A surrealist story of mourning and messiahs, deserts and droughts, cowboys and junkies, miracles and mass hysteria, the lure of despair and the solace of friendship. Peter Mendelsund's Weepers is a novel for this age: our age of anesthesia and anger.

Fulfillment tells the story of two half brothers—Joel, a successful academic and author, whose marriage is in deep trouble, and his younger sibling, Emmett, paralyzed by indecision and working in a shipping warehouse—who find themselves at their family home in Kentucky and upend each other’s lives in devastating ways.

When Sally Samuelson was eight years old, her golden boy brother Ellis went missing the summer he graduated high school. Ellis finally turned up at the bucolic Bug Hollow, a last gasp of the beautiful Northern California counterculture in the seventies. He had found joy in the communal life there, but died in a freak accident weeks later. From that point, the world of the Samuelsons never spins on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, shows up pregnant on their doorstep.

Lena wants her life back. Her wealthy, controlling, humorless husband has just died, and now she contends with her controlling, humorless son, Drew. Lena lands in Naxos with her best friend in tow for the unveiling of her son's pet project—the luxurious Agape Villas. Years of marriage amongst the wealthy elite has whittled Lena's spirit into rope and sinew, smothered by tasteful cocktail dresses and unending small talk.

1941. Following the Japanese invasion of Shanghai, the wealthy Tang family has settled in Hong Kong, believing it to be protected under British occupation. As the First Wife of the family, Mingzhu leads a glamorous, if at times lonely, existence—mothering the son of her husband’s concubine, overseeing her daughter Qiang’s education, and directing their household of servants, including her long-time confidante, Biyu. But when the Japanese invade Hong Kong, the paths of Mingzhu, Qiang, and Biyu wildly diverge.

A beautiful and heartwarming portrait of a young woman who looks at the world differently, June in the Garden encourages others to do the same. Because thinking unconventionally is not a flaw, it’s often the key to appreciating the wonder and bloom that surrounds us.

From the author of The End We Start From, now a major film starring Jodie Comer, and taking inspiration from the influential artists and intellectuals of the Bloomsbury Group, Days of Light is a sweeping, sensual historical novel of art, desire, and faith set against the backdrop of a changing England.

When Emily Hauk’s mother dies, it’s time for her and her husband, Josh, to finally leave San Francisco. A farm in rural Nebraska is everything they want for a fresh start: clear skies, low costs, and distance from the grief back home. They should have asked why the farm was for sale. Three years ago, a teenage girl went missing from the farm. Soon after, the girl’s mother mysteriously died. The deeper Emily digs, the more stories she finds of women with a connection to her new home who’ve met their own dark ends.

Dawn is breaking over the Guilleries, a rugged mountain range in Catalonia frequented by wolf hunters, brigands, deserters, race-car drivers, ghosts, and demons. In a remote farmhouse called Mas Clavell, an impossibly old woman lies on her deathbed. Family and caretakers drift in and out. Meanwhile, all the women who have lived and died in that house are waiting for her to join them. They are preparing to throw her a party.

Shaw Connolly is no stranger to trauma. As a fingerprints analyst, she’s one of the first on-site for crimes, including murder scenes and a mysterious string of arsons popping up throughout the rural Maine community her department serves. But the tragedy of her little sister’s disappearance sixteen years ago has always weighed on her the most; Thea is never far from her thoughts or dreams, and Shaw knows that her obsession with finding the truth about Thea is driving her husband away and impacting her two boys. Still, she can't let it go.

When Hazel Blum’s father gets a tenured job at a prestigious college, she and her family relocate from the hustle and bustle of Brooklyn to a middle-of-nowhere college town in Maine. With her mother, Claire, a clothing designer, and her father, Gus, an American Studies professor, Hazel and her eleven-year-old brother, Wolf, spend the summer at the town pool, where they acclimate to their new lives and connect with the town’s sprawling community.

It’s an autumn weekend at a comfortable New York country house where two deeply intertwined families have gathered to mark the host’s fifty-second birthday. Together, the group forms an enviable portrait of middle age. The wives and husbands have been friends for over thirty years, their teenage daughters have grown up together, and the dinners, games, and rituals forming their days all reflect the rich bonds between them.

Retired nurse, avid gardener, and renowned cake maker Miss Hortense has lived in Bigglesweigh, a quiet suburb of Birmingham, England, since she emigrated from Jamaica in 1960. She takes great pride in her home, starching her lace curtains bright white, and she can tell if she’s being shortchanged on turmeric before she’s taken her first bite of a beef patty. A career in nursing has also left her afraid of nobody, whether an interfering priest or a local drug dealer, and she’s an expert in deciphering other people’s secrets with just a glance.

A few weeks after the 2016 election, at Thanksgiving with his daughter’s family, Rhys Kinnick snapped. After an escalating fight about politics, he hauled off and punched his conspiracy theorist son-in-law. Horrified by what he'd done, by the state of the country and by his own spiraling mental health, Rhys chucked his smartphone out a car window and fled for a cabin in the woods, off the grid and with no one around—except a pack of hungry raccoons. Now, seven years later, Kinnick’s old life is about to land right back on his crumbling doorstep.

If you ask Jill Tingley, she'll tell you she and her husband Jack are college sweethearts living the dream in Southern California. Newly empty nesting with their daughter Maggie away at college, Jill suggests a road trip to reconnect. Jack would rather do anything else than drive to Utah with his wife. He's only stayed in this marriage because of a shared secret, a tragedy in the past he wanted to keep buried. But Jack is finished with the charade of his marriage. He's filing for divorce as soon as they return, no matter what. But he doesn't realize what else Jill is hiding.