
Trigger Mortis
With Original Material by Ian Fleming
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Narrated by:
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David Oyelowo
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By:
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Anthony Horowitz
About this listen
Incorporating original, never-before-published material from 007 creator Ian Fleming, New York Times best-selling author Anthony Horowitz returns literary legend James Bond to his 1950s heyday in this exhilarating and dashing thriller.
The world's most famous spy, James Bond, has just returned victorious from his showdown with Auric Goldfinger in Fort Knox. By his side is the glamorous and streetwise Pussy Galore, who played no small part in his success. As they settle down in London, the odds of Galore taming the debonair bachelor seem slim - but she herself is a creature not so easily caught.
Meanwhile, the struggle for superiority between the Soviet Union and the West is escalating. In an attempt to demonstrate Soviet strength, SMERSH plans to sabotage an international Grand Prix in the hot zone of West Germany. At the Nürburgring Racing Circuit, Bond must play a high-speed game of cat and mouse to stop them. But when he observes a secretive meeting between SMERSH's driver and a notorious Korean millionaire, it becomes clear that this is just the infamous organization's opening move.
An orphan of the Korean War, he has a personal reason for wanting to bring America to its knees. He's helping SMERSH decisively end the white-hot space race - but how? With the help of an American female agent, Bond uncovers a plan that leads first to Florida and then to New York City, where a heart-stopping face-off will determine the fate of the West.
This thriller has all the hallmarks of an original Ian Fleming adventure and features welcome familiar faces, including M and Miss Moneypenny. Horowitz delivers a smooth and seductive narrative of fast cars and beautiful women, with ruthless villains and a breathtaking plot that will leave listeners hanging until the very end.
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I was not a believer but now I am
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Davids voice acting is sublime and the story is both full of surprising twists as it is of classic Bond stuff.
A thrilling story that stays true to the Fleming classics!
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This book is split into two parts, each covering a different mission. In tone and content, it feels like it is set right after "Goldfinger," and even contains the same erroneous death sequence, In overall tone, it feels very much like the old Ian Fleming novels, right down to Bond's mysogeny and moral attitude. The first part even re-introduces Ms Pussy Galore, even though she feels like an add on. Also, reading the two parts I thought Mr Fleming had written the first part and Mr Horowitz the latter; although according to the notes section, Mr Fleming only wrote a very few pages. Overall, the second part held the scope that we have come to expect from the Bond movies, even though the first was much more engaging and suspenseful. And Ms Galore was a welcome addition.
I would love to see both parts of this book turned into Bond films.
Welcome Back, Mr Bond
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James Bond is no longer what used to be....
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Misogyny restored
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we felt it was very unfortunate that this was not the right narrator for
trigger mortis.
narrator missed the target
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Shaken and Stirred
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A bit dated
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Would you consider the audio edition of Trigger Mortis to be better than the print version?
I really enjoyed this audio version. It really captured the style of the book. I don't know if I'd ever consider an audio book "better" or "worse" than a print edition- they are two different animals.If you’ve listened to books by Anthony Horowitz before, how does this one compare?
This was my first book by him, and I thought he effectively captured the spirit of the Ian Fleming novels. Unlike many of the other writers who've tackled Bond I felt his was clearly based on the novels rather than the films.Have you listened to any of David Oyelowo’s other performances before? How does this one compare?
This was my first book with David, I thought he was quite good. I don't agree that his American accents were terrible, they were fine.Was this a book you wanted to listen to all in one sitting?
The book kept my attention and I found it hard to "put it down".Any additional comments?
I lean more towards non-fiction or classical literature but this foray into Fleming's Bond world was well worth it and a nice way to pass some time.Can't have Bond without the Puns Now Can We?
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this narrator is terrible
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