The Unknown Terrorist
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Narrated by:
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Humphrey Bower
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By:
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Richard Flanagan
About this listen
After a one-night stand with an attractive stranger, pole-dancer Gina Davies finds herself prime suspect in an attempted terrorist attack on Sydney. Hunted by the police, her face stares back at her on the unremitting 24/7 news cycle. She is soon running away from her dreams for a better life and witnessing every truth turn into a betrayal.
The Unknown Terrorist is a startlingly prescient novel that drums with the cadences of city life; where fear invades individual lives, pushing one woman ever closer to breaking point.
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It's just not the same without Caroline Lee
- By Maria on 12-04-17
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Pretty Little Dead Things
- A Thomas Usher Novel
- By: Gary McMahon
- Narrated by: Jay Villiers
- Length: 9 hrs and 44 mins
- Unabridged
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Thomas Usher has a terrible gift. Following a car crash in which his wife and daughter are killed, he can see the recently departed, and it's not usually a pretty sight. When he is called to investigate the violent death of the daughter of a prominent local gangster, Usher's world is torn apart once more. For the barriers between this world and the next are not as immutable as once he believed.
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good book good reader
- By Anonymous User on 12-12-20
By: Gary McMahon
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City of Night
- By: John Rechy
- Narrated by: Paul Boehmer
- Length: 17 hrs and 57 mins
- Unabridged
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When John Rechy's explosive first novel appeared in 1963, it marked a radical departure in fiction, and gave voice to a subculture that had never before been revealed with such acuity. It earned comparisons to Genet and Kerouac, even as Rechy was personally attacked by scandalized reviewers. Nevertheless, the book became an international best seller, and 50 years later, it has become a classic. Bold and inventive in style, Rechy is unflinching in his portrayal of one hustling "youngman" and his search for self-knowledge.
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A seminal classic
- By Robert Simmons on 09-22-19
By: John Rechy
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Disclaimer: A Novel
- By: Renée Knight
- Narrated by: Michael Pennington, Laura Paton
- Length: 8 hrs and 25 mins
- Unabridged
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Finding a mysterious novel at her bedside plunges documentary filmmaker Catherine Ravenscroft into a living nightmare. Though ostensibly fiction, The Perfect Stranger recreates in vivid, unmistakable detail the terrible day she became hostage to a dark secret, a secret that only one other person knew - and that person is dead.
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Dilemma could have been solved in 30 seconds
- By Jen on 05-20-15
By: Renée Knight
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High Dive
- By: Jonathan Lee
- Narrated by: Doyle Gerard
- Length: 11 hrs and 51 mins
- Unabridged
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Taking us inside one of the 20th century's most ambitious assassination attempts - "making history personal", as one character puts it - High Dive moves between the luxurious hospitality of a British tourist town and the troubled city of Belfast, Northern Ireland, at the height of the armed struggle between the Irish Republican Army and those loyal to the UK government.
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Humor? Not Funny.
- By W Perry Hall on 04-10-16
By: Jonathan Lee
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Fury
- By: Salman Rushdie
- Narrated by: Salman Rushdie
- Length: 9 hrs and 5 mins
- Unabridged
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The world renowned author of The Satanic Verses and The Ground Beneath Her Feet, Salman Rushdie is a Whitbread Award winner and recipient of the Booker Prize. His first truly American novel, Fury is a metaphorically rich black comedy that reflects the pressure-cooker of modern life. Malik Solanka, irascible doll-maker and retired historian of ideas, suffers the pain of wanting without knowing exactly what it is he wants.
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surprisingly good
- By David on 11-21-07
By: Salman Rushdie
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An American Dream
- By: Norman Mailer
- Narrated by: Christopher Lane
- Length: 9 hrs and 43 mins
- Unabridged
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As Stephen Rojack, a decorated war hero and former congressman who murders his wife in a fashionable New York City high-rise, runs amok through the city in which he was once a privileged citizen, author Norman Mailer peels away the layers of our social norms to reveal a world of pure appetite and relentless cruelty. One part Nietzsche, one part de Sade, and one part Charlie Parker, An American Dream grabs the listener by the throat and refuses to let go.
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Mailers Immodest masterpiece
- By W C Woods on 07-02-20
By: Norman Mailer
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The Satanic Verses
- By: Salman Rushdie
- Narrated by: Sam Dastor
- Length: 21 hrs and 36 mins
- Unabridged
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Inextricably linked with the fatwa called against its author in the wake of the novel’s publication, The Satanic Verses is, beyond that, a rich showcase for Salman Rushdie’s comic sensibilities, cultural observations, and unparalleled mastery of language. The book begins with two Indians plummeting from the sky after the explosion of their airliner, and proceeds through a series of metamorphoses, dreams and revelations.
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Use an audiobook to really enjoy Satanic Verses
- By David Edelberg on 11-24-12
By: Salman Rushdie
What listeners say about The Unknown Terrorist
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Dennis
- 10-30-11
Beautiful, Gritty, Thought Provoking
This book moves a person outside of their comfort zone and into a world in which they may have to realize that in their everyday life they may have been one of the villians in a parallel to this story. The book is beautiful in the detail it captures, in the people and scene it creates, in the emotion it evokes. I am still a bit haunted by this book, and for a piece of fiction to challenge how I see the world is very uncommon. This book does that. I found the style of the book interesting and the ability of the book to design the players from the fabric of reality accurate and disturbing. I would recommend that you read this book, it is an excellent piece of literature that opens a door to a world most of us will not venture into and yet we will see vignetts of our own world from time to time as events collide. Maybe, after you read this book you will, like myself question from time to time how you respond to what you are told.
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- Joe Kraus
- 10-09-18
One of Our Great Living Writers Stumbles
I am currently auditioning Flanagan for my favorite active writer. He got off to a great start in my reading with two of my favorite novels of the last few years – The Narrow Road to the Deep North and First Person. At his best, he strikes me as world-class, as someone who ought to get sounded out for a Nobel Prize, especially given that he comes from Tasmania and gives voice to a culture the rest of the world doesn’t get to glimpse all that often.
I had more mixed feelings about his Death of a River Guide, but that was the first he’d written, and I figured he’d learned more of his craft afterwards. This one, though, is a disappointment. It may well have packed a certain power when it first came out, but at this point it seems to be cherishing insights that we now recognize as commonplace.
Stripper Gina Davies goes out one evening with an attractive Middle Eastern man. When he’s murdered soon after, the authorities mistake her for his partner, and she becomes the most wanted terrorist in Australia. Taking place in the aftermath of the World Trade Center disaster, this novel tries to capture the universal paranoia of that moment. The central notion is that we have to find someone to blame, that our culture demands almost a collective sacrifice to begin to feel safe again.
As the novel moves along, Gina becomes that central sacrifice. She’s elevated to it by the machinations of an over-the-top journalist who has it out for her ever since she rebuffed him at her dance club, and then she eventually embraces it herself. She comes to see herself as almost a “painted bird” (to take the title metaphor of Jerzy Kosinski’s novel) whom the rest of the world has turned upon. And [SPOILER:] she embraces it, deciding at the end to kill the journalist and own up to the fictional crimes she’s been associated with.
While there’s something in the general paranoia of that situation, it feels cliched by this point – and that’s before we get to such flat characters as the pudgy journalist, the heart-of-gold best friend stripper, or the overweight cop who’s a step slow to solve the whole problem. We’re almost two decades away from the sense that terrorists have the power to rewrite the narrative of the culture, and Don DeLillo was making that point at least as far back as Mao II in 1991. From within the years just after 9/11 – and this was published five years after – it felt as if “we” were trying to recover our mutual bearings, as if we accepted a sense of arbitrary guilt. Some of that manifest itself through efforts to understand the experience of the dispossessed of the Middle East. More of it came clear through impulses like George W. Bush and the Neo-conservatives drumming for war with Iraq.
Gina’s eventual self-sacrifice seems to me an ironic rendering of that neo-conservative notion. ‘The world is off its axis. We have to attack someone to restore it.’ In the end, though, I don’t find it all that satisfying. I’m not in an especially ironic mood – with Donald Trump as President, there’s already a toxic level of irony in our everyday lives – but I don’t know that I’d have appreciated this even a few years ago. I simply don’t see Gina’s fundamental transition. In fact, I can’t quite shake the fact that it took a bad coincidence for her not to turn herself in before things reached crisis levels – when she arrives at the police station, a detained man creates a scene and the police clear the station. No such accident, and no such novel.
I could almost forgive the empty center of this if the novel weren’t rife with other problems. Gina is almost always called “the doll,” a name that comes from her performance as a pole dancer. That is, she’s objectified from the start, from even before she turns into an accidental terrorist. The first thirty or forty pages seem larded with gratuitous descriptions of her naked self, yet, in the classic irony of pornography, her nakedness is precisely the shield that makes her invisible.
As a consequence, when she does transform, it’s less clear what she’s transforming from: is it the clear-minded woman saving her dollars for a dramatic new start, the spend-it-while-she-has-it would-be fashionista, or the almost-enlightened woman who recognizes her suffering in the suffering of others. She performs as all three from the very beginning, and her final self-sacrifice seems more dramatic than narratively determined. I just don’t see the growth that would stamp this as a true success.
I’m not giving up on Flanagan. I’m still shooting to read all of his work. I hope this one is simply a one-off mistake, a misstep by a writer as talented as anyone I know of right now.
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