Maya has returned to Princeton for her college reunion—it’s been a decade since she graduated, and she is looking forward to seeing old faces and reminiscing about her time there. This visit is special because Maya will also be attending the graduation of her little sister, Naomi. But what should have been a dream weekend becomes Maya’s worst nightmare when she receives the news that Naomi is dead. The police are calling it an accident, but Maya suspects that there is more to the story than they are letting on.

On a secluded bluff overlooking the ocean sits a Victorian house, lavender with gingerbread trim, a home that contains a century’s worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned. The place is an irresistible mystery to Jane. There are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards, even though no one has set foot there in decades. The house becomes a hideaway for Jane, a place to escape her volatile mother.

Nora Noone’s father was many things to many people. To the public he was a self-made titan of industry, whose luxury boutique hotels were among the most coveted destinations in the world. To his three ex-wives, he was a loving yet distant family man who managed to keep his finances—and his families—separate. But, to Nora, he was always a mystery—especially after his suspicious death at his cliffside home.

In this “rich, complex family saga” (USA Today) full of long-buried family secrets, Marilyn Connolly and David Sorenson fall in love in the 1970s, blithely ignorant of all that awaits them. By 2016, they have four radically different daughters, each in a state of unrest.

Helen Zhang hasn’t seen Grant Shepard once in the thirteen years since the tragic accident that bound their lives together forever. Now a bestselling author, Helen pours everything into her career. She’s even scored a coveted spot in the writers’ room of the TV adaptation of her popular young adult novels, and if she can hide her imposter syndrome and overcome her writer’s block, surely the rest of her life will fall into place too. LA is the fresh start she needs. After all, no one knows her there. Except…

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

It is an ordinary Monday and harried London literary agent Emma is flying out of the door as usual. Preoccupied with work and her ever growing to-do list, she fails to notice her lovely husband Dan seems bereft, her son can barely meet her eye, and her daughter won’t go near her. Even the dog seems sad.

They were just friends. Best friends. They spent entire summers sitting on Shiloh’s porch steps, dreaming about the future. They promised each other that, no matter what, their friendship would never change. Well, Shiloh did go to college, and Cary did join the Navy. And yet, somehow, everything changed.

Frank Szatowski is shocked when his daughter, Maggie, calls him for the first time in three years. He was convinced that their estrangement would become permanent. He’s even more surprised when she invites him to her upcoming wedding in New Hampshire. Frank is ecstatic, and determined to finally make things right. He arrives to find that the wedding is at a private estate—very secluded, very luxurious, very much out of his league. It seems that Maggie failed to mention that she’s marrying Aidan Gardner, the son of a famous tech billionaire.

Being a first-generation Asian American immigrant is hard. You know what’s harder? Being the daughter of one. Priscilla is first-generation Korean American, a former high school cheerleader who expects Sam to want the same all-American nightmare. Meanwhile, Sam is a girl of the times who has no energy for clichéd high school aspirations. After a huge blowup, Sam is desperate to get away from Priscilla, but instead, finds herself thrown back. Way back.

The plane is jam-packed. Every seat is taken. So of course the flight is delayed! Flight attendant Allegra Patel likes her job—she’s generally happy with her life, even if she can’t figure out why she hooks up with a man she barely speaks to—but today is her twenty-eighth birthday. She can think of plenty of things she’d rather be doing than placating a bunch of grumpy passengers.

In The Comfort of Crows, Margaret Renkl presents a literary devotional: fifty-two chapters that follow the creatures and plants in her backyard over the course of a year. As we move through the seasons—from a crow spied on New Year’s Day, its resourcefulness and sense of community setting a theme for the year, to the lingering bluebirds of December, revisiting the nest box they used in spring—what develops is a portrait of joy and grief: joy in the ongoing pleasures of the natural world, and grief over winters that end too soon and songbirds that grow fewer and fewer.

Sydney Shaw, like every single woman in New York, has terrible luck with dating. She’s seen it all: men who lie in their dating profile, men who stick her with the dinner bill, and worst of all, men who can't shut up about their mothers. But finally, she hits the jackpot. Her new boyfriend is utterly perfect. He's charming, handsome, and works as a doctor at a local hospital. Sydney is swept off her feet. Then the brutal murder of a young woman—the latest in a string of deaths across the coast—confounds police. The primary suspect? A mystery man who dates his victims before he kills them.

Best friends Darcy, Camilla, and Kate escape for a post-divorce retreat in the Maldives, the perfect place to relax, reset, and embrace a fresh start in life. Their dream getaway? The exclusive and isolated Sapphire Island Resort. With luxurious private villas, crystal-clear waters, and sun-drenched white sand beaches, relaxation is guaranteed. But this is no ordinary friendship, and they’re not the only guests on the island with secrets.

On a White Night in 2019, prima ballerina Natalia Leonova returns to St. Petersburg two years after a devastating accident that stalled her career. Once the most celebrated dancer of her generation, she now turns to pills and alcohol to numb the pain of her past. She is unmoored in her old city as the ghosts of her former life begin to resurface: her loving but difficult mother, her absentee father, and the two gifted dancers who led to her downfall. One of those dancers, Alexander, is the love of her life, who transformed both Natalia and her art.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

On a secluded bluff overlooking the ocean sits a Victorian house, lavender with gingerbread trim, a home that contains a century’s worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned. The place is an irresistible mystery to Jane. There are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards, even though no one has set foot there in decades. The house becomes a hideaway for Jane, a place to escape her volatile mother.

In this “rich, complex family saga” (USA Today) full of long-buried family secrets, Marilyn Connolly and David Sorenson fall in love in the 1970s, blithely ignorant of all that awaits them. By 2016, they have four radically different daughters, each in a state of unrest.

Ten years ago, after a sun-soaked summer spent in Greece, best friends Bess and Joni were cleared of having any involvement in their friend Evangeline’s death. But that didn’t stop the media from ripping apart their teenage lives like vultures. While the girls were never convicted, Joni, ever the opportunist, capitalized on her newfound infamy to become a motivational speaker. Bess, on the other hand, resolved to make her life as small and controlled as possible so she wouldn’t risk losing everything all over again. And it almost worked.

Maya has returned to Princeton for her college reunion—it’s been a decade since she graduated, and she is looking forward to seeing old faces and reminiscing about her time there. This visit is special because Maya will also be attending the graduation of her little sister, Naomi. But what should have been a dream weekend becomes Maya’s worst nightmare when she receives the news that Naomi is dead. The police are calling it an accident, but Maya suspects that there is more to the story than they are letting on.

So begins award-winning poet DéLana R. A. Dameron’s debut novel, Redwood Court. The baby of the family, Mika Tabor spends much of her time in the care of loved ones, listening to their stories and witnessing their struggles. On Redwood Court, the cul-de-sac in the all-Black working-class suburb of Columbia, South Carolina, where her grandparents live, Mika learns important lessons from the people who raise her.

Helen Zhang hasn’t seen Grant Shepard once in the thirteen years since the tragic accident that bound their lives together forever. Now a bestselling author, Helen pours everything into her career. She’s even scored a coveted spot in the writers’ room of the TV adaptation of her popular young adult novels, and if she can hide her imposter syndrome and overcome her writer’s block, surely the rest of her life will fall into place too. LA is the fresh start she needs. After all, no one knows her there. Except…

It is an ordinary Monday and harried London literary agent Emma is flying out of the door as usual. Preoccupied with work and her ever growing to-do list, she fails to notice her lovely husband Dan seems bereft, her son can barely meet her eye, and her daughter won’t go near her. Even the dog seems sad.

They were just friends. Best friends. They spent entire summers sitting on Shiloh’s porch steps, dreaming about the future. They promised each other that, no matter what, their friendship would never change. Well, Shiloh did go to college, and Cary did join the Navy. And yet, somehow, everything changed.

When local girl Loren includes Mara in a traditional Blackfeet Giveaway to honor Loren’s missing sister, Mara thinks she’ll finally make some friends on the Blackfeet reservation. Instead, a girl from the Giveaway, Samantha White Tail, is found murdered. Because the four members of the Giveaway group were the last to see Samantha alive, each becomes a person of interest in the investigation. And all of them—Mara, Loren, Brody, and Eli—have a complicated history with Samantha.

On a White Night in 2019, prima ballerina Natalia Leonova returns to St. Petersburg two years after a devastating accident that stalled her career. Once the most celebrated dancer of her generation, she now turns to pills and alcohol to numb the pain of her past. She is unmoored in her old city as the ghosts of her former life begin to resurface: her loving but difficult mother, her absentee father, and the two gifted dancers who led to her downfall. One of those dancers, Alexander, is the love of her life, who transformed both Natalia and her art.

It's the first real summer since the devastating accident that killed Cedar's father and younger brother, Ben. But now Cedar and what's left of her family are returning to the town of Iron Creek for the summer. They're just settling in to their new house when a boy named Leo, dressed in costume, rides by on his bike. Intrigued, Cedar follows him to the renowned Summerlost theatre festival. Soon she not only has a new friend in Leo and a job working concessions at the festival, but she finds herself surrounded by mystery.

For as long as she can remember, Rio has dreamt of the sand and sky Above - of life beyond her underwater city of Atlantia. But in a single moment, all her plans for the future are thwarted when her twin sister, Bay, makes an unexpected decision, stranding Rio Below. Alone, ripped away from the last person who knew Rio's true self - and the powerful siren voice she has long hidden - she has nothing left to lose.

1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by privileged students whose futures are already paved out for them, Raquel feels like an outsider. Students of color, like her, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret.

Maya was a high school senior when her best friend, Aubrey, dropped dead in front of the enigmatic man named Frank whom they’d been spending time with all summer. Seven years later, Maya lives in Boston with a loving boyfriend and is kicking the secret addiction that has allowed her to cope with what happened years ago, the gaps in her memories, and the lost time that she can’t account for. But her past comes rushing back when she comes across a recent YouTube video in which a young woman suddenly keels over and dies in a diner while sitting across from none other than Frank.

In The Comfort of Crows, Margaret Renkl presents a literary devotional: fifty-two chapters that follow the creatures and plants in her backyard over the course of a year. As we move through the seasons—from a crow spied on New Year’s Day, its resourcefulness and sense of community setting a theme for the year, to the lingering bluebirds of December, revisiting the nest box they used in spring—what develops is a portrait of joy and grief: joy in the ongoing pleasures of the natural world, and grief over winters that end too soon and songbirds that grow fewer and fewer.