The complete collection of acclaimed BBC Radio dramas based on John le Carré's best-selling novels, starring Simon Russell Beale as George Smiley. With a star cast including Kenneth Cranham, Eleanor Bron, Brian Cox, Ian MacDiarmid, Anna Chancellor, Hugh Bonneville and Lindsay Duncan, these enthralling dramatisations perfectly capture the atmosphere of le Carré's taut, thrilling spy novels.

Julian Lawndsley has renounced his high-flying job in the city for a simpler life running a bookshop in a small English seaside town. But only a couple of months into his new career, Julian’s evening is disrupted by a visitor. Edward, a Polish émigré living in Silverview, the big house on the edge of town, seems to know a lot about Julian’s family and is rather too interested in the inner workings of his modest new enterprise.

You're not to disturb, annoy or offend. They're walking on a knife edge out there, anything could tilt the balance.' Missing: one junior diplomat and 43 of the British Embassy's most confidential files. The timing is alarmingly significant: with neo-Nazi riots and radical student demonstrations, the threat to Germany's security is all too apparent. Britain's own Alan Turner is sent in, with instructions to tread carefully at all costs. But will he find the missing man and the files before the political situation erupts?

Frightening, heartbreaking, and exquisitely calibrated, John le Carré's new novel opens with the gruesome murder of the young and beautiful Tessa Quayle near northern Kenya's Lake Turkana, the birthplace of mankind. Her putative African lover and traveling companion, a doctor with one of the aid agencies, has vanished from the scene of the crime. Tessa's much older husband, Justin, a career diplomat at the British High Commission in Nairobi, sets out on a personal odyssey in pursuit of the killers and their motive.

From his years serving in British Intelligence during the Cold War, to a career as a writer that took him from war-torn Cambodia to Beirut on the cusp of the 1982 Israeli invasion to Russia before and after the collapse of the Berlin Wall, le Carré has always written from the heart of modern times. In this, his first memoir, le Carré is as funny as he is incisive, reading into the events he witnesses the same moral ambiguity with which he imbues his novels.

As David Brooks observes, “There is one skill that lies at the heart of any healthy person, family, school, community organization, or society: the ability to see someone else deeply and make them feel seen—to accurately know another person, to let them feel valued, heard, and understood.” And yet we humans don’t do this well. All around us are people who feel invisible, unseen, misunderstood. In How to Know a Person, Brooks sets out to help us do better, posing questions that are essential for all of us: If you want to know a person, what kind of attention should you cast on them?

Nat, a 47 year-old veteran of Britain’s Secret Intelligence Service, believes his years as an agent runner are over. He is back in London with his wife, the long-suffering Prue. But with the growing threat from Moscow Centre, the office has one more job for him. Nat is to take over The Haven, a defunct substation of London General with a rag-tag band of spies. The only bright light on the team is young Florence, who has her eye on Russia Department and a Ukrainian oligarch with a finger in the Russia pie.

A counter-terrorist operation, code-named Wildlife, is being mounted on the British crown colony of Gibraltar. Its purpose: To capture and abduct a high-value jihadist arms buyer. Its authors: An ambitious Foreign Office Minister, a private defense contractor who is also his bosom friend, and a shady American CIA operative of the evangelical far-right. So delicate is the operation that even the Minister’s personal private secretary, Toby Bell, is not cleared for it. Three years later, a disgraced Special Forces Soldier delivers a message from the dead.

Abandoned by his parents, Bruno Salvador has long looked for guidance. He found it in Mr. Anderson of British Intelligence. Working for Anderson in a clandestine facility, Salvo (as he's known) translates intercepted phone calls, bugged recordings, and snatched voice-mail messages. When Anderson sends him to a mysterious island to interpret during a secret conference, Bruno thinks he is helping Britain--but then he hears something he should not have.

On his last combat deployment, Lt. Cmdr. James Reece's entire team was killed in an ambush that also claimed the lives of the aircrew sent in to rescue them. But when those dearest to him are murdered on the day of his homecoming, Reece discovers that this was not an act of war by a foreign enemy but a conspiracy that runs to the highest levels of government. Now, with no family and free from the military's command structure, Reece applies the lessons that he's learned in over a decade of constant warfare toward revenge.

"Imagine you have the power to fly. Pretty awesome, right? Imagine you have the power to levitate or crush something the size of a Winnebago. Equally awesome. Now ... here's the catch: having the power means you are bonded irreversibly to a smartass, sociopathic alien life form. Not so awesome. So, what would you do with all of that power? The way I figured it, I had one of two options: Option #1) Use it to commit crime or Option #2) Use it to fight crime. My name is Gabe Garrison and I chose Option #2."

If anyone could be considered a Russian counterpart to the infamous British double-agent Kim Philby, it was Oleg Gordievsky. The son of two KGB agents and the product of the best Soviet institutions, the savvy, sophisticated Gordievsky grew to see his nation's communism as both criminal and philistine. He took his first posting for Russian intelligence in 1968 and eventually became the Soviet Union's top man in London, but from 1973 on he was secretly working for MI6.

His code name was “The Needle.” He was a German aristocrat of extraordinary intelligence - a master spy with a legacy of violence in his blood, and the object of the most desperate manhunt in history.... But his fate lay in the hands of a young and vulnerable English woman, whose loyalty, if swayed, would assure his freedom - and win the war for the Nazis....

It is fall. CIA analyst Jack Ryan, historian and former Marine, is vacationing in London with his wife and young daughter. Suddenly, right before his eyes, a terrorist group launches its deadly attack. Instinctively, he dives forward to break it up, and is shot. It is not until he wakes up in the hospital that he learns whose lives he has saved - the Duke and Duchess of Kent.

After the assassination of his wife and son, Gabriel Allon retires from his brutal anti-terrorist career and loses himself in his previous cover job: art restoration. But when Tariq al-Hourani, the Palestinian terrorist responsible for his family’s death, begins a killing spree designed to destroy Middle East peace talks, Gabriel once again slips into the shadowy world of international intrigue. In a global game of hide-and-seek, the motives of Gabriel and Tariq soon become more personal than political.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

The complete collection of acclaimed BBC Radio dramas based on John le Carré's best-selling novels, starring Simon Russell Beale as George Smiley. With a star cast including Kenneth Cranham, Eleanor Bron, Brian Cox, Ian MacDiarmid, Anna Chancellor, Hugh Bonneville and Lindsay Duncan, these enthralling dramatisations perfectly capture the atmosphere of le Carré's taut, thrilling spy novels.

Call for the Dead (Abridged): George Smiley had liked the man and now the man was dead. But why? Fennan was dead with a note by his body saying his career was finished and he couldn’t go on. Smiley decides to investigate – only to uncover a murderous conspiracy with its roots in his own secret wartime past. A Murder of Quality (Abridged): Miss Ailsa Brimley is in a quandary. She's received a peculiar letter from Mrs Stella Rode, saying that she fears her husband is trying to kill her.

Night Manager: Enter the new world of post-Cold War espionage. Penetrate the secret world of ruthless arms dealers and drug smugglers who have risen to unthinkable power and wealth. Our Game: With the Cold War fought and won, British spymaster Tim Cranmer accepts early retirement to rural England and a new life with his alluring young mistress, Emma.... Tailor of Panama: Le Carre's Panama is a Casablanca without heroes, a hotbed of drugs, laundered money and corruption. It is also the country which on December 31, 1999, will gain full control of the Panama Canal.

From the New York Times bestselling author of Tinker Tailor Soldier Spy and the creator of the iconic spy George Smiley, John le Carré, The Little Drummer Girl is hailed as one of the author’s best, and the favorite of the likes of Steven King and John Grisham.

From his years serving in British Intelligence during the Cold War, to a career as a writer that took him from war-torn Cambodia to Beirut on the cusp of the 1982 Israeli invasion to Russia before and after the collapse of the Berlin Wall, le Carré has always written from the heart of modern times. In this, his first memoir, le Carré is as funny as he is incisive, reading into the events he witnesses the same moral ambiguity with which he imbues his novels.