Picking up 20 years after Pride and Prejudice left off, Mr. Darcy's Daughters begins in the year 1818. Elizabeth and Darcy have gone to Constantinople, giving us an opportunity to get to know their five daughters, who have left the sheltered surroundings of Pemberley for a few months in London.

Leonie Bonnard is being drawn into a 12-year-old feud. Justin Alastair, the duke of Avon, is a reprehensible rake with an axe to grind. Decades ago the Comte de Saint-Vire did something unforgivable, and ever since Justin has been lying in wait to settle the score. When Justin meets Leon, a street urchin with a striking resemblance to his nemesis, he aims to use him as a pawn in his plans for revenge on the Comte. Except Leon is in fact Leonie, a beautiful young ingénue who may just steal Justin's heart.

The legend of the Headless Horseman and a proposed marriage de convenance both have their impact on the mystery of a golden talisman ring and Lord Lavenham's young heir, Ludovic. Neither Sir Tristram Shield nor Eustacie, his young French cousin, shares the slightest inclination to marry one another, yet it is Lord Lavenham's dying wish. For there is no one else to provide for the old man's granddaughter while Ludovic remains a fugitive from justice.

Amy is a shy, timid soul, browbeaten by her domineering father until she’s terrified to do or say anything without his approval. When he dies suddenly, his will leaves large dowries for his six daughters, but only if they marry in the proper order, the eldest first. Amy must now find herself a husband, and soon, so her younger sisters can marry in their turn. There are several possible suitors, but will any of them come up to scratch? And how will Amy choose without her father to guide her? Belle is the plain one of the six Allamont sisters, happy with her books.

When their father's death leaves them impoverished, Sarah Summers and her genteel sisters fear they will be forced to sell the house and separate to earn livelihoods as governesses or companions. Determined to stay together, Sarah convinces them to open their seaside home to guests to make ends meet and provide for their ailing mother. Instead of the elderly invalids they expect to receive, however, they find themselves hosting eligible gentlemen. Sarah is soon torn between a growing attraction to a mysterious Scottish widower and duty to her family.

Hoping to win the hand of lovely Cleone Charteris, Philip Jettan discovers that wealth and country manners are not enough. Cleone has been exposed to the gallantries of London society and finds Philip too blunt and boorish. His sophisticated father agrees and the frustrated young man departs for Paris and an education.

Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed, Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing however delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

Julia Fletcher is the unimportant daughter of the Fletcher family, with neither beauty nor wit nor accomplishments, but always in a scrape. Somehow she never manages to get through the day without breaking or spilling or tearing something. She’s quite the despair of her stepmother. She’s looking forward to their grand new home because it will give her a vast estate to roam over without getting into too much trouble. Or so she hopes.

Feisty, passionate Beatrice Steele has never fit the definition of a true lady, according to the strict code of conduct that reigns in Swampshire, her small English township—she is terrible at needlework, has absolutely no musical ability, and her artwork is so bad it frightens people. Nevertheless, she lives a perfectly agreeable life with her marriage-scheming mother, prankster father, and two younger sisters— beautiful Louisa and forgettable Mary. But she harbors a dark secret: She is obsessed with the true crime cases she reads about in the newspaper.

Everyone expects Billie Bridgerton to marry one of the Rokesby brothers. The two families have been neighbors for centuries, and as a child the tomboyish Billie ran wild with Edward and Andrew. Either one would make a perfect husband...someday.

Horry Winwood doesn't play by the rules. So when her family are near ruin and her sister is about to enter a loveless marriage to a wealthy man to settle the family debts, young and headstrong Horry proposes to marry him instead. As her new husband's attentions fall elsewhere, Horry feels increasingly unhappy. Then she meets the attractive and dangerous Lord Lethbridge, and her days suddenly become more exciting. But there is bad blood between Horry's husband and Lord Lethbridge, and as complications and deceptions mount, the social tangle grows ever trickier to unpick.

When the most eligible Earl of Rule offers for the hand of the beauty of the Winwood family, he has no notion of the distress he causes his intended. For Miss Lizzie Winwood is promised to the excellent, but impoverished, Mr Edward Heron. Disaster can only be averted by the delightful impetuosity of her youngest sister, Horatia, who conceives her own, distinctly original plans . . .

The happily married Mr. Knightley and Emma are throwing a party at their country estate, bringing together distant relatives and new acquaintances—characters beloved by Jane Austen fans. Definitely not invited is Mr. Wickham, whose latest financial scheme has netted him an even broader array of enemies. As tempers flare and secrets are revealed, it’s clear that everyone would be happier if Mr. Wickham got his comeuppance. Yet they’re all shocked when Wickham turns up murdered—except, of course, for the killer hidden in their midst.

The Honourable Christopher Fancot, on leave from the diplomatic service in the summer of 1817, is startled to find his entrancing but incorrigibly extravagant mother on the brink of financial and social ruin - and more than alarmed to find that his twin, Evelyn, has disappeared without trace. Christopher - Kit - is forced into an outrageous masquerade by the tangled affairs of his wayward family: his rigid uncle, Lord Brumby; the surprisingly wily Sir Bonamy Ripple; the formidable old Lady Stavely and Evelyn's betrothed, Cressy.

Alva Smith, her Southern family destitute after the Civil War, married into one of America’s great Gilded Age dynasties: the newly wealthy but socially shunned Vanderbilts. Alva defied convention for women of her time, asserting power within her marriage and becoming a leader in the women's suffrage movement. In A Well-Behaved Woman, Therese Anne Fowler paints a glittering world of enormous wealth contrasted against desperate poverty, of social ambition and social scorn, of friendship and betrayal, and an unforgettable story of a remarkable woman.

Picking up 20 years after Pride and Prejudice left off, Mr. Darcy's Daughters begins in the year 1818. Elizabeth and Darcy have gone to Constantinople, giving us an opportunity to get to know their five daughters, who have left the sheltered surroundings of Pemberley for a few months in London.

The morning after the Netherfield ball, Elizabeth Bennet refuses an offer of marriage, setting off a row in the Bennet household that ends tragically. Faced with homelessness and untenable poverty, Elizabeth receives a different sort of offer - from quite an unexpected quarter - and finds herself considering the once-inconceivable prospect of going into trade.

Set in English society before the 1832 Reform Bill, Wives and Daughters centers on the story of youthful Molly Gibson, brought up from childhood by her father. When he remarries, a new stepsister enters Molly's quiet life, the loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.

A vivid and affectionate portrait of the residents of an English country town in the mid-19th century, Cranford describes a community dominated by its independent and refined women, relating the adventures of Miss Matty and Miss Deborah, two middle-aged spinster sisters striving to live with dignity in reduced circumstances. Through a series of satirical vignettes, Gaskell sympathetically portrays changing small town customs and values in mid-Victorian England....

In The Lost Memoirs of Jane Austen, screenwriter, playwright, and British literature expert Syrie James imagines a hidden journal kept by Jane Austen from 1815 to 1817. This revealing narrative tells the poignant tale of the blossoming romance between Jane and a landed aristocrat. Such a love fills the 30-something Jane with hope for marriage and provides her with fodder for her finest writing.

When her vile brother's wicked scheming ruins her reputation, Eleanor Chivenham is forced into a marriage of convenience. Yet there is much more to her new husband than meets the eye, and soon her heart is filled with unexpected desires.

In order to support her family and maintain their ancient castle in Lesser Hoo, 17-year-old Althea bears the burden of finding a wealthy suitor who can remedy their financial problems. But there are few wealthy suitors - or suitors of any kind--in Lesser Hoo. Then, the young and attractive (and very rich) Lord Boring arrives, and Althea sets her plans in motion. There's only one problem; his friend and business manager Mr. Fredericks keeps getting in the way. And, as it turns out, Fredericks has his own set of plans....

A fast-paced Victorian thriller that will delight audiences today as it did 100 years ago, Lady Audley's Secret has subterfuge, kidnapping, jealousy, and fraud, all thrown into the mix and shaken up for good measure.

A mystery which keeps a listener guessing until the last moments, this production is a must-listen for anyone who enjoys playing detective.

Rowena Cherwood did not go around boasting of it, but she had a tidy legacy from her parents. Free to choose the life she wanted, and unwilling to live with her overbearing aunt, she accepted a position as Lady Bradwell's companion. A spinster of twenty-seven, Rowena gave little thought to marriage - until Lyn Bradwell, Lady Bradwell's long absent son, returned to England.Love was the last thing on Rowena's mind - or Lyn's.

Ace Endicott, the Earl of Carde, needs a woman who will give him an heir, but he never expects to be engaged to three different women, or to become the laughingstock of the gossip columnists. Escaping this London nightmare, he takes a chance and comes up with a winning hand in the game of love.

Lovely Alice Lacey was a true incomparable, and her marriage to the Duke of Ferrant was the event of the season. Almost no one realized, however, that Alice was secretly in love with someone else - or that she had confided her feelings to a clever talking mynah bird who announces these intimacies at the moment of the couple's wedding. Now the gossip mongers are relentless. Alice's marriage started out, and has remained, cold and impersonal, and her new husband is already rumored to be taken with another woman.

Banished from longbourn at a young age, Elizabeth Bennet is raised among the Fitzwilliams at the Romsley estate, growing up alongside Fitzwilliam Darcy and his cousins. Entering adulthood, Elizabeth soon finds herself in possession of a secret love for him that even she knows is futile, and she must settle for his friendship.

Rosalie Vanderpoel, the daughter of an American multimillionaire marries an impoverished English baronet and goes to live in England. She all but loses contact with her family in America. Years later her younger sister Bettina, beautiful, intelligent and extremely rich, goes to England to find what has happened to her sister. She finds Rosalie shabby and dispirited, cowed by her husband's ill-treatment. Bettina sets about to rectify matters.

"Ayala's Angel" (1878) is a novel by Anthony Trollope. The story focuses on two orphaned sisters, Ayala and Lucy Dormer, and their trials, first with their relatives, then of the heart. As in most Trollope novels, pages are given over to subplots related to the main plot. Excerpt from the book: "It was now the beginning of February. As Tom and his uncle had walked from Somerset House the streets were dry and the weather fine; but, as Mr. Dosett had remarked, the wind was changing a little out of the east and threatened rain.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.