The Power House
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Narrated by:
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Peter Joyce
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By:
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John Buchan
About this listen
John Buchan's hero Edward Leithen chances upon a worldwide plan for domination. With his own life (and those of his friends) depending on the outcome of his struggle, he engages in combat the anarchic brain behind "The Power-House".
The author, despite being very busy in Public Service, wrote over 50 books during his life, but his particular talent was for writing fast-moving adventure stories. The Power-House, a good example of this genre, was first published in 1916.
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A Christmas party is punctuated by a gunshot under a policeman’s watchful eye. A jewel heist is planned amidst the glitz and glamour of Oxford Street’s Christmas shopping. And lost in a snowstorm, a man finds a motive for murder.... This collection of mysteries explores the darker side of the festive season, from unexplained disturbances in the fresh snow to the darkness that lurks beneath the sparkling decorations.
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Aahhh... Just The Right Blend Of Mystery, Murder And Christmas.!!
- By John on 12-04-18
By: Martin Edwards
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The Gilded Age
- By: Mark Twain, Charles Dudley Warner
- Narrated by: Bronson Pinchot
- Length: 16 hrs and 31 mins
- Unabridged
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The Gilded Age is the collaborative work of Mark Twain and Charles Dudley Warner that satirized the era that followed the Civil War. This period is often referred to as the “Gilded Age” because of this book. The corruption and greed that was typical of the time is exemplified through two fictional narratives: one, of the Hawkins, a poor family from Tennessee that tries to persuade the government to purchase their seventy-five thousand acres of unimproved land.
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An American classic, beautifully narrated
- By TX lilbit on 03-31-12
By: Mark Twain, and others
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The Groote Park Murder
- Detective Club Crime Classics
- By: Freeman Wills Crofts
- Narrated by: Crawford Logan
- Length: 8 hrs and 30 mins
- Unabridged
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When a signalman discovers a mutilated body inside a railway tunnel near Groote Park, it seems to be a straightforward case of a man struck by a passing train. But Inspector Vandam of the Middeldorp police isn’t satisfied that Albert Smith’s death was accidental, and he sets out to prove foul play in a baffling mystery which crosses continents from deepest South Africa to the wilds of northern Scotland, where an almost identical crime appears to have been perpetrated.
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The Soundest Builder of Them All
- By John on 07-22-19
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Lord Peter Wimsey: Novels 1-3
- By: Dorothy L. Sayers
- Narrated by: Graham Scott
- Length: 26 hrs and 38 mins
- Unabridged
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The first three mysteries for Dorothy L. Sayers' aristocratic sleuth: first, a body is discovered in a Battersea bathroom, wearing nothing but a pair of pince-nez, on the same night that financier Sir Reuben Levy disappears from his Park Lane home. Then, Wimsey returns to England when his brother, the Duke of Denver, is accused of murdering the fiance of their sister, Lady Mary, and a trial in the House of Lords looms; and finally, an overheard conversation in a restaurant begins an investigation of the strangely premature death of wealthy and terminally ill old lady Miss Agatha Dawson.
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Love Lord Peter
- By Mav's mom on 10-16-24
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A Rogue's Life
- By: Wilkie Collins
- Narrated by: Bernard Mayes
- Length: 5 hrs and 18 mins
- Unabridged
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Propelled into society by his ever-hopeful father, Frank is introduced to a variety of professions in order to make his fortune. Not industrious by nature, however, Frank finds working life a challenge, and by his 25th birthday, he has failed medicine, portrait-painting, caricaturing, and even forgery. Disenchanted with life, he despairs of ever finding something to commit to — until he meets Alicia Dulcifer and her inexplicably wealthy father.
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One Twisting, Turning, Fun Book!
- By Joseph R on 06-15-09
By: Wilkie Collins
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The Complete Mapp and Lucia, Volume 1
- By: E. F. Benson
- Narrated by: Georgina Sutton
- Length: 26 hrs and 42 mins
- Unabridged
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Sharply observant and wickedly funny, E.F. Benson's six Mapp and Lucia novels satirize the upper-middle-class social climbers in 1920s and '30s rural England. Games of bridge and cups of tea fuel hilarious gossip and vindictive plots a-plenty. It is a masterfully sustained spotlight on the minutiae of village life - a clever and ultimately heart-warming series that seems tailor-made for audio. Volume 1 contains the first three books.
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At last!
- By Grace M-T on 06-15-21
By: E. F. Benson
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Armadale
- By: Wilkie Collins
- Narrated by: Nicholas Boulton, Rachel Atkins, David Rintoul, and others
- Length: 30 hrs and 2 mins
- Unabridged
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Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?
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Listen again & again to unravel layers of mystery
- By Proud Parents of Furry Kids on 10-28-20
By: Wilkie Collins
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David Copperfield
- By: Charles Dickens
- Narrated by: Richard Armitage
- Length: 36 hrs and 30 mins
- Unabridged
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Between his work on the 2014 Audible Audiobook of the Year, Hamlet, Prince of Denmark: A Novel, and his performance of Classic Love Poems, narrator Richard Armitage ( The Hobbit, Hannibal) has quickly become a listener favorite. Now, in this defining performance of Charles Dickens' classic David Copperfield, Armitage lends his unique voice and interpretation, truly inhabiting each character and bringing real energy to the life of one of Dickens' most famous characters.
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A PERFECT narration of an English classic!
- By Wayne on 09-03-17
By: Charles Dickens
What listeners say about The Power House
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- John
- 08-31-16
A Powerhouse of a Story
“It is notable,” wrote John Keegan, that dean of modern military historians, “that very few of even the most celebrated spy stories actually establish a connection between the spy’s activities and the purpose for which he presumably risks his life in the field. In Greenmantle, for example, John Buchan’s wonderful romance of intelligence work in Turkey during the First World War, it becomes impossible for the reader to discern at the end what exactly Sandy, as Greenmantle, has done.”
Keegan is right, of course. And the reverse can be true, too. In the case of The Powerhouse, Buchan’s equally wonderful romance of dark international doings, we are certain our hero has foiled the dastardly plot of an organization that goes by the trade name, “The Powerhouse”. But exactly what that organization’s aims and objects were are never made clear. There is a reference to “kicking the props” out from under civilization, but which props are getting the boot is not specified.
And yet all that hasn’t mattered to millions of readers for coming up on a century now. I suspect it didn’t trouble Keegan’s enjoyment. It certainly didn’t get in the way of mine; there is too much here to enjoy.
First, there’s the plot. In a sort of “Rear Window” twist, this web of international intrigue is torn apart by a hero who never leaves England; indeed, all of the tearing takes place in London. Again, like Jimmy Stewart—this time in “The Man Who Knew Too Much”—our hero is not a spy by profession; he’s drawn into the action by a series of coincidences, his own innate curiosity and concern for a friend. Added goose: thanks to Buchan’s deft handling, those coincidences appear perfectly natural.
Next, there’s the atmosphere of deep leather club chairs, oak paneled libraries, school nicknames and state secrets. And beyond all that lies the mental atmosphere of which those outward things are merely signs. Yeah, I know, I know: imperialism is icky. But confidence in one’s cause and country, an abiding trust in the basic rightness of your civilization, are attitudes that, as a “post-Viet Nam”, “post-post-modern” American I’ve always wondered what it was like to possess. Sure, I know I’d never be let into the Old Boys’ colleges or clubs. But those feelings of cultural confidence were shared fully by millions of ordinary pre-First World War Englishmen, too. Heck, even the Socialist MP in the piece signs on eagerly to help our hero. It’s nice to take a vacation in that kind of cultural unity, however idealized.
Finally there’s the writing and reading, both of which are simply superb. Buchan is a supreme yarn-spinner, blending by turns the serious and suspenseful with the humorous or thoughtful. Like Ian Fleming, he knew how to include enough authentic everyday detail to make the scenes of action and suspense authentic, too. Our reader Peter Joyce encompasses every character fully; he knows when to be arch, how to lend an edge of suspense to his voice without slopping over into melodrama, how to make a character sound like he’s groping for words or facing a dubious choice. He’s not so much reading as acting, and he’s great at both.
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