An arrest for cocaine possession on the last day of a sweltering New York summer leaves Smith, a queer Black Stanford graduate, in a state of turmoil. Pulled into the court system and mandated treatment, he finds himself in an absurd but dangerous situation: his class protects him, but his race does not. It’s just weeks after the death of his beloved roommate Elle, the daughter of a famous soul singer, and he’s still reeling from the tabloid spectacle—as well as lingering questions around how well he really knew his closest friend.

Adela Woods is sixteen years old and pregnant. Her parents banish her from her comfortable upbringing in Indiana to her grandmother’s home in the small town of Padua Beach, Florida. When she arrives, Adela meets Emory, who brings her newborn to high school, determined to graduate despite the odds; Simone, mother of four-year-old twins, who weighs her options when she finds herself pregnant again; and the rest of the Girls, a group of outcast young moms who raise their growing brood in the back of Simone’s red truck.

For too long, Africa’s history has been dominated by western narratives of slavery and colonialism, or simply ignored. Now, Zeinab Badawi sets the record straight. In this fascinating book, Badawi guides us through Africa’s spectacular history—from the very origins of our species, through ancient civilizations and medieval empires with remarkable queens and kings, to the miseries of conquest and the elation of independence.

When eldest son Roman Carruthers is summoned home after his father’s car accident, he finds his younger brother, Dante, in debt to dangerous criminals and his sister, Neveah, exhausted from holding the family—and the family business—together. Neveah and their father, who run the Carruthers Crematorium in the run-down central Virginia town of Jefferson Run, see death up close every day. But mortality draws even closer when it becomes clear that the crash that landed their father in a coma was no accident and Dante’s recklessness has placed them all in real danger.

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.'s nonviolence and Malcolm X's "by any means necessary." In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.

Through exclusive interviews with current and former female CIA officers, many of whom have never spoken publicly, Agents of Change tells an enthralling and, at times, disturbing story set against the backdrop of the evolving women’s movement. It was the 1960s, a “secretarial” era, when women first gained a foothold and pushed against the one-dimensional, pop-culture trope of the sexy Cold War Bond Girl. Underestimated but undaunted, they fought their way, decade-by-decade, through adversity to the top of the spy game.

The first Black woman ever elected to the Senate. The first woman to represent the state of Illinois. The first Black woman to serve as a US ambassador to New Zealand. These are just a few of the “firsts” that Ambassador Carol Moseley Braun can lay claim to since entering politics in the 1970s. Since then, the self-professed “Black girl from the south side of Chicago” has been shattering ceilings and making history. Yet her journey to Congress and to international renown was not an easy one, rife with obstacles, controversies, and lessons learned.

An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon’s profound impact as a visionary editor who helped define an important period in American publishing and literature.

A magisterial new history of the role of the Supreme Court as an ally in implementing and preserving a racial caste system in America, Their Accomplices Wore Robes takes listeners from the Civil War era to the present and describes how the Supreme Court—even more than the presidency or Congress—aligned with the enemies of Black progress to undermine the promise of the Constitution’s Thirteenth, Fourteenth, and Fifteenth Amendments.

Adela Woods is sixteen years old and pregnant. Her parents banish her from her comfortable upbringing in Indiana to her grandmother’s home in the small town of Padua Beach, Florida. When she arrives, Adela meets Emory, who brings her newborn to high school, determined to graduate despite the odds; Simone, mother of four-year-old twins, who weighs her options when she finds herself pregnant again; and the rest of the Girls, a group of outcast young moms who raise their growing brood in the back of Simone’s red truck.

A groundbreaking combination of travel writing, memoir, and cookbook, The Last Sweet Bite uncovers how humanity’s appetite for violence shapes what’s on our plate. Animated by touching personal interviews, original reporting, and extraordinary recipes from modern-day conflict zones across the globe, Shaikh reveals the stories of how genocide, occupation, and civil war can disappear treasured recipes, but also introduces us to the extraordinary yet overlooked home cooks and human rights activists trying to save them.

Harvard, 1996. Anna is about to graduate when she falls hard for Christoph, a visiting German student. Captivated by his beauty and intelligence, she follows him to Germany, where charming squares and grand facades belie the nation’s recent history and the war’s destruction. Christoph condemns his country’s actions but remains cryptic about the part his own grandfather played. Anna, meanwhile, cannot forget the photos taken by her American GI grandfather at the end of the war, preserved in a scrapbook only she has seen.

The Tiny Things Are Heavier follows Sommy, a Nigerian woman who comes to the United States for graduate school two weeks after her brother, Mezie, attempts suicide. Plagued by the guilt of leaving Mezie behind, Sommy struggles to fit into her new life as a student and an immigrant. Lonely and homesick, Sommy soon enters a complicated relationship with her boisterous Nigerian roommate, Bayo, a relationship that plummets into deceit when Sommy falls for Bryan, a biracial American, whose estranged Nigerian father left the States immediately after his birth.

One afternoon many years ago, James Rebanks met an old woman on a remote Norwegian island. She lived and worked alone on a tiny rocky outcrop, caring for wild Eider ducks and gathering their down. Hers was a centuries-old trade that had once made men and women rich but had long been in decline. Still, somehow, she seemed to be hanging on. Back at home, Rebanks couldn’t stop thinking about the woman on the rocks. She was fierce and otherworldly—and yet strangely familiar.

Sharif is a good person. He knows that he is good because he’s aware of the privilege that he holds as a white man. He knows he is good because he chose to be a social worker at a nonprofit in Brooklyn, scraping by in New York City. And he knows he is good because his wife, Adjoua, a progressive Black novelist, has always said so.

Marty Friedman's upbringing was as atypical as his career. Growing up in a Jewish household in Maryland, the son of an NSA executive, he lacked motivation until he discovered the guitar. Enjoying a hazy adolescence overflowing with partying, music, and teen antics, he achieved local stardom in Deuce, then burst onto the national scene by pioneering a radically new style of playing, bringing attention to the guitar aficionado label, Shrapnel Records. Friedman moved to California and scored a gig in Megadeth.

Vivienne and Patrick Fisher have done an excellent job raising their three daughters, Alex, Nancy, and Eva. They’re well-adjusted women with impressive careers, caring partners, exciting hobbies, and sweet children. So it’s with great anticipation that three generations of Fishers gather at a beautiful glass house in the English countryside for a weeklong celebration of Vivienne’s seventieth birthday. But when Patrick’s reaction to a freak accident on the first day of the trip inadvertently reveals that he has a favorite daughter, no one is prepared for the shockwaves it sends.

Twenty years ago, Ella Winters was the it girl. She made a name for herself in Hollywood and throughout America as the sole survivor in the cult-classic slasher Grad Night. But the real horror is what happened when the cameras weren’t rolling—something terrible that Ella and her co-stars agreed never to speak of again. Shortly after the movie’s premiere, Ella disappeared from the acting scene under the pretense of caring for her ailing mother, hoping for a quiet life out of the spotlight to ease her guilty mind.

The great scholar, W. E. B. Du Bois, once wrote about the problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s problem on her shoulders.

Decades after the end of World War II, the name Ravensbrück still evokes horror for those with knowledge of this infamous all-women’s concentration camp, better known since it became the setting of Martha Hall Kelly’s bestselling novel, Lilac Girls. Particularly shocking were the medical experiments performed on some of the inmates. Ravensbrück was atypical in other ways as well, not just as the only all-female German concentration camp, but because 80 percent of its inmates were political prisoners, among them a tight-knit group of women who had been active in the French Resistance.