It is the year 1814, and life for a young lady of good breeding has many difficulties. There are balls to attend, fashions to follow, marriages to consider, and, of course, the tiny complication of existing in a world swarming with fairy spirits, interfering deities, and actual straight-up sorcerers.

Boston Homicide Detective Caitlin Reagan walks a razor's edge, propping up her life on emotional constructs designed to help her manage grueling PTSD. She keeps her mother, boyfriend, and work separated and controlled, all in service to one horrible, tragic act she committed amid the Iraq war.

All magic comes with a price, though, and for years the sisters have been separated. Esther has fled to a remote base in Antarctica to escape the fate that killed her own mother, and Joanna’s isolated herself in their family home in Vermont, devoting her life to the study of these cherished volumes. But after their father dies suddenly while reading a book Joanna has never seen before, the sisters must reunite to preserve their family legacy.

Opal is a lot of things—orphan, high school dropout, full-time cynic and part-time cashier—but above all, she's a determined to find a better life for her younger brother Jasper. One that gets them out of Eden, Kentucky, a town remarkable for only two things: bad luck and E. Starling, the reclusive nineteenth century author of The Underland, who disappeared over a hundred years ago. All she left behind were dark rumors—and her home. Everyone agrees that it’s best to ignore the uncanny mansion and its misanthropic heir, Arthur. Almost everyone, anyway.

Twenty-year-old Violet Sorrengail was supposed to enter the Scribe Quadrant, living a quiet life among books and history. Now, the commanding general—also known as her tough-as-talons mother—has ordered Violet to join the hundreds of candidates striving to become the elite of Navarre: dragon riders. But when you’re smaller than everyone else and your body is brittle, death is only a heartbeat away...because dragons don’t bond to “fragile” humans. They incinerate them.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Emmy Harlow is a witch but not a very powerful one - in part because she hasn't been home to the magical town of Thistle Grove in years. Her self-imposed exile has a lot to do with a complicated family history and a desire to forge her own way in the world, and only the very tiniest bit to do with Gareth Blackmoore, heir to the most powerful magical family in town and casual breaker of hearts and destroyer of dreams.

Worn out after decades of packing steel and raising hell, Viv, the orc barbarian, cashes out of the warrior’s life with one final score. A forgotten legend, a fabled artifact, and an unreasonable amount of hope lead her to the streets of Thune, where she plans to open the first coffee shop the city has ever seen. However, her dreams of a fresh start filling mugs instead of swinging swords are hardly a sure bet. Old frenemies and Thune’s shady underbelly may just upset her plans. To finally build something that will last, Viv will need some new partners, and a different kind of resolve.

Amina al-Sirafi should be content. After a storied and scandalous career as one of the Indian Ocean’s most notorious pirates, she’s survived backstabbing rogues, vengeful merchant princes, several husbands, and one actual demon to retire peacefully with her family to a life of piety, motherhood, and absolutely nothing that hints of the supernatural.

Detective Jo Shaw has it all worked out. She’s good at her job, she has loads of mates, and she likes being single. She doesn’t need complications, but an emergency call to the stabbing of a young woman brings plenty of those. Jo has to risk her career to save the woman’s life, and a bad night gets worse when the trauma surgeon turns out to be Isla Munro, Jo’s only real love, who walked out on her 15 years ago and never came back.

Alex Green is a young girl in a world much like ours, except for its most seminal event: the Mass Dragoning of 1955, when hundreds of thousands of ordinary wives and mothers sprouted wings, scales, and talons; left a trail of fiery destruction in their path; and took to the skies. Was it their choice? What will become of those left behind? Why did Alex’s beloved aunt Marla transform but her mother did not? Alex doesn’t know. It’s taboo to speak of.

Once, there were four worlds, nestled like pages in a book, each pulsing with fantastical power and connected by a single city: London. Until the magic grew too fast and forced the worlds to seal the doors between them in a desperate gamble to protect their own. The few magicians who could still open the doors grew more rare as time passed and now, only three Antari are known in recent memory—Kell Maresh of Red London, Delilah Bard of Grey London, and Holland Vosijk, of White London.

Unpacking her belongings in her new hometown of Portland, Oregon, herbalist and reformed alchemist Zoe Faust can't help but notice she's picked up a stowaway. Dorian Robert-Houdin is a living, breathing three-and-half-foot gargoyle - not to mention a master of French cuisine - and he needs Zoe's expertise to decipher a centuries-old text. Zoe, who's trying to put her old life behind her, isn't so sure she wants to reopen her alchemical past... until the dead man on her porch leaves her no choice.

In the heart of Paris, Chiara Conti is a Queen trapped in an Ivory Tower of haute couture, fortune and lovelessness. Lonely and dejected, she's longing for inspiration, for direction, for understanding. When Vi Courtenay falls at her feet, losing her shoe like a veritable Cinderella, events are set in motion that will unravel their carefully fashioned lives. With everything tainted, will the thin lines they rend ever be mended?

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

Name's Kane, Kate Kane. I'm a paranormal private investigator, which is like a normal private investigator except - and stop me if you're having trouble following this - more paranormal. This business comes with a few basic rules: don't start drinking before noon, don't get your partner killed, don't sleep with the woman who killed him. Last year I broke all of them.

It happened the day of the Moon Festival. It could have been left behind, they all could have moved on with their lives. But secrets have a habit of rising to the surface, especially in small towns. Two couples, four ironclad friendships, the perfect coastal holiday town. With salt-stung houses perched like lifeguards overlooking the shore, Lago Point is the scene of postcards, not crime scenes. Wife and mother Abbi, town cop Blake, schoolteacher Hannah and local doctor Will are caught in their own tangled webs of deceit.

He sought to flee his tragic past, but when Thomas Usher hears a clockwork voice on the phone, and sees ever-more disturbing visions in a derelict warehouse, Usher realises that he has to return home - for the sake of his own sanity. Meanwhile, a deadly figure from Usher's past threatens to undermine the very fabric of reality. Gary McMahon’s short fiction has appeared in numerous acclaimed magazines and anthologies in the UK and US and has been reprinted in yearly “Best of” collections.

In 1995, six university students moved into the house at 215 Caldwell Street. Months later, one of them was found dead on the sofa the morning after their end-of-year party. His death was ruled an accident by the police. The remaining five all knew it wasn’t, and though they went on with their lives, the truth of what happened to their sixth housemate couldn’t stay buried forever. Twenty years later, all five of them arrive - lured separately under various pretenses - at Wolfheather House, a crumbling, secluded mansion on the Scottish isle of Doon.

Evoking Beyoncé’s Lemonade for a teen audience, these authors who are truly Octavia Butler’s heirs have woven worlds to create a stunning narrative that puts Black women and gender-nonconforming individuals at its center. A Phoenix First Must Burn will take you on a journey from folktales retold to futuristic societies and everything in between. Filled with stories of love and betrayal, strength and resistance, this collection contains an array of complex and true-to-life characters through which you cannot help but see yourself reflected.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

The Snakes exposes the damage wreaked by parents on children as observed by a new member of the family, Dan, a mixed-race man from Peckham who marries Bea, the daughter who refuses to take any of her father’s filthy money. But when Bea’s brother, Alex (who runs a shabby hotel in Paligny, France), dies suddenly in unexplained circumstances, the confusion and suspicion which arise bring other dark family secrets - and violence - to the surface. And none of the family, even the good members, go untouched.

Oto leaves for boarding school with one plan: Excel and escape his cruel home. Falling in love with his roommate was certainly not on the agenda, but fear and shame force him to hide his love and true self. Back home, weighed down by the expectations of their wealthy and powerful family, the love of Oto's twin sister wavers, and, as their world begins to crumble around them, Oto must make drastic choices that will alter the family's lives for ever.

At first glance, the sisters of ultra-exclusive Kappa Rho Nu - the Ravens - seem like typical sorority girls. Ambitious, beautiful, and smart, they’re the most powerful girls on Westerly College’s Savannah, Georgia, campus. But the Ravens aren’t just regular sorority girls. They’re witches.

We're the D'Artigo sisters: Half-human, half-Faerie, we are savvy - and sexy - operatives for the Otherworld Intelligence Agency. But our mixed-blood heritage short-circuits our talents at all the wrong times. My sister Delilah shapeshifts into a tabby cat whenever she's stressed. Menolly's a vampire who is still trying to get the hang of being undead. And me? I'm Camille - a wicked-good witch. Except my magic is as unpredictable as the weather, which my enemies are about to find out the hard way.

Jane Austen's subtle and witty novel of secrets and suppression, lies and seduction, brilliantly portrays a world where rigid social convention clashes with the impulses of the heart. It tells the story of two very different sisters who find themselves thrown into an unkind world when their father dies. Marianne, wild and impulsive, falls dangerously in love, while Elinor suffers her own private heartbreak but conceals her true feelings, even from those closest to her.

Majella is happiest out of the spotlight, away from her neighbors’ stares and the gossips of the small town in Northern Ireland where she grew up just after the Troubles. She lives a quiet life caring for her alcoholic mother, working in the local chip shop, watching the regular customers come and go. But underneath Majella’s seemingly ordinary life are the facts that she doesn’t know where her father is and that every person in her town has been changed by the lingering divide between Protestants and Catholics.

Jeanie Masterson has a gift: She can hear the recently dead and give voice to their final wishes and revelations. Inherited from her father, this gift has enabled the family undertakers to flourish in their small Irish town. Yet she has always been uneasy about censoring some of the dead's last messages to the living. Unsure, too, about the choice she made when she left school seventeen years ago: to stay or leave for a new life in London with her charismatic teenage sweetheart.

1620s Lancashire. Away from the village lies a small hamlet, abandoned since the Plague, where only one family dwells amongst its ruins. Young Sarah Haworth, her mother, brother and little sister, Annie, are a family of outcasts by day and the recipients of visitors by night. They are cunning folk: the villagers will always need them, quick with a healing balm or more, should the need arise. They can keep secrets, too, because no one would believe them anyway.

Anne Bonny and Mary Read, pirate queens of the Caribbean. Tipu Sultan, the Indian ruler who kept the British at bay. Olaudah Equiano, the former slave whose story shocked the world. Mary Wollstonecraft, the feminist who fought for women’s rights. Ladies of Llangollen, the lovers who built paradise in a Welsh valley. With 12 epic tales from Britain’s wildest century, this is a rapid journey through those who made history between 1714 and the 1830s.

When Phoebe, goddess of the moon, is killed by the knights of the sun god, Hyperion, all who follow her are branded heretics. With Phoebe gone, the souls of the dead are no longer ferried to the underworld, and instead linger on as shades who feast on the blood of the living. Raef is a child of the night. He lives in the shadows, on scraps, eking out a meager existence as a thief. But when an ornate box is sequestered in the Temple of Hyperion, the chance of a big score proves too great to resist. What he finds within propels him on an odyssey across the sea and back again.

Cecilia Bassingwaite is the ideal Victorian lady. She's also a thief. Like the other members of the Wisteria Society crime sorority, she flies around England drinking tea, blackmailing friends, and acquiring treasure by interesting means. Sure, she has a dark and traumatic past and an overbearing aunt, but all things considered, it's a pleasant existence. Until the men show up.

In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the Eastwood sisters - James Juniper, Agnes Amaranth, and Beatrice Belladonna - join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement.

Rebecca West, fatherless and husbandless, chafes against the drudgery of her days, livened only occasionally by her infatuation with handsome young clerk John Edes. But then a newcomer, who identifies himself as the Witchfinder General, arrives. A mysterious, pious figure dressed from head to toe in black, Matthew Hopkins takes over the Thorn Inn and begins to ask questions about what the women on the margins of this diminished community are up to.

Kajal knows she is not a good person. If she were, she wouldn’t selfishly be risking her sister’s soul in a dangerous bid to bring her back to life. She would let Lasya rest in peace—but Kajal cannot stand the horror of living without her. As Kajal prepares for the resurrection, the worst happens: Her sister’s soul warps into a bhuta—a murderous, wraith-like spirit—and Kajal gets sentenced to death for her sister’s rampage. There seems little hope of escape until two strangers offer to free her.

In the tradition of the spellbinding historical novels of Philippa Gregory and Kate Morton comes a stunning story based on a real-life Tudor mystery, of a curse that echoes through the centuries and shapes two women’s destinies....1560: Amy Robsart is trapped in a loveless marriage to Robert Dudley, a member of the court of Queen Elizabeth I. Surrounded by enemies and with nowhere left to turn, Amy hatches a desperate scheme to escape - one with devastating consequences that will echo through the centuries.

Robin Blyth has more than enough bother in his life. When an administrative mistake sees him named the civil service liaison to a hidden magical society, he discovers what’s been operating beneath the unextraordinary reality he’s always known.

In the beginning there was the Namsara: the child of sky and spirit who carried love and laughter wherever he went. But where there is light, there must be darkness - and so there was also the Iskari. The child of blood and moonlight. The destroyer. The death bringer. These are the legends that Asha, daughter of the king of Firgaard, has grown up learning in hushed whispers, drawn to the forbidden figures of the past. But it isn't until she becomes the fiercest, most feared dragon slayer in the land that she takes on the role of the next Iskari.

Oddny and Gunnhild meet as children in tenth century Norway, and they could not be more different: Oddny hopes for a quiet life, while Gunnhild burns for power and longs to escape her cruel mother. But after a visiting wisewoman makes an ominous prophecy that involves Oddny, her sister Signy, and Gunnhild, the three girls take a blood oath to help one another always. When Oddny’s farm is destroyed and Signy is kidnapped by Viking raiders, Oddny is set adrift from the life she imagined—but she's determined to save her sister no matter the cost.

Emma Oxley and Nellie Yarrow have been inseparable their whole lives. Ever since they reinvented themselves, changing their names and wiping clean their digital footprints, they have made a game of following wherever the next adventure leads and challenging themselves to thefts, street cons, and mind games. Adhering to only two rules—they will only swindle men, and only ones who deserve it—Emma and Nellie are secure in their reputation as the most trustworthy swindlers on the European black market. Until suddenly, they must play to save their own lives.