One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

The patriarch, C. F. Seabrook, was hailed as the "Henry Ford of Agriculture." His son Jack, a keen businessman, was poised to take over what Life called "the biggest vegetable factory on earth." But the carefully cultivated facade—glamorous outings by horse-drawn carriage, hidden wine cellars, and movie star girlfriends—hid dark secrets that led to the implosion of the family business. A compelling tale of class and privilege, betrayal and revenge three decades in the making, The Spinach King explores the author's complicated family legacy and the dark corners of the American Dream.

Lily—a bored, beautiful twenty-something—wakes up on a remote desert compound, alongside nineteen other contestants competing on a massively popular reality show. To win, she must outlast her housemates to stay in the Compound the longest, while competing in challenges for luxury rewards like champagne and lipstick, plus communal necessities to outfit their new home, like food, appliances, and a front door. Cameras are catching all her angles, good and bad, but Lily has no desire to leave: why would she, when the world outside is falling apart?

It’s an autumn weekend at a comfortable New York country house where two deeply intertwined families have gathered to mark the host’s fifty-second birthday. Together, the group forms an enviable portrait of middle age. The wives and husbands have been friends for over thirty years, their teenage daughters have grown up together, and the dinners, games, and rituals forming their days all reflect the rich bonds between them.

Molly Jong-Fast is the only child of a famous woman, writer Erica Jong, whose sensational book Fear of Flying launched her into second-wave feminist stardom. She grew up yearning for a connection with her dreamy, glamorous, just out of reach mother, who always seemed to be heading somewhere that wasn’t with Molly. When, in 2023, Erica was diagnosed with dementia just as Molly’s husband discovered he had a rare cancer, Jong-Fast was catapulted into a transformative year.

On a warm day in September 2000, a woman named Zanhua gave birth to twin girls in a small hut behind her brother’s home in China’s Hunan province. The twins, Fangfang and Shuangjie, were welcome additions to her family but also not her first children. Living under the shadow of China’s notorious one-child policy, Zanhua and her husband decided to leave one twin in the care of relatives, hoping each toddler on their own might stay under the radar. But, in 2002, Fangfang was violently snatched away.

A year after her child is born, Jane suffers a series of strange episodes: amnesia, premonitions, hallucinations, and an inexplicable sense of dread. Three days after her first visit to a psychiatrist, Jane suddenly goes missing. A day later she is found unconscious in Brooklyn’s Prospect Park, in the midst of what seems to be an episode of dissociative fugue; when she comes to, she has no memory of what has happened to her.

Charlotte, a commercial airline pilot, attends an auction with her boyfriend Henri at Hotel Drouot, now the oldest auction house in Paris. Successfully bidding on a box of wine saved from the German occupation during the Second World War, Henri gives Charlotte a seemingly inferior bottle he finds inside the box. Cleaning the label, Charlotte makes a shocking discovery that sends her on a quest to find the origins of this unusual—and very valuable—bottle of wine, a quest that will take her back fifty years into the past.

All I want is to be innocent again. But that's not how it works. Especially not after the Wheel. The three Bishop sisters grew up in privilege in the moneyed suburbs of Detroit. But as the auto industry declined, so did their fortunes. Harper, the youngest, is barely making ends meet when her beloved, charismatic sister Pam—currently in the middle of a contentious battle with her ex-husband—and her eldest sister, Debra, approach her about joining an exciting new club.

When eldest son Roman Carruthers is summoned home after his father’s car accident, he finds his younger brother, Dante, in debt to dangerous criminals and his sister, Neveah, exhausted from holding the family—and the family business—together. Neveah and their father, who run the Carruthers Crematorium in the run-down central Virginia town of Jefferson Run, see death up close every day. But mortality draws even closer when it becomes clear that the crash that landed their father in a coma was no accident and Dante’s recklessness has placed them all in real danger.

When Hisham Matar was a 19-year-old university student in England, his father was kidnapped. One of the Qaddafi regime's most prominent opponents in exile, he was held in a secret prison in Libya. Hisham would never see him again. But he never gave up hope that his father might still be alive. "Hope," as he writes, "is cunning and persistent." Twenty-two years later, after the fall of Qaddafi, the prison cells were empty, and there was no sign of Jaballa Matar. Hisham returned with his mother and wife to the homeland he never thought he'd go back to again.

Alice isn't like the other Storm siblings. While the rest stayed to battle for their parents' approval, attention, and untold billions, she left, building her own life beyond the family’s name and influence. Nothing could induce her to come back, except the shocking death of her larger-than-life father. Now back on the family’s private island off the Rhode Island coast, she plans to keep her head down, pay the last of her respects, and leave the minute the funeral is over. Unfortunately, her father had other plans.

Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse. Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

From a dazzling new talent, the story of a newly divorced young mother forced to reckon with the secrets of her own childhood when she brings her daughters back to the big house where she was raised.

When Sally Samuelson was eight years old, her golden boy brother Ellis went missing the summer he graduated high school. Ellis finally turned up at the bucolic Bug Hollow, a last gasp of the beautiful Northern California counterculture in the seventies. He had found joy in the communal life there, but died in a freak accident weeks later. From that point, the world of the Samuelsons never spins on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, shows up pregnant on their doorstep.

Twenty years ago, Ella Winters was the it girl. She made a name for herself in Hollywood and throughout America as the sole survivor in the cult-classic slasher Grad Night. But the real horror is what happened when the cameras weren’t rolling—something terrible that Ella and her co-stars agreed never to speak of again. Shortly after the movie’s premiere, Ella disappeared from the acting scene under the pretense of caring for her ailing mother, hoping for a quiet life out of the spotlight to ease her guilty mind.

Sharif is a good person. He knows that he is good because he’s aware of the privilege that he holds as a white man. He knows he is good because he chose to be a social worker at a nonprofit in Brooklyn, scraping by in New York City. And he knows he is good because his wife, Adjoua, a progressive Black novelist, has always said so.

Chicago, 1924: Emily and her new husband, Henry, yearn to leave the bustle of Chicago for the promise of their own American dream among the harsh beauty of the prairie. But leaving the city means leaving Emily’s beloved sister, Annie, who was once closer to her than anyone in the world. Kansas, 1932: Emily and Henry have established their new home among the warmth of the farming community in Kansas. Aligned to the fickle fortunes of nature, their lives hold a precarious and hopeful purpose, until tragedy strikes and their orphaned niece, Dorothy, lands on their doorstep.

Immigrating alone from Paris to New York after the crucible of World War II, young Gazala becomes friends with two spirited sisters, Anne and Alma. When Gazala’s lost, beloved brother, Samir, joins her in Manhattan, this contentious, inseparable foursome makes their way into the twenty-first century, becoming the beating heart of a multigenerational found family.

Stretching from the late-nineteenth century to the present day, The Lost Masterpiece is wrapped around an enigmatic and powerful painting, Party on the Seine. Stolen by the Nazis. Believed to be destroyed for almost a century. Possibly haunted by the anguished spirit of Impressionist painter Berthe Morisot. Survivor of a flood, an earthquake and a fire when all the other artworks around it were destroyed. What secrets does it hold? What power?

Lena wants her life back. Her wealthy, controlling, humorless husband has just died, and now she contends with her controlling, humorless son, Drew. Lena lands in Naxos with her best friend in tow for the unveiling of her son's pet project—the luxurious Agape Villas. Years of marriage amongst the wealthy elite has whittled Lena's spirit into rope and sinew, smothered by tasteful cocktail dresses and unending small talk.

Chloe Vance, dreamer of the family, needs to tell her pragmatic mom, Edie, that she has accepted a low-paying art instructor role at a Christian school in Prague. Her older sister, Lauren—the "responsible one"—is doing all she can to hide the fact she's been fired for a foolish mistake and is desperately seeking her next career move. Meanwhile, Edie, estranged from her own sister following their mother's recent death, is frankly in no mood for anything else to change.

Fulfillment tells the story of two half brothers—Joel, a successful academic and author, whose marriage is in deep trouble, and his younger sibling, Emmett, paralyzed by indecision and working in a shipping warehouse—who find themselves at their family home in Kentucky and upend each other’s lives in devastating ways.

Etgar Keret is the world’s most famous living Israeli writer, known for writing short stories that are lean and accessible in style, and whimsical, surrealist, and darkly funny in subject. His work explores life’s smallest, most unremarkable interactions in ways that are profound and unusual. The characters populating his fiction have relatable work and relationship problems.

How to Dodge a Cannonball is funnier than the Civil War should ever be. It follows Anders, a teenage idealist who enlists and reenlists to shape the American Future—as soon as he figures out what that is, who it includes, and why everyone wants him to die for it. Escaping his violently insane mother is a bonus. Anders finds honor as a proud Union flag twirler—until he’s captured. Then he tries life as a diehard Confederate—until fate asks him to die hard for the Confederacy at Gettysburg. Barely alive, Anders limps into a Black Union regiment in a stolen uniform.

England, 1979. Vincent, Lawrence and William are the last remaining residents of a secluded New Forest home, part of the government's Sycamore Scheme. Every day, the triplets do their chores, play their games and take their medicine, under the watchful eyes of three mothers: Mother Morning, Mother Afternoon and Mother Night.

Meet the Mikkola sisters: Ina, Evelyn, and Anastasia. Their mother is a Tunisian carpet seller, their father a mysterious Swede who left them when they were young. Ina is tall, serious, a compulsive organizer. Evelyn is dreamy, magnetic, a smooth talker. And Anastasia is moody, chaotic, a shape-shifting presence, quick to anger. Ina meets her future husband when she’s dragged to a New Year’s rave by her sisters, only to suffer the ultimate betrayal. Evelyn drifts through life before embarking on a wild career as an actress.

Anna is shattered by the violent death of her son, Alex, and tormented by the question of whether it was an accident or a suicide. Samantha is Alex’s best friend, and the only eyewitness to his death. She keeps returning to the cliff where she watched him either jump or fall, trying to sift through the shards. Aviva is an “upload,” a digital entity composed of the sense memories of a human tether. But she’s “emancipated,” having left her human behind.

A surrealist story of mourning and messiahs, deserts and droughts, cowboys and junkies, miracles and mass hysteria, the lure of despair and the solace of friendship. Peter Mendelsund's Weepers is a novel for this age: our age of anesthesia and anger.