Death Has Deep Roots
British Library Crime Classic
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Narrated by:
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Gordon Griffin
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By:
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Michael Gilbert
About this listen
At the Central Criminal Court, an eager crowd awaits the trial of Victoria Lamartine, an active participant in the Resistance during the war. She is now employed at the Family Hotel in Soho, where Major Eric Thoseby has been found murdered. The cause of death? A stabbing reminiscent of techniques developed by the Maquisards.
While the crime is committed in England, its roots are buried in a vividly depicted wartime France. Thoseby is believed to have fathered Lamartine's child, and the prosecution insist that his death is revenge for his abandonment of Lamartine and her arrest by the Gestapo. A last-minute change in Lamartine's defence counsel grants solicitor Nap Rumbold just eight days to prove her innocence.
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When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.
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Hmm
- By Morgan Meaux on 08-22-24
By: Freida McFadden
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The Ex
- By: Freida McFadden
- Narrated by: Nicol Zanzarella
- Length: 8 hrs and 33 mins
- Unabridged
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Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.
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Too bizarre for someone who loves bizarre
- By G. C. Webster on 07-01-22
By: Freida McFadden
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Artemis
- By: Andy Weir
- Narrated by: Rosario Dawson
- Length: 8 hrs and 57 mins
- Unabridged
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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The Married Man
- By: K.L. Slater
- Narrated by: Clare Corbett
- Length: 9 hrs and 40 mins
- Unabridged
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Everyone thinks my husband is dead. Just like we planned. Eleven years ago, my husband disappeared. Eleven long hard years I waited, my heart breaking for our son, who didn’t know his father was coming back. Today, my hands shake as I try to understand what I’ve just learned: my husband has a new wife. This wasn’t part of our plan. Eleven years ago, my husband made a terrible mistake. I sacrificed everything to help him fix it. But now he’s put our son and me in danger again. We had a plan. He broke the rules. But who will pay the price?
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K.L. Slater and Clare Corbett – riveting Tango!
- By Karenique on 11-11-24
By: K.L. Slater
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Too Late
- Definitive Edition
- By: Colleen Hoover
- Narrated by: Ryan Gray, Maxine Mitchell, Joe Arden
- Length: 10 hrs and 19 mins
- Unabridged
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- By Katherine Epperson on 07-11-23
By: Colleen Hoover
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After Arthur Penfold’s wife reveals she is leaving him to care for her ailing aunt, he sets upon a path of murder and deceit to avoid the social embarrassment of a second marital breakdown. But the purchase of a poetry book triggers a sequence of events that begins to unravel both Arthur and a seemingly open-and-shut murder case.
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It is a dark and misty night, and bachelors Nicholas and Ian are driving to the ball at Fordings, a beautiful concert hall in the countryside. There waits the charming Dilys Maine, and a party buzzing with rumours of one Rosemary Reeve who disappeared on the eve of this event the previous year. With thoughts of this mysterious case ringing in their ears, Dilys and Nicholas strike a stranger on the drive back home, launching a new investigation and unwittingly reviving the search for what really became of Rosemary Reeve.
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some repetition but a good story
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Nice cozy mystery
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What listeners say about Death Has Deep Roots
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Gail N.
- 01-21-21
Started well then went off the rails
This story is rather dated but that is not my main complaint. The characters are all very stereotypical British crime fiction types. The blend of courtroom drama and private investigator action in the UK and France does add a great deal of interest and is the main feature to be praised. However, the ending is less than satisfying since justice is not well served. The plot is rather flimsy with glaring holes in the deductive reasoning of both the police and prosecuting attorney. My favorite character was the kindly and unbiased judge. American judges are never portrayed this favorably! The performance is excellent and easy to follow. Up to about the middle, it really held my interest. But as it became more bizarre and cloak-and-dagger, my interest waned. I simply wanted to know the final outcome and finished listening a 2x speed.
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2 people found this helpful
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- John
- 02-20-24
Half Courtroom Drama, Half Thriller
That was my take, and I was pleased to learn from Martin Edwards’ introduction (listened to, as always, after I finished the book itself for fear of spoiler alerts) that I had called my shots correctly. All I can add is that both halves come together in a seamless, thoroughly enjoyable whole, each elevating the interest and suspense of the other.
In my experience – two novels and a collection of short stories – Michael Gilbert has yet to disappoint. And the same goes for the incomparable Gordon Griffin at the mic.
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1 person found this helpful
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- Harold Meyer
- 05-21-24
Great story teller!
Narration was first rate. Also enjoyed the World War Two connections and multitude of red herrings!
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- schiff
- 03-25-20
A Delightful Suspense Story
For me, this story puts Michael Gilbert standing as a second choice only to my favorite murder mystery author - Ngaio Marsh
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5 people found this helpful
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- Charisma
- 03-16-20
Absorbing period drama
It unfolded more like a drama with interesting courtroom elements and off stage adventures. It is very well written so much so that I didn’t care for the mystery or denouement as I normally do in books of the crime classic sort. I would definitely want to read/listen to more by this author after this first introduction to his works. Gordon Griffin is stellar. His narration to my ears is perfection for period mysteries. In fact, I become quite partial to trying out a listen if I see that he is the narrator.
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4 people found this helpful
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- p burger
- 10-10-20
Interesting twists
Reader is great, I listened to it while in bed and missed parts but could follow well enough.
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- Ms Lixie
- 01-18-21
Incredibly dry and misogynistic even for the time
Woman has a child. Years later she’s accused of killing the father. She says he’s not the father. Zero evidence he is the father. The entire first half (which is all I listened to) is about how all the men say he must be the father. This one is just too misogynistic for me. Maybe it turns out he was the father. I don’t know. I just couldn’t listen to anymore dry court questioning dialogue about whether witnesses thought he was the type of man to father a child. Ended up returning it.
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3 people found this helpful