Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

In this exhilarating tale by New York Times bestselling and award-winning author Nnedi Okorafor, a disabled Nigerian American woman pens a wildly successful Sci-Fi novel, but as her fame rises, she loses control of the narrative—a surprisingly cutting, yet heartfelt drama about art and love, identity and connection, and, ultimately, what makes us human. This is a story unlike anything you’ve seen before.

Max doesn't remember his mother, who was murdered by burglars before they emigrated from Beirut to New Jersey. He lives with his father, Rasheed, who is enamored of his concept of American culture - baseball and barbeques - and tries to shed his Lebanese heritage completely.

In the wake of a catastrophic storm, Cora sets off with her nine-year-old daughter, Maia, to register her son's birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the infant after him. But when the registrar asks what she'd like to call the child, Cora hesitates...

“A rare triumph” (The New York Times Book Review), this powerful memoir about the divergent paths taken by two brothers is a classic work from one of the greatest figures in American literature: a reflection on John Edgar Wideman’s family and his brother’s incarceration—a classic that is as relevant now as when originally published in 1984.

A surrealist story of mourning and messiahs, deserts and droughts, cowboys and junkies, miracles and mass hysteria, the lure of despair and the solace of friendship. Peter Mendelsund's Weepers is a novel for this age: our age of anesthesia and anger.

Harvard, 1996. Anna is about to graduate when she falls hard for Christoph, a visiting German student. Captivated by his beauty and intelligence, she follows him to Germany, where charming squares and grand facades belie the nation’s recent history and the war’s destruction. Christoph condemns his country’s actions but remains cryptic about the part his own grandfather played. Anna, meanwhile, cannot forget the photos taken by her American GI grandfather at the end of the war, preserved in a scrapbook only she has seen.

How to Dodge a Cannonball is funnier than the Civil War should ever be. It follows Anders, a teenage idealist who enlists and reenlists to shape the American Future—as soon as he figures out what that is, who it includes, and why everyone wants him to die for it. Escaping his violently insane mother is a bonus. Anders finds honor as a proud Union flag twirler—until he’s captured. Then he tries life as a diehard Confederate—until fate asks him to die hard for the Confederacy at Gettysburg. Barely alive, Anders limps into a Black Union regiment in a stolen uniform.

When Sally Samuelson was eight years old, her golden boy brother Ellis went missing the summer he graduated high school. Ellis finally turned up at the bucolic Bug Hollow, a last gasp of the beautiful Northern California counterculture in the seventies. He had found joy in the communal life there, but died in a freak accident weeks later. From that point, the world of the Samuelsons never spins on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, shows up pregnant on their doorstep.

Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

Fulfillment tells the story of two half brothers—Joel, a successful academic and author, whose marriage is in deep trouble, and his younger sibling, Emmett, paralyzed by indecision and working in a shipping warehouse—who find themselves at their family home in Kentucky and upend each other’s lives in devastating ways.

It’s the summer of ’96 and best friends (and secret girlfriends) Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people . . . even if the move means leaving behind Hannah’s beloved Bubbe.

Max doesn't remember his mother, who was murdered by burglars before they emigrated from Beirut to New Jersey. He lives with his father, Rasheed, who is enamored of his concept of American culture - baseball and barbeques - and tries to shed his Lebanese heritage completely.

Fran Donoghue has just killed her neighbour. Don’t worry, you’ll agree, he deserved it. Detective Gareth Donoghue has a terrible feeling about his missing neighbour. By the time this is over, that will be the least of his worries… A dark, sharp and hilarious novel about love, marriage, and murder, with an ending you won’t see coming… Gareth certainly didn’t.

The threat of nuclear war is no longer scary. This is much worse. It's invisible. It works quickly. And it's coming. The scourge has already infected and killed half the population in China and it is heading towards the UK. There is no time to escape. The British government sees no way out other than to distribute 'Dignity Pills' to its citizens – one last night with family or loved ones before going to sleep forever … together.

Anna is shattered by the violent death of her son, Alex, and tormented by the question of whether it was an accident or a suicide. Samantha is Alex’s best friend, and the only eyewitness to his death. She keeps returning to the cliff where she watched him either jump or fall, trying to sift through the shards. Aviva is an “upload,” a digital entity composed of the sense memories of a human tether. But she’s “emancipated,” having left her human behind.

A debut essay collection by the inimitable cultural critic Maris Kreizman—an introspective, searing account of the life experiences that have pushed this former “good Democrat” even further to the political left.

Meet the Mikkola sisters: Ina, Evelyn, and Anastasia. Their mother is a Tunisian carpet seller, their father a mysterious Swede who left them when they were young. Ina is tall, serious, a compulsive organizer. Evelyn is dreamy, magnetic, a smooth talker. And Anastasia is moody, chaotic, a shape-shifting presence, quick to anger. Ina meets her future husband when she’s dragged to a New Year’s rave by her sisters, only to suffer the ultimate betrayal. Evelyn drifts through life before embarking on a wild career as an actress.

Vivienne and Patrick Fisher have done an excellent job raising their three daughters, Alex, Nancy, and Eva. They’re well-adjusted women with impressive careers, caring partners, exciting hobbies, and sweet children. So it’s with great anticipation that three generations of Fishers gather at a beautiful glass house in the English countryside for a weeklong celebration of Vivienne’s seventieth birthday. But when Patrick’s reaction to a freak accident on the first day of the trip inadvertently reveals that he has a favorite daughter, no one is prepared for the shockwaves it sends.

When Hazel Blum’s father gets a tenured job at a prestigious college, she and her family relocate from the hustle and bustle of Brooklyn to a middle-of-nowhere college town in Maine. With her mother, Claire, a clothing designer, and her father, Gus, an American Studies professor, Hazel and her eleven-year-old brother, Wolf, spend the summer at the town pool, where they acclimate to their new lives and connect with the town’s sprawling community.