Academy Award nominee Samuel L. Jackson ( Pulp Fiction, Star Wars films), fresh off the success of his uproarious, Audie-nominated performance of the mock children’s book Go the F**k to Sleep, delivers a swaggering, darkly-humored rendering of Chester Himes’ classic first novel.

Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.

Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by the brutality he suffered while behind bars, King leads a solitary life, his work and his daughter the only lights. When he receives a letter from his accuser confessing that she was paid to frame him years ago, King decides to find out who wanted him gone and why.

Babe is a charismatic and widely loved man, a gambler with a gift for gab that often gets him out of tricky situations. He’s also a dreamer, something he shares with his patient and loving wife, Rosie. They both yearn for financial stability and see the land they own as insurance for future generations. But when Babe and a few comrades enlist in a scheme that improbably falls apart, he endangers the little security the family has. On the verge of losing everything, what’s a family man to do? If you’re a gambler like Babe, you double down and risk it all for one big score.

His name is etched on the door of his Manhattan office: LEONID McGILL , PRIVATE INVESTIGATOR. It's a name that takes a little explaining, but he's used to it. Ex-boxer, hard drinker, in a business that trades mostly in cash and favors: McGill's an old-school P.I. working a city that's gotten fancy all around him. Fancy or not, he has always managed to get by - keep a roof over the head of his wife and kids, and still manage a little fun on the side - mostly because he's never been above taking a shady job for a quick buck.

A classic work that has charmed generations of readers, this collection assembles Carson McCullers' best stories, including her beloved novella The Ballad of the Sad Cafe. A haunting tale of a human triangle that culminates in an astonishing brawl, the novella introduces readers to Miss Amelia, a formidable southern woman whose cafe serves as the town's gathering place. Among other fine works, the collection also includes "Wunderkind", McCullers' first published story, written when she was only 17, about a musical prodigy who suddenly realizes she will not go on to become a great pianist.

In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal, but he grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante.

Martin Just wakes up one morning after what feels like, and might actually be, a centuries-long sleep with two new innate pieces of knowledge: Humanity is a virus destined to destroy all existence. And he is the Cure. Martin begins slipping into an alternate consciousness, with new physical strengths, to violently defend his family—the only Black family in their neighborhood in the Hollywood Hills of Los Angeles—against pure evil.

Walter Mosley, "one of crime fiction's brightest stars" ( People), returns to mysteries at last! Fearless Jones is a dazzling new thriller, set in 1950s L.A. and featuring the most engaging hero since Easy Rawlins.

Like most families, they had their secrets...and they hid them under a genteelly respectable veneer. No onlooker would guess that prim Vera Hillyard and her beautiful, adored younger sister, Eden, were locked in a dark and bitter combat over one of those secrets. England in the '50s was not kind to women who erred, so they had to use every means necessary to keep the truth hidden behind closed doors - even murder.

E.F. Bloodworth has returned to his home - a forgotten corner of Tennessee - after 20 years of roaming. The wife he walked out on has withered and faded, his three sons are grown and angry. Warren is a womanizing alcoholic, Boyd is driven by jealousy to hunt down his wife's lover, and Brady puts hexes on his enemies from his mamma's porch. Only Fleming, the old man's grandson, treats him with the respect his age commands, and sees past all the hatred to realize the way it can posion a man's soul.

Finnegans Wake is the greatest challenge in 20th-century literature. Who is Humphrey Chimpden Earwicker? And what did he get up to in Phoenix Park? And what did Anna Livia Plurabelle have to say about it? In the rich nighttime and the language of dreams, here are history, anecdote, myth, folk tale and, above all, a wondrous sense of humor, colored by a clear sense of humanity. In this exceptional reading by the Irish actor Barry McGovern, with Marcella Riordan, the world of the Wake is more accessible than ever before.

Eve Dallas is a New York police lieutenant hunting for a ruthless killer. In over ten years on the force, she’s seen it all - and knows her survival depends on her instincts. And she’s going against every warning telling her not to get involved with Roarke, an Irish billionaire - and a suspect in Eve’s murder investigation.

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

Atlanta, 1974: It's Kate Murphy's first day on the job, and the Atlanta Police Department is seething after the murder of an officer. Before the day has barely begun, she already suspects she's not cut out to be a cop. Her male uniform is too big, she can't handle a gun, and she's rapidly learning that the APD is hardly a place that welcomes women. Worse still, in the ensuing manhunt she'll be partnered with Maggie Lawson, a cop with her own ax to grind.