucial stage, the Germans are making one last push into France, and the Allies are struggling to hold them back. Battle lines are shifting, and men, and their machines, are being sent up and down the front to shore up defenses. Major Heathcliff Lennox, and his batman Greggs, are told to report to their new HQ. They set off on a sunlit day to fly the distance, but the enemy is never far away, and disaster strikes. They're sent crashing to the ground behind enemy lines, where life, death, and love await.

Miss Caroline Bingley has long been a thorn in the side of Fitzwilliam Darcy's friendship with Charles Bingley; the visit to Netherfield Park to help Bingley learn the craft of an estate manager has all the potential for disaster. But Darcy will not shirk, for his friendship with Bingley outweighs his distaste for the man's sister. In his defense, Darcy enlists his manservant, a man equally committed to ensure Miss Bingley will not become his master's wife.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Nathan Tyler is an unassuming professor at a middling American university with a rather obscure specialty in mathematics—in short, a nobody from nowhere. So why is the White House calling? Summoned to Washington, DC, for a top-secret briefing, Nathan discovers that he’s the key to a massive foreign intelligence breakthrough. Reading between the lines of a cryptic series of equations, he could open a door straight into the heart of the Kremlin and change the global balance of power forever.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

The happily married Mr. Knightley and Emma are throwing a party at their country estate, bringing together distant relatives and new acquaintances—characters beloved by Jane Austen fans. Definitely not invited is Mr. Wickham, whose latest financial scheme has netted him an even broader array of enemies. As tempers flare and secrets are revealed, it’s clear that everyone would be happier if Mr. Wickham got his comeuppance. Yet they’re all shocked when Wickham turns up murdered—except, of course, for the killer hidden in their midst.

When Mr. Rushworth, the former husband of Edmund's sister Maria, is discovered dead in his home, Jonathan and Juliet find themselves with problems far weightier than the marriage market. In one of the greatest scandals of its day, Maria abandoned her new husband in favor of the notorious rake Henry Crawford, and when he wouldn't marry her, was forced to flee to the continent in disgrace. Now Maria is back, accompanied by a daughter she claims Mr. Rushworth fathered after their divorce—and who he wrote into his will just before his death.

What if Mary Bennet’s life took a different path from that laid out for her in Pride and Prejudice? What if the frustrated intellectual of the Bennet family, the marginalized middle daughter, the plain girl who takes refuge in her books, eventually found the fulfillment enjoyed by her prettier, more confident sisters? This is the plot of The Other Bennet Sister, a debut novel with exactly the affection and authority to satisfy Austen fans.

When a scandalous murder shocks London high society, 17-year-old aspiring lawyer Lizzie Bennet seizes the opportunity to prove herself, despite the interference of Mr. Fitzwilliam Darcy, the stern young heir to the prestigious firm Pemberley Associates. Convinced the authorities have imprisoned the wrong person, Lizzie vows to solve the murder on her own. But as the case - and her feelings for Darcy - become more complicated, Lizzie discovers that her dream job could make her happy, but it might also get her killed

What will happen to the Bennet females now that Mr. Bennet has died? With Mr. Tristan Collins on his way from America to claim his property, Mrs. Bennet hatches her plan. The new heir to Longbourn simply must marry one of her daughters. Nothing else will do. Will it be Mary or Kitty singled out for this dubious honor? When the gentleman in question turns out to be quite a catch after all, the contest between the sisters is on. Which one will be the next mistress of Longbourn?

Elizabeth Bennet inherits a stunning fortune. Mr. Darcy left Hertfordshire to escape his attraction to her—will her sudden wealth pull them together or drive them further apart? February of 1812 brings startling news to Longbourn; a distant relation has left Elizabeth an astonishing fortune. She is overwhelmed by a multitude of suitors in pursuit of her wealth but is determined to never marry a man who only loves her money.

On a visit to the estate of her friend, the young and beautiful Isobel, countess of Scargrave, Jane bears witness to a tragedy. Isobel's husband - a gentleman of mature years - is felled by a mysterious and agonizing ailment. The earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the earl's nephew of adultery - and murder. Desperately afraid that the letter will expose her to the worst sort of scandal, Isobel begs Jane for help.

Less than one year into her marriage to respected magistrate George Knightley, Emma has grown unusually content in her newfound partnership and refreshed sense of independence. The height of summer sees the former Miss Woodhouse gracefully balancing the meticulous management of her elegant family estate and a flurry of social engagements, with few worries apart from her beloved father's health . . . But cheery circumstances change in an instant when Emma and Harriet Martin, now the wife of one of Mr. Knightley's tenant farmers, discover a hideous shock at the local church.

When eighteen-year-old aspiring scientist Elinor Dashwood discovers her beloved father slumped over the desk of his office study, she knows his death means dire straits for the Dashwood women. To make matters worse, an outdated will entails his estate—including Norland & Company, the private investigation firm where her younger sister Marianne worked as her father’s partner and protégé—to their half-brother and his haughty wife, who waste no time in forcing the Dashwoods out of their home and into a cramped apartment on London’s Barton Street.

Feisty, passionate Beatrice Steele has never fit the definition of a true lady, according to the strict code of conduct that reigns in Swampshire, her small English township—she is terrible at needlework, has absolutely no musical ability, and her artwork is so bad it frightens people. Nevertheless, she lives a perfectly agreeable life with her marriage-scheming mother, prankster father, and two younger sisters— beautiful Louisa and forgettable Mary. But she harbors a dark secret: She is obsessed with the true crime cases she reads about in the newspaper.

Let the wicked be ashamed, and let them be silent in the grave. These ominous words, slashed from the pages of a book of Psalms, are the last threat that the darling of London society, Sir Edward Grey, receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, Sir Edward collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests.

Hours later, the man’s cold body lies in the city mortuary, alongside the woman he couldn’t save. And his sister, unconventional nurse Gemma Tate, tracks down troubled police inspector Sebastian Bell to unravel the truth. Sebastian has enough pressure to solve the murder of an aristocratic heiress without Gemma meddling in his case. But the cryptic sentences she brings him from her brother’s notebook could be a crucial lead. If only they knew what “milky way” meant.

England, 1865: Newspaper columnist Lady Katherine Bascomb finds herself the subject of speculation when her latest article leads to an arrest in the murders plaguing London. The English believe women ought not to write about such vulgar things as crime, and a particularly attractive detective inspector is incensed that she's interfered with his investigation. To escape her sudden notoriety, Katherine heads to the country - only to witness a murder upon her arrival.

Miss Clara Marie Stanton's family may be eccentric, but they certainly aren't insane. London, England, 1860: When Clara's ex-fiancé begins to spread rumors that her family suffers from hereditary insanity, it's all she can do to protect them from his desperate schemes, society's prejudice, and a lifetime in an asylum. Then Clara's grandfather Drosselmeyer brings on an apprentice with a mechanical leg, and all pretense of normalcy takes wing.

Kitty Harris has it all: cosily coupled up with boyfriend Archie, she’s putting in the hours at an ad agency to land her dream job. OK, so maybe they’ve become a bit too comfortable in their routine, with pizza night every Thursday, and maybe the agency isn’t so much up-and-coming as been-and-gone, but Kitty is happy. Until one diamond ring sitting pretty in her pepperoni ruins everything. Kitty does NOT want to get married, not after being caught in the crosshairs of her parent’s destructive divorce.