-
The Unremembered
- Author's Definitive Edition
- Narrated by: Peter Ganim
- Length: 23 hrs and 56 mins
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Publisher's summary
The gods, makers of worlds, seek to create balance—between matter and energy; and between mortals who strive toward the transcendent, and the natural perils they must tame or overcome. But one of the gods fashions a world filled with hellish creatures far too powerful to allow balance; he is condemned to live for eternity with his most hateful creations in that world's distant Bourne, restrained by a magical veil kept vital by the power of song.
Millennia pass, awareness of the hidden danger fades to legend, and both song and veil weaken. And the most remote cities are laid waste by fell, nightmarish troops escaped from the Bourne. Some people dismiss the attacks as mere rumor. Instead of standing against the real threat, they persecute those with the knowledge, magic and power to fight these abominations, denying the inevitability of war and annihilation. And the evil from the Bourne swells….
The troubles of the world seem far from the Hollows where Tahn Junell struggles to remember his lost childhood and to understand words he feels compelled to utter each time he draws his bow. Trouble arrives when two strangers—an enigmatic man wearing the sigil of the feared Order of Sheason and a beautiful woman of the legendary Far—come, to take Tahn, his sister and his two best friends on a dangerous, secret journey.
Tahn knows neither why nor where they will go. He knows only that terrible forces have been unleashed upon mankind and he has been called to stand up and face that which most daunts him—his own forgotten secrets and the darkness that would destroy him and his world.
One of Library Journal's Best SF/Fantasy Books of 2011
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“A sprawling complex tale of magic and destiny that won't disappoint its readers. This auspicious beginning for author Peter Orullian will have you looking forward to more.” —Terry Brook, New York Times bestselling author
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Selia has run her family's tavern since she was 15 and can hunt and fight as the equal of any male. When she rescues a badly wounded man and nurses him back to health, she has no idea she's about to change not only her life, but also the destinies of two peoples….
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Wow! It was perfect!
- By Racheal on 10-13-11
By: Shawna Thomas
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Flight to Eden
- Cradleland Chronicles #1
- By: Douglas Hirt
- Narrated by: Michael Taylor
- Length: 16 hrs and 36 mins
- Unabridged
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A dark power is at work, intent on gaining complete control of the CradleLand, the birthplace of the still-young world. All that stands in the Power's way is one troublesome line of humans: descendants of Seth. They are of the only remaining clan clinging to an all-but-dead faith. And yet it's from that faith that a prophecy threatens all plans of world dominion.
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Great story, buy the book instead.
- By Joshua on 07-23-11
By: Douglas Hirt
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Season of Wonder
- The Remnants, Book 1
- By: Lisa T. Bergren
- Narrated by: Jorjeana Marie
- Length: 13 hrs and 16 mins
- Unabridged
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After years of training in stealth and warfare, Andriana and her Knight protector, Ronan, are finally ready to answer the Call and begin the life they were designed for. But as they embark with the other Remnants on the first of their assignments, they quickly discover that the world beyond the protected Valley is more dangerous than they imagined.
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Next
- By Louise Thurman on 02-23-23
By: Lisa T. Bergren
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Son of Avonar
- Bridge of D'Arnath, Book 1
- By: Carol Berg
- Narrated by: Angele Masters
- Length: 19 hrs and 22 mins
- Unabridged
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Magic is forbidden throughout the Four Realms. For decades, sorcerers and those associating with them were hunted to near extinction.But Seri, a Leiran noblewoman living in exile, is no stranger to defying the unjust laws of her land. She is sheltering a wanted fugitive who possesses unusual abilities-a fugitive with the fate of the realms in his hands...
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Great Series!
- By Bob-o on 08-30-16
By: Carol Berg
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The Oremere Chronicles Omnibus
- The Complete Series
- By: Helen Scheuerer
- Narrated by: Angele Masters
- Length: 52 hrs and 4 mins
- Unabridged
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At 16, Bleak lost the only person she cared for when her mentor died at sea. Now 19, she still misses him terribly. She needs him more than ever. That’s why Bleak drinks. But the haze of the mead and wine has hidden something from her. Her powers have grown more than she knows. Others have noticed. When the king sends his top commander to take her, Bleak is too hungover to resist. But he isn’t the only one who needs her for their plans. What does he want?
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“Whut?”
- By Anonymous User on 02-08-23
By: Helen Scheuerer
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Song of the Beast
- By: Carol Berg
- Narrated by: Claire Christie, Jeremy Arthur
- Length: 12 hrs and 35 mins
- Unabridged
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Brutal imprisonment has broken Aidan McAllister. His music is destroyed, and with it the visions he once gave a kingdom ravaged by dragon war. Now, he risks his hard-bought freedom to uncover the truth behind his incarceration - and to meet his enemy face-to-face....
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Dragons rock!
- By MarilynArms on 08-15-13
By: Carol Berg
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Bloodleaf
- By: Crystal Smith
- Narrated by: Nicola Barber
- Length: 10 hrs and 35 mins
- Unabridged
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Princess Aurelia is a prisoner to her crown and the heir that nobody wants. Surrounded by spirits and banned from using her blood-magic, Aurelia flees her country after a devastating assassination attempt. To escape her fate, Aurelia disguises herself as a commoner in a new land and discovers a happiness her crown has never allowed. As she forges new bonds and perfects her magic, she begins to fall for a man who is forbidden to rule beside her.
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Not Understanding All the Praise
- By GPChlorine on 08-23-19
By: Crystal Smith
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The Book of Kells
- By: R. A. MacAvoy
- Narrated by: Alan Robertson
- Length: 14 hrs and 56 mins
- Unabridged
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A contemporary man, John Thornburn (a meek, non-violent and unpredictable artist) and woman, Derval (his tough, confrontational, strong and warrior-like lover) time travel to ancient Ireland to avenge a Viking attack. Packed with fascinating details of historical time and place in Irish history and delicately balanced on the border between realism and fantasy, the story centers around one of the most famous and beautiful illuminated manuscripts in history, the legendary but entirely real Book of Kells.
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The Book of Irish Fantasy
- By S. Wells on 12-10-12
By: R. A. MacAvoy
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Moonburner
- By: Claire Luana
- Narrated by: Emma Lysy
- Length: 9 hrs and 55 mins
- Unabridged
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When 17-year-old Kai is exposed as a female sorceress, a moonburner, she knows the punishment is death. Despite the odds against her, Kai escapes her fate and undertakes a harrowing journey to a land where moonburners are revered and trained as warriors. But the moonburner citadel is not the place of refuge and learning that Kai imagined.
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Excellent!!
- By Natalie @ ABookLoversLife on 11-07-16
By: Claire Luana
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The Emperor's Knife
- Book One of the Tower and Knife Trilogy
- By: Mazarkis Williams
- Narrated by: Paul Boehmer
- Length: 15 hrs and 10 mins
- Unabridged
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There is a cancer at the heart of the mighty Cerani Empire: a plague that marks each victim with a fragment of a greater design. Geometric patterns spread across the skin, until the victim dies in agony or becomes a Carrier, doing the bidding of an evil intelligence. The lost prince Sarmin, the emperor's only surviving brother, lies locked in a hidden room. As the pattern draws closer to the palace he is at last remembered: now he awaits a bride, Mesema, a Windreader from the northern plains.
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Unable to listen
- By T Rao on 09-28-15
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The Empire of the Dead
- By: Phil Tucker
- Narrated by: Paul Guyet
- Length: 8 hrs and 13 mins
- Unabridged
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Acharsis has always loved long shots. But even with a perfect scheme and a handpicked squad of godsblooded grifters and fighters, breaking into the undead lord's Akkodaisis' ziggurat is suicidally impossible. Good thing Archarsis is a fallen demigod with more than one trick up his sleeve....
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Incredibly imaginative
- By RyRy on 09-08-17
By: Phil Tucker
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Cephrael's Hand
- A Pattern of Shadow and Light, Book 1
- By: Melissa McPhail
- Narrated by: Nick Podehl
- Length: 32 hrs and 6 mins
- Unabridged
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In Alorin...300 years after the genocidal Adept Wars, the realm is dying, and the blessed Adept race dies with it. One man holds the secret to reverting this decline: Bjorn van Gelderan, a dangerous and enigmatic man whose shocking betrayal three centuries past earned him a traitor's brand. It is the Adept Vestal Raine D'Lacourte's mission to learn what Bjorn knows in the hope of salvaging his race. But first he'll have to find him....
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This is a great book!!!
- By Dason on 07-30-16
By: Melissa McPhail
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Flame in the Mist
- By: Renée Ahdieh
- Narrated by: Nancy Wu
- Length: 10 hrs and 19 mins
- Unabridged
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From the number-one New York Times best-selling author of The Wrath and the Dawn comes a sweeping, action-packed YA adventure set against the backdrop of feudal Japan, where Mulan meets Tamora Pierce.
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Very Good
- By Ingrid on 07-15-17
By: Renée Ahdieh
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Shaman's Crossing, Book One of the Soldier Son Trilogy
- By: Robin Hobb
- Narrated by: John Keating
- Length: 24 hrs and 49 mins
- Unabridged
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Hugo and Nebula Award finalist Robin Hobb crafts intricate fantasy tales featuring larger-than-life characters and exotic landscapes. Nevare Burvelle survives the King’s Cavalla Academy—where nepotism and corruption reign—to become a soldier in the Gernian king’s army. As he and his fellow soldiers are thrust onto the front lines of the king’s brutal territorial expansion campaign, they struggle against the Plainspeople—forest-dwellers who possess a powerful magic long dismissed by the Gernians.
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Sometimes Magic Isn't A Good Thing
- By Therese M. Woolley on 10-18-13
By: Robin Hobb
What listeners say about The Unremembered
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Joshua Watson
- 05-20-22
A unique blend of music, fantasy, math, and physic
The author has undertaken an effort to make a magic system based on real physics and real music theory. That alone caught my attention immediately. More importantly, there are powerful moments of intense beauty that move the soul. I wanted to beat better human after reading this. While many works are entertaining and can even elicit emotional responses, not many are also highly uplifting.
It's not a perfect work of literature, but it's also not your dime a dozen self published pulp fiction either. This has some real craftsmanship to it, and it's definitely worth the read.
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- Bonnie Bee
- 06-04-15
good read
Good story a little disjointed in the middle but it pulls together toward the end of this pop art of the story.
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2 people found this helpful
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- foxy
- 07-17-20
Hard to follow
Not my favorite book. It was hard to keep track of what was going on and I had to listen to it three times to understand what was going on.
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- Eric
- 06-03-15
Starts in the middle and never makes up for it
All right, I actually managed to finish the "Author's Definitive Edition" of this book, with a little help from Audible.com, and my iPod's 2x speed function. And let me tell you, it was a CHORE to get through even still. So here's a review of the new version of this book. (Note, I was never able to finish the originally published version of this book because it was just so bland and generic)
ZERO stars
Let's start out by going over what is better about this version of the book. There were a couple things.
First of all, the horrible juvenile attempts at humor are, for the most part, gone. And good riddance to them. That was just AWFUL. So good job Mr. Orullian on listening to fans and leaving that shite where it belongs, on the cutting room floor.
And Sutter's Abrasive, highly irritating personality has been toned down quite a bit.
And that's about it. Those two aspects of the book are better than the original version. Everything else is either the same, or much, MUCH worse.
This is something I didn't really talk about in my original review, but before I get started on what's way, WAY worse in this book, I'm going to talk about it now, because it has a lot to do with why this version is so much worse.
Okay, so, Lord of the Rings, Star Wars, The Wheel of Time, to name a few, all follow the same basic story as this one. A person from the ass end of nowhere is caught up in a quest that will take them far from their home and through many dangers and toward some sort of goal. Each of these stories starts out with a person of authority, someone who uses magic, and is old and wise, telling the protagonist that they have to leave home and why it's important that they do.
Star Wars:
"Luke, the Empire murdered the only family you've ever known to get their hands on these droids. We must take them to to the rebel leaders on Alderaan immediately, and make sure that the Empire never takes them from us."
You know what the quest is, get the droids to Alderaan, and keep them away from the Empire. You know what's at stake, Luke's family has been murdered, and so will he if he's caught with the droids. You can see why he's leaving, and what he hopes to accomplish by doing so.
Lord of the Rings:
"Frodo, the Black Riders have come to the Shire for that ring that your uncle left you. I fear it may hold some great evil within it. To protect the rest of the Shire, you must meet me at an inn in Bree and we will continue on to Rivendell to enlist the help of the elves in solving this mystery and keeping the ring out of the hands of the evil things that seek it."
You know what the quest is, get the ring out of the Shire so more experienced and learned people can figure out what to do with it. You know what is at stake, Black Riders are terrorizing the Shirefolk in search of the ring and will kill to get it back. You can see why he's leaving, to protect the Shire from those that would do evil to get the ring.
The Wheel of Time:
"Rand, the Trollocs attacked your village because they were looking for you. You have to come with me to the White Tower in Tar Valon for your own protection, to keep them from attacking your village again, and so that the entire Aes Sedai Order can put their efforts into finding out why."
You know what the quest is, get to Tar Valon to find out why the Dark One is hunting Rand. You know what's at stake, Rand's life, those of everyone he knows and cares about, and perhaps even his soul. You can see why he's leaving, much of the village was burnt to the ground, and many people were injured in the attack, some, or all, might die in a second attack, and there might not be anything left of the village afterward.
The Unremembered:
"Tahn, you need to come with me. We're leaving the Hollows."
"Why?"
"Because I said so, that's why. Now start running."
You do not know what the quest it. You have no idea what the eventual goal is, or why it is important to reach. You have no idea what is at stake because you haven't really seen anything to let you know that there's any sort of real danger. You don't know why he's leaving. Some guy just showed up and told him he had to, without giving any reasons at all for it. And I read over half of this book in its original form, and even that far into it, the author hadn't gotten around to answering these most basic of questions about what's going on and why.
Do you see the difference between doing it well, and not doing it well? Do you see how The Unremembered just completely failed on a basic exposition level, which then made every single thing that happened after that point confusing and pointless? I get the whole need for mystery and tension and all, but you still have to let your readers know what's going on, if only to let them know what the goal is. Why are these characters leaving home, and where are they going? What is the point? What do they hope to accomplish by leaving? We need to at least know this much if we are expected to give half a damn about what's going on.
And what does this have to do with the Author's Definitive Edition, you ask? Plenty. You see, the author was on one extreme end of the spectrum of terrible with the original version. This time around, he's on the complete opposite end. Through dialog it's clear that the characters know what they're doing, and have some idea of what might be at stake. The problem is THAT THE AUTHOR STILL HASN'T BOTHERED TO TELL US, THE READERS ANY OF IT!!!!!
This version of the book is considerably shorter than the originally published version, and you can see why almost immediately. The first 25% of the book has been almost completely removed. Now, I don't know about you, but, I kind of like to, you know, be introduced to the characters in a story, and introduced to the world that the story takes place in. I don't particularly care for being dropped in the middle of a chase where I don't know what's happening, or why, and I don't know who any of the characters are, or why I'm supposed to care about them. All of these things were just completely cut out of the book by the author for some reason, and I just can't see why he would have done something so utterly stupid. Yes, the characters were either bland and generic, highly abrasive, or horribly offensive stereotypes, but at least we knew who they were are people. We knew what drove them, and a bit about their personalities and relationships with each other. The world was somewhat interesting, and the author did a generally good job of introducing it to us. Now, it's like starting on book 2 of a series. You have no idea what's going on, no idea who any of the characters are, how any of them are related to each other in any way, and you don't even realize that some of the characters are even there at all until several chapters later when they just start talking out of nowhere and you're like, wtf, who is this guy? Has he been there all along, or did they just meet him?
The original beginning was bland and generic, and the characters were equally so, but at least it WAS a beginning. At least we were introduced to these people, and told about how they are related to one another. We knew something of the world, and the dark creatures that walk in the night. We have some back story on the world, and were introduced to a pretty cool villain in what I still say was the best chapter in the book. (and it was cut from this version... wtf...) In short, though we didn't really know any real details on the quest or why they were leaving home, we did know who they were as people, and saw how they got themselves into the position where they were being chased and separated.
I just don't get it. Why would the author do something like this? It's just utterly stupid. He, in effect, cut the legs right out from under the story before it even began. What editor actually signed off on this? An editor doing his job would have said something like this to Orullian, "Yeah, I see what you're trying to do there, but it's not going to work, and this is why. So, if you're set on changing up the beginning of the book, let's sit down together and figure out a better way of doing it." That editor should be ashamed of himself, and should resign immediately, because he is utterly incompetent at his job. This is not how good storytelling works, and if he can't rein in an author doing something this idiotic with his book, he has no business being an editor.
All in all, this version of the book makes Peter Orullian look like an utterly incompetent writer. I just cannot understand why he would do this to his own story. It makes absolutely no sense whatsoever. He, basically, made it completely impossible to care about the characters, or what's happening to them. He cut out the entire beginning of the book, and didn't make any changes to the rest of it to make up for the loss.
I'd like to compare the Author's Definitive Edition of The Unremembered to a video game that came out a while back. Final Fantasy XIII. Now, the Final Fantasy series was once knows as a series with epic stories, excellent characters, awesome villains, beautiful music, and cutting edge graphics (at the time of each game's release, they're not so impressive by modern standards). But Final Fantasy XIII was seen by pretty much all fans of the series as the last nail in the coffin of a once beautiful thing. The "writers" of the story of this game, for whatever reason, decided that exposition is for wusses, and didn't give any... at all... ever... in the entire fucking game. So you are dropped in the middle of some sort of action scene with characters you know nothing about, doing... something... because reasons. And these are vital plot and character elements that you NEVER find out in the entirety of the game. You have to spend about 20 hours reading ingame datalogs that tell you what's going on and why if you want to know, and they are a friggen chore to read through too. Not to mention the fact that they don't all unlock at the beginning. You have to play all the way to the end of the game to even know what the hell was going on at the beginning by reading datalogs outside of gameplay.
Why do I bring this up, you ask? BECAUSE THIS BOOK IS EXACTLY THE FUCKING SAME NOW!!!! If I sit down to read a book I expect the author to introduce me to his characters, and tell me who they are and why I should give a damn about them. I expect to have some idea of what they're doing, why, and what's at stake if they fail. These are BASIC storytelling elements, the bare bones of a plot, and they are utterly absent from this piece of shit book. I never really got a feel for who the characters are as people, how they knew each other, why they cared about one another, or why I should care about them. It made the book just utterly mind-numbing to sit through. And on top of that, there were WAY more characters than there needed to be, and not enough personality to go around.
Do not read this book. Seriously. Don't. It is beyond terrible and the author shows how incredibly incompetent he is through the whole thing by showing how he doesn't know the first thing about telling a story, or building his characters. Any aspiring authors out there, take this book as an example of everything NOT to do while telling a story.
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- Gamilus
- 12-08-21
disappointed
I picked up this audio book after hearing the author's concept in one of the "Unfettered" short story collection. The short story was well written and well told. but this is a slog. I'm a 3rd of the way thru and I don't think I'll bother to finish.
Both the writing and narration feel forced. Like the author and narrator we're going for a Michael Bay Transformers movie.
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2 people found this helpful
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- Lyn
- 07-26-17
Horrible
Bad story and worse voice acting. I was bored. I wish I could have this time back.
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- Robert S.
- 06-09-15
Abort abort warning don't do it.
I have no clue what is going on!!! The story jumps around doesn't stick with characters I'm not sure who they are talking about half the time. it uses very descriptive writing for everything which takes away from any forward momentum of the story. I couldn't listen to the whole thing made it through 16 chapters and I'm super proud for keeping an open mind that long.
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5 people found this helpful
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- Jason Baxter
- 08-26-18
WTH is going on?
At first I kept going back to relisten to parts, certain that I missed some important information, but it’s just not there. Why is Tahn suddenly with a bunch of people being chased. It seems like they’re from his town but why did they come with? What’s with the whole age of accountability thing?
I purchased this because I enjoyed The Sound Of Broken Absolutes and wanted to know more about the mechanics of this world and I kept feeling like my version was missing whole chapters or even a prior book.
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2 people found this helpful