Miss Busby helped Major Heathcliff Lennox solve a series of murders at Bloxford in the Cotswolds. Now, she finds herself drawn into a new murder, but this time, it's just her, and she must rely on her sharp mind and sharper wits to catch a Cotswolds killer, along with a handsome police inspector and a reporter who's keen to make her mark.

England, 1919. Verity Kent's grief over the loss of her husband pierces anew when she receives a cryptic letter suggesting her beloved Sidney may have committed treason before his untimely death. Determined to dull her pain with revelry, Verity's first impulse is to dismiss the derogatory claim. But the mystery sender knows too much - including the fact that during the war Verity worked for the Secret Service, something not even Sidney knew.

While hot on the heels of serial coupon-racketeer Gordon Ginner, Chief Inspector MacDonald of Scotland Yard receives word of an intriguing incident up in Lancashire – the summer cottage of local farmer Giles Hoggett has been broken into, with an assortment of seemingly random items missing which include a complete reel of salmon line, a large sack, and two iron dogs from his fireplace. What first appears as a simple break-in quickly spirals into a mystery of contested land grabs for fishing between farmers, made all the more enticing to MacDonald when a body is then found in the river.

From the dramatic Highlands to bustling cities, the unique landscapes and locales of Scotland have enthralled and shaped generations of mystery writers. This new collection presents 17 classic stories, spanning a period from the 1880s to the 1970s, by a host of Scottish authors alongside writers from south of the border inspired by the history and majesty of the storied country.

Vivian Lestrange - celebrated author of the popular mystery novel The Charterhouse Case and total recluse - has apparently dropped off the face of the Earth. Reported missing by his secretary Eleanor, whom Inspector Bond suspects to be the author herself looking for publicity, it appears that crime is afoot when Lestrange's housekeeper is also found to have disappeared. Bond and Warner of Scotland Yard set to work to investigate a murder with no body and a potentially fictional victim.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

Chief Inspector Macdonald has been invited to a treasure hunt party at the house of the Graham Coombe, the celebrated publisher of Murder by Mesmerism. The clues of the hunt have been devised by Coombe's thriller-writer friends, disguised on the night under literary pseudonyms. The fun comes to an abrupt end, however, when 'Samuel Pepys' is found murdered in the telephone room in bizarre circumstances.

Seasoned obituary writer Eve Mallow has a new assignment: to tell the life story of famed musician Bernard Fitzpatrick. A chance to spend a few days in the sweet little village of Saxford St. Peter, walking the country lanes with her beloved dachshund, Gus, and meeting new people sounds like a dream. But it turns out that Bernard’s life was much less interesting than his death. On the day she arrives, news breaks that the charismatic cellist was the victim of a grisly murder. Could this quaint English village be hiding a dark secret?

Miss Marigold Manners may be steeped in the etiquette of her old-money Boston family, but she is also an accomplished, modern woman and an avid student of archaeology who can handle any situation with poise. When the death of her parents leaves her too destitute to pursue her academic career and she receives a letter from a distant relative on Great Misery Island, Marigold decides she must do what any person of superior sense and greater-than-average curiosity would: she mounts her trusty bicycle and heads up the craggy, fog-shrouded coast of New England for a date with fate.

When Elisabeth Quemener dies she leaves a small parcel with the instructions that it must only be opened by Astrid Oake. The trouble is, no one knows who Astrid Oake is… Elisabeth’s family turn to Touissants detective agency for help but, when Mila Shepherd and Carter Jackson try to track Astrid down, their frustration soon mounts. Their only clue is a photo of two young women holding the hands of a tiny child. The women are smiling but Mila is haunted by the sadness in their eyes. Is this Astrid and Elisabeth and if so, who is the child?

London, 1921: Mabel Canning is proud to be a modern woman working for the Useful Women’s Agency, carrying out tasks for gentlewomen from flower arranging to washing muddy dogs. But when she answers the door for wealthy widow Rosalind Despard, she almost chokes on her cucumber sandwich when she finds a soldier’s body on the doorstep. As she offers tea to the policemen of Scotland Yard, Mabel can’t resist getting drawn into the investigation.

t’s the first anniversary of the mysterious death of Edward Luddenham, found dead at his home on the Yorkshire moors one frosty Christmas Eve. Now nine people gather at his manor house for the reading of the Will. Each has their own motivations for coming: curiosity, duty, unrequited love, desperation, greed. They have been instructed to bring a “festive mystery story” to share.

When young Amy Rowlings meets Detective Sergeant Bodkin at the scene of a robbery on the way to work at The Mill, she is blissfully unaware of how much her life is about to change. She is drawn into the murky world of murder when the body of Edward Handsley is found lying on the floor of the factory. Edward, a libertine, philanderer, the son of the factory owner George, a young man with many enemies, many of them female. Bodkin is new to the area and Amy soon becomes an invaluable source of information. But when a family friend, Adam Smethwick, is arrested, Amy sets out to prove his innocence.

Dora Wildwood is escaping a most unsuitable marriage. She's on the first train to London, having smuggled herself out of the house at dead of night, like all the best books. She plans to go straight to her godmother Lady Dreda Uglow, the only woman she knows who seems to live life on her own terms, and ask to stay. Dora ducks into the London Library to hide, asking the quizzical but kind Ben Stark and the clever Miss Amani for help. And it is there, surrounded by books, where she should feel most safe, that Dora Wildwood most unfortunately stumbles across her first dead body.

There’s been a sensational murder at historic Castle Kinloch, a gothic fantasy of grey granite on a remote island in the Highlands of Scotland. Literary superstar Brett Saffron Presley has been found dead—under bizarre circumstances—in the castle tower’s book-lined study. Years ago, Presley purchased the castle as a showpiece for his brand and to lure paying guests with a taste for writerly glamour. Now it seems, the castle has done him in…or, possibly, one of the castle’s guests has.

Vivian Lestrange - celebrated author of the popular mystery novel The Charterhouse Case and total recluse - has apparently dropped off the face of the Earth. Reported missing by his secretary Eleanor, whom Inspector Bond suspects to be the author herself looking for publicity, it appears that crime is afoot when Lestrange's housekeeper is also found to have disappeared. Bond and Warner of Scotland Yard set to work to investigate a murder with no body and a potentially fictional victim.