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Toward a Cognitive Theory of Narrative Acts
- Cognitive Approaches to Literature and Culture Series
- Narrated by: Kellie Fitzgerald
- Length: 11 hrs and 44 mins
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Publisher's summary
Toward a Cognitive Theory of Narrative Acts brings together in one volume cutting-edge research that turns to recent findings in cognitive and neurobiological sciences, psychology, linguistics, philosophy, and evolutionary biology, among other disciplines, to explore and understand more deeply various cultural phenomena, including art, music, literature, and film. The essays fulfilling this task for the general listener as well as the specialist are written by renowned authors H. Porter Abbott, Patrick Colm Hogan, Suzanne Keen, Herbert Lindenberger, Lisa Zunshine, Katja Mellman, Lalita Pandit Hogan, Klarina Priborkin, Javier Gutiérrez-Rexach, Ellen Spolsky, and Richard Walsh. Among the works analyzed are plays by Samuel Beckett, novels by Maxine Hong Kingston, music compositions by Igor Stravinsky, art by Jean-Baptiste-Simeon Chardin, and films by Michael Haneke.
Each of the essays shows in a systematic, clear, and precise way how music, art, literature, and film work in and of themselves and also how they are interconnected. Finally, while each of the essays is unique in style and methodological approach, together they show the way toward a unified knowledge of artistic creativity.
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- Unabridged
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Professor Jim Davies's fascinating and highly accessible book, Riveted, reveals the evolutionary underpinnings of why we find things compelling. Drawing on work from philosophy, anthropology, religious studies, psychology, economics, computer science, and biology, Davies offers a comprehensive explanation to show that in spite of the differences between the many things that we find compelling, they have similar effects on our minds and brains.
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Fun and excellent listen!
- By Alejandro Franco on 04-13-18
By: Jim Davies
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Psychotherapy East and West
- By: Alan Watts
- Narrated by: Jeremy Arthur
- Length: 5 hrs and 36 mins
- Unabridged
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Alan Watts examines the problem of humans in a seemingly hostile universe in ways that question the social norms and illusions that bind and constrict modern humans. Marking a groundbreaking synthesis, Watts asserts that the powerful insights of Freud and Jung, which had, indeed, brought psychiatry close to the edge of liberation, could, if melded with the hitherto secret wisdom of the Eastern traditions, free people from their battles with the self.
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Not what I have come to expect from Alan Watts works
- By Shiva Latchmipersad on 03-22-19
By: Alan Watts
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Philosophy of Mind
- An Audio Guide
- By: Edward Feser
- Narrated by: Andrea Powell
- Length: 9 hrs and 23 mins
- Unabridged
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In this lively and entertaining introduction to the philosophy of mind, Edward Feser explores the questions central to the discipline, and relates them not only to the human brain and its capacity for thought, but also to the increasing sophistication of artificial intelligence. This in-depth primer is an account of all the most important and significant attempts that have been made to answer the riddles of consciousness and thought.
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Author is a Christian apologist, and it shows
- By David Penn on 08-30-15
By: Edward Feser
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The Spiritual Brain
- A Neuroscientist's Case for the Existence of the Soul
- By: Mario Beauregard, Denyse O'Leary
- Narrated by: Patrick Lawlor
- Length: 12 hrs and 50 mins
- Unabridged
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Does religious experience come from God, or is it just the random firing of neurons in the brain? Drawing on brain research on Carmelite nuns that has attracted major media attention and provocative new research in near-death experiences, The Spiritual Brain proves that genuine, life-changing spiritual events can be documented. The authors make a convincing case for what many in science are loathe to consider: that it is God who creates our spiritual experiences, not the brain.
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interesting topic, but frustrating listen
- By Barry T on 08-27-08
By: Mario Beauregard, and others
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The Social Construction of Reality
- A Treatise in the Sociology of Knowledge
- By: Peter L. Berger, Thomas Luckmann
- Narrated by: David Colacci
- Length: 9 hrs
- Unabridged
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Called the "fifth-most important sociological book of the 20th century" by the International Sociological Association, this groundbreaking study of knowledge introduces the concept of "social construction" into the social sciences for the first time. In it, Berger and Luckmann reformulate the task of the sociological subdiscipline that, since Max Scheler, has been known as the sociology of knowledge.
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Overwhelming the first listen
- By Fabian on 04-24-18
By: Peter L. Berger, and others
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Why God Won't Go Away
- Brain Science and the Biology of Belief
- By: Andrew Newberg, Eugene d'Aquili, Vince Rause
- Narrated by: Joe Barrett
- Length: 5 hrs and 51 mins
- Unabridged
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In this groundbreaking new book, researchers Andrew Newberg and Eugene d'Aquili offer an explanation that is at once profoundly simple and scientifically precise: The religious impulse is rooted in the biology of the brain. In Why God Won't Go Away, Newberg and d'Aquili document their pioneering explorations in the field of neurotheology, an emerging discipline dedicated to understanding the complex relationship between spirituality and the brain.
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My opinion
- By David Berry on 09-06-18
By: Andrew Newberg, and others
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On Becoming a Person
- A Therapist's View of Psychotherapy
- By: Carl R. Rogers, Peter D. Kramer MD - introduction
- Narrated by: Joe Hempel
- Length: 14 hrs and 19 mins
- Unabridged
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The late Carl Rogers, founder of the humanistic psychology movement, revolutionized psychotherapy with his concept of "client-centered therapy." His influence has spanned decades, but that influence has become so much a part of mainstream psychology that the ingenious nature of his work has almost been forgotten. With a new introduction by Peter Kramer, this landmark book is a classic in its field and a must-listen for anyone interested in clinical psychology or personal growth.
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An introduction to the core humanistic issues
- By Amazon Customer on 04-08-18
By: Carl R. Rogers, and others
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What Love Is
- And What It Could Be
- By: Carrie Jenkins
- Narrated by: Carrie Jenkins
- Length: 5 hrs and 32 mins
- Unabridged
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What is love? Aside from being the title of many a popular love song, this is one of life's perennial questions. In What Love Is, philosopher Carrie Jenkins offers a bold new theory on the nature of romantic love that reconciles its humanistic and scientific components.
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What Philosophy Is and What It Could Be
- By Amazon Customer on 03-09-17
By: Carrie Jenkins
What listeners say about Toward a Cognitive Theory of Narrative Acts
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Paul Matthis
- 01-16-19
Con-CAT-enation. Not con-CANT-enation.
She says this word so much. It is driving me insane. There's like a whole section on it and she says it incorrectly every single time. Tons of mispronunciations frankly, but this one shines as particularly annoying. Also the essays are mostly just rambling analyses that can't seem to find their thesis. Great example of what's wrong with cognitive narratology in the modern era.
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- Amanda Ulloa
- 04-25-19
Annoying voice
The narrator is reading this book as if it were a novel. Putting emphasis on words to try and convey interests. I’m not convinced to the narrator even knows what she is reading. It is very distracting from the intellectual content of the book.
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- Sparky McGhee
- 08-01-12
Fantastic! More Please!
If you could sum up Toward a Cognitive Theory of Narrative Acts in three words, what would they be?
More Narratology Please!
Who was your favorite character and why?
Lots of really excellent essays in this collection. I like Suzanne Keen's essay, that is the one I am listing to now. Lisa Zunshine and Patrick Colm Hogan have good chapters also. The whole book is good.
What about Kellie Fitzgerald’s performance did you like?
Well-read, clear and expressive.
If you were to make a film of this book, what would be the tag line be?
Nonfiction so...
Any additional comments?
I am a PhD student in English Literature. I specialize in cognitive narratology so I was really happy to see an audiobook on the subject. Looking at literature and narrative from the perspective of cognitive science is the next big wave. Lots of A-list universities are focusing more and more on this perspective -- Harvard has put out several dissertations lately that take a cognitive approach to literature. Much more to follow.
This is a challenging title and it would definitely help your comprehension if you already knew a little about narratology and cog-sci. I love it. I have listened to it once and I am listening to it a second time. I would very much like to encourage publishers to produce more of this kind of literature in audio format.
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7 people found this helpful
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- Evan Evans @ ChartTrader
- 04-15-17
Narrator's hypnotic voice ruins "Legibility"
Who would you have cast as narrator instead of Kellie Fitzgerald?
It needs someone sharp and jolting to keep the stimulation up. A voice like Martin Scorcese or anyone invigorating would be an improvement.
Any additional comments?
Fantastic work. Chapters are way too long, and there are huge swaths of quotes from other books/sources which delay the point(s) of the author.
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3 people found this helpful
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- valerie
- 09-21-12
The reader is not appropriate for this collection
This is a collection of essays on cognitive science intersecting with the arts and literature. The narrator or reader must have been told this was a romance novel because she speaks about brain synapses and firing neurons in such a way that I envision some dainty maids bust bursting from her bodice while Fabio steals her away behind a barn.
However, oddly, the recording sounded like a robot with pitches jumping and falling between words as though the words or sounds had been strung together after a pre-recording of individual monemes.
Frankly, I couldn't follow the papers and had to give up entirely on this book.
I'm sure the reader does a fine job with literature but this ain't literature.
I am very used to listening to people who write these sorts of articles, chapters, or papers read their work aloud. It is normal practice to read and listen to such things. I don't have problems when I'm at conferences but could not understand a lot of what was being said here.
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2 people found this helpful
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- Christopher
- 09-23-19
a rabbit hole of intellectual self-gratification
the only thing interesting about this was the charisma with which it was presented. the content itself was designed more to use big words and show off how many famous philosophers and writers the author is familiar with than it was to make a point of any type.
premises made were quickly abandoned as the author strove rather to cover every subject under the sun instead of making a God damn point about anything.
I couldn't get past the first chapter as there is only so much time one can devote to hearing someone perform the oratory equivalent of stroking themselves off.
can't get my time back.
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- Stanley Lippman
- 06-16-12
The Narrative isn't interpreting the Prose
What would have made Toward a Cognitive Theory of Narrative Acts better?
The woman's inflections are not appropriate to the material -- she is trying to sell it -- the text but it's not oratory or narrative, it's discourse, and her interpretation is more appropriate to one of plato's dialogues. it's very hard to listen to, since logically many of the statements are either shallow or unproven in terms of their characterization of the hard sciences. she should be reading children's books.
Would you ever listen to anything by Frederick Luis Aldama (editor) again?
this is not the best question. the purpose of the anthology of essays is to assert that the study of the english canon (and comic books) has relevance in the 21st century -- which is a big stretch. i was an english major and hold a masters in fine arts and a masters in computer science. so i feel competent to assess the assertions of the essays, but the reading by the woman obscures meaning for emotion ... i want wring her neck.
Would you be willing to try another one of Kellie Fitzgerald’s performances?
not if she is reading non-fiction. she would be good for jane austen.
What character would you cut from Toward a Cognitive Theory of Narrative Acts?
this is not fiction. the addition of rating the story, if i were writing the software, would check to see if the text was narrative or not before generating these components of the window -- it's not hard to do. it just requires thinking about the context of its use. this probably sounded to someone like a real social network kind of question -- What if we removed Ophelia from Hamlet? etc. fine. but the person in charge of putting this up should have realized that this is all incorrectly tilted towards fiction when the whole point of software is to be able to dynamically specialize to the user's personal choices.
Any additional comments?
a university of texas publication is not mainstream academic but i'm interested to see what english doctorates are doing with their education -- so, this book addresses that. but without assigning a reader that can better pitch that, the book becomes almost unlistenable. i don't know how these author/reader pairings get done, but there should be some critical judgement shown. i suppose getting anyone to actually read this book was difficult given the obviously small audience. but as someone once said about one of my efforts, if you can't provide the full functionality, then it's probably better not to let it out at all: you can't give a warm-hearted emotional reading to academic essays -- particularly in a field that is suspect for producing shallow misapplications of hard science in the absence of measurable content. why should a university pay someone to assert that comic books represent human knowledge. And then to sing-song that with a womanly warmth and secret smile -- give me a break. this is exactly why i left the humanities:
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9 people found this helpful