Remember 6th grade, where the question, "Are you cool?" takes on cosmic proportions? Acclaimed storyteller Bill Harley revisits the excitement (or was it torture?) in these hilarious true (or at least real!) stories. His wacky tales capture the essence of what it feels like to be a kid, and will delight and engage children and parents alike.

Here it is! The recording fans have been asking for! A recording that contains the hilarious and completely captivating tale of Dirty Joe, a pirate who steals socks, and his equally odious sister, Stinky Annie, who steals underwear.

In this collection, Harley, one of today's most prolific and celebrated kid's performers, explores the troublesome and troublemaking times in our life (particularly between 4th grade and middle school). Hear him sing with his trademark hilarity "In the Back of the Bus" and perform "Bottlecaps" (about the confiscation of his world-class bottlecap collection) and "Mr. Anderson," who was Indiana State Bus Driver of the Year (an honor brought upon mostly because he had eyes in the back of his head).

In Lunchroom Tales, Bill Harley and his band - the Troublemakers - return to the Delaware Trails Elementary School where Bill once roamed the halls as a student. They kick off their show with the song "Everyone's a Little Bit Different" - but soon, memories get the best of Bill, and he begins to recount adventures and disasters from his former days of glory (or was it torture?). Meet Mr. Hambleman, the custodian (not janitor!) and Mrs. Nottingham, the terrifying 3rd grade teacher (are teachers human, or are they a different species?), explore super cool places like the back of the bus, and enjoy Harley's engaging recreation - through song and story - of what it feels like to be a kid in school.

A Grammy-nominated recording artist, Bill Harley - songwriter, storyteller, author, playwright - is known as one of the finest family performers in the United States. His unique combination of song and story, silly and serious, has entertained families for 20 years, and led him to be called "the Mark Twain of contemporary children's music" by Entertainment Weekly.