The Washing Away of Wrongs
Max Tudor, Book 8
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Narrated by:
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Michael Page
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By:
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G. M. Malliet
About this listen
In this new mystery for Max Tudor, he is forced to revisit the past to solve a very recent case of murder…
Max Tudor thought he'd left the world of deceit when he resigned from MI5 to become an Anglican priest. Then his bishop asks him to return to his Oxford college, St Luke's, to investigate the death of its chaplain, and Max realizes there's no leaving the past behind.
At first, Max agrees with the official police verdict of death by natural causes. The Rev. Ace Graybill was as harmless a man as ever lived. It's difficult to see how he managed to cross anyone capable of murder.
And the suspects are all above reproach: the celebrated Principal, the cautious bursar, the wise librarian, and a raft of benign students and academics.
But someone in the college wanted the kindly chaplain dead… and looks can be very deceiving.
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
- By wotsallthisthen on 04-07-24
By: George Orwell, and others
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What listeners say about The Washing Away of Wrongs
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- Donna Mandriota
- 09-05-24
New setting for Max
Complex story, interesting setting. It’s always hard to see a beloved character away from the setting that one is used to. But the book was very enjoyable nonetheless.
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- Erin OBrien
- 07-23-24
A long wait for this book and worth it!!
I truly like Max Tudor because of his kindness without being maudlin, his intelligence and his all round personality. The author approaches societal problems and groundless negative attitudes with sensitivity.
We need more authors that create mysteries without the raw edge of over descriptive gore, violence for its own sake and foul language that gets really old really fast. We definitely need lots more G.M. Malliet, especially the works featuring Max Tudor!
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3 people found this helpful