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Trigger Mortis
- With Original Material by Ian Fleming
- Narrated by: David Oyelowo
- Length: 9 hrs and 32 mins
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Publisher's summary
Incorporating original, never-before-published material from 007 creator Ian Fleming, New York Times best-selling author Anthony Horowitz returns literary legend James Bond to his 1950s heyday in this exhilarating and dashing thriller.
The world's most famous spy, James Bond, has just returned victorious from his showdown with Auric Goldfinger in Fort Knox. By his side is the glamorous and streetwise Pussy Galore, who played no small part in his success. As they settle down in London, the odds of Galore taming the debonair bachelor seem slim - but she herself is a creature not so easily caught.
Meanwhile, the struggle for superiority between the Soviet Union and the West is escalating. In an attempt to demonstrate Soviet strength, SMERSH plans to sabotage an international Grand Prix in the hot zone of West Germany. At the Nürburgring Racing Circuit, Bond must play a high-speed game of cat and mouse to stop them. But when he observes a secretive meeting between SMERSH's driver and a notorious Korean millionaire, it becomes clear that this is just the infamous organization's opening move.
An orphan of the Korean War, he has a personal reason for wanting to bring America to its knees. He's helping SMERSH decisively end the white-hot space race - but how? With the help of an American female agent, Bond uncovers a plan that leads first to Florida and then to New York City, where a heart-stopping face-off will determine the fate of the West.
This thriller has all the hallmarks of an original Ian Fleming adventure and features welcome familiar faces, including M and Miss Moneypenny. Horowitz delivers a smooth and seductive narrative of fast cars and beautiful women, with ruthless villains and a breathtaking plot that will leave listeners hanging until the very end.
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A young wife disappears in the night, never to be seen again. There is no evidence of kidnapping - in fact, everything indicates that she left on purpose. Her husband, a brilliant police detective, cannot believe this - but he also can't find her. Flynn Carroll’s lost love becomes his obsession. He begins amassing a file of similar cases nationwide.
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Don't waste time or credit
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The Ultimatum
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Growing up, Bianca St. Ives knew she was different from all her friends. Instead of playing hopscotch or combing her dolls' hair, she studied martial arts with sensei masters and dismantled explosives with special-ops retirees. Her father prepped her well to carry on the family business. Now a striking beauty with fierce skills, the prodigy has surpassed the master.
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Cliffhanger!!!
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By: Karen Robards
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Overall
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Story
They were orphans, Chris and Saul - raised in a Philadelphia school for boys, bonded by friendship, and devoted to a mysterious man called Eliot.
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Great book, choppy reading
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By: David Morrell
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Without Warning
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Overall
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Language in book is a bit over the top.
- By John R. Dritenbas on 07-07-10
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foul language, returned the title
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If you've never read a Repairman Jack novel, this is the place to begin. It's 1990. A twenty-one-year-old named Jack has dropped out of college, leaving his old life behind to build a new one in New York City. Manhattan's rough edges are jagged enough to shred any unwary newcomer, but perhaps not one who is determined to stay off the grid, at any cost, in the busiest metropolis on earth. And to do so, he'll have to take jobs of a less than legal nature.
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Fun, as long you don't think too much
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Decent Characters, Decent Plot, AWFUL Production
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Deep in the trenches of Flanders Fields, men are dying in the thousands every day. So one more death shouldn't be a surprise. But then a body turns up with bizarre injuries, and Sherlock Holmes' former sidekick, Dr. John Watson - unable to fight for his country due to injury but able to serve it through his medical expertise - finds his suspicions raised.
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Watson is wonderful, amid very grim surroundings
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It's June 1941, and the low point of the war. England throws wave after wave of RAF bombers across the Channel, but somehow the Luftwaffe is able to shoot them down at will. The skies, indeed, the war itself seem to belong to Hitler.
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An Outstanding Spy Novel
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Triple
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As Egypt comes closer and closer to developing a nuclear bomb, the Mossad’s number one Israeli agent is given an impossible mission: to beat the Arabs in the nuclear arms race by finding and stealing two hundred tons of uranium. The world’s balance of power will shift. And the Mossad, the KGB, the Egyptians, and Fedayeen terrorists will play out the final, violent moves in this devastating game where the price of failure is a nuclear holocaust....
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Triple poorly performed
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The Voice of the Night with Short Story, "Silence"
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No one could understand why Colin and Roy were best friends. Colin was so shy; Roy was so popular. Colin was fascinated by Roy - and Roy was fascinated by death. Then one day, Roy asked his timid friend: “You ever killed anything?” From that moment on, the two were bound together in a game too terrifying to imagine - and too irresistible to stop.
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can not believe dean koontz wrote this book
- By Anonymous User on 10-05-21
By: Dean Koontz
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It was a strong face, certainly—the eyes pale grey and very cold, the mouth was hard, the dark hair-grey-streaked now—still fell in the authentic comma over the forehead. This is how John Pearson reacted to his first encounter with the real James Bond, an encounter probably unique in the annals of thriller writing. He went on to write the bestselling authorized biography of Ian Fleming. At the time, like most of the world he assumed that James Bond was nothing more than a character in Fleming's highly charged imagination.
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What listeners say about Trigger Mortis
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Michael E. Domingo
- 04-10-21
Shaken and Stirred
This book brought me into the world that Mr. Fleming would have been proud of. I pictured every moment in my mind. The story was wonderfully read. Hats off to both the author and the narrator for such an awesome story.
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- eclectic reader
- 10-08-15
A bit dated
While true to Ian Fleming I found the plot dated and somewhat contrived. Lots of action but no real suspense.
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- IMHO Tep
- 04-13-18
Can't have Bond without the Puns Now Can We?
Would you consider the audio edition of Trigger Mortis to be better than the print version?
I really enjoyed this audio version. It really captured the style of the book. I don't know if I'd ever consider an audio book "better" or "worse" than a print edition- they are two different animals.
If you’ve listened to books by Anthony Horowitz before, how does this one compare?
This was my first book by him, and I thought he effectively captured the spirit of the Ian Fleming novels. Unlike many of the other writers who've tackled Bond I felt his was clearly based on the novels rather than the films.
Have you listened to any of David Oyelowo’s other performances before? How does this one compare?
This was my first book with David, I thought he was quite good. I don't agree that his American accents were terrible, they were fine.
Was this a book you wanted to listen to all in one sitting?
The book kept my attention and I found it hard to "put it down".
Any additional comments?
I lean more towards non-fiction or classical literature but this foray into Fleming's Bond world was well worth it and a nice way to pass some time.
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- Rose V
- 05-16-19
I was not a believer but now I am
this is my first 007 book and I purchased via a sale . glad I did. lots of action and also history that I enjoyed. as a woman I had not been a fan but I am now. look forward to many more.
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1 person found this helpful
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- evilgenius
- 08-01-16
A thrilling story that stays true to the Fleming classics!
If you like the old-school James Bond stories and movies like Dr. No and Goldfinger, you will love Trigger Mortis.
Davids voice acting is sublime and the story is both full of surprising twists as it is of classic Bond stuff.
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- Amazon Customer
- 07-21-19
Welcome Back, Mr Bond
I was first introduced to James Bond in my teens in the early '60s. Reading this book half a century later made me very nostalgic.
This book is split into two parts, each covering a different mission. In tone and content, it feels like it is set right after "Goldfinger," and even contains the same erroneous death sequence, In overall tone, it feels very much like the old Ian Fleming novels, right down to Bond's mysogeny and moral attitude. The first part even re-introduces Ms Pussy Galore, even though she feels like an add on. Also, reading the two parts I thought Mr Fleming had written the first part and Mr Horowitz the latter; although according to the notes section, Mr Fleming only wrote a very few pages. Overall, the second part held the scope that we have come to expect from the Bond movies, even though the first was much more engaging and suspenseful. And Ms Galore was a welcome addition.
I would love to see both parts of this book turned into Bond films.
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- antoine
- 01-29-16
James Bond is no longer what used to be....
For a fan of the old Ian Fleming books like me there an irresistible nostalgia and excitement that emerge when a writer of reputation engages in a new Bond story. The aftermath is usually always one of slight disappointment , no matter how well the book is writes, because Fleming's style was unique or , may be, because James Bond is now outdated as a character and trying to revamping him is mission impossible. Having said this, i sort of enjoyed the reading , but without the pleasure that the "real thing" was giving me back way when....
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- itinerant
- 04-19-19
Misogyny restored
I suppose there's some merit in maintaining traditions in these reenactments and restorations of notes and carryings forward of favorite stories . . . but the casual misogyny of the 50s-60s is so grating to the modern ear, despite the assorted heroics the distaff manage to carry out . . . yes, perhaps there is some merit, but if so it is lost on me.
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- Lew Blackwell
- 08-08-18
narrator missed the target
unfortunately the narrator was completely off Target. The accent, the Brooklyn accent making her sound like a man... slow narration. we put the speed up.
we felt it was very unfortunate that this was not the right narrator for
trigger mortis.
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- britishbob
- 09-25-15
A politically correct Bond but a bad Bond book
Let me start out by saying that the majority of this book was fairly typical James Bond and had circumstances been different I would have certainly given it a much better review but for me it had two major problems.
I was aware for over 6 months that this book was scheduled for release and had been looking forward to it.
However.
If you are going to write a James Bond book and you are going to proudly state that you are also going to include some of Ian Fleming's original material, why would you write it in a way that almost definitely went against Ian Fleming's vision? Especially if you are going to deliberately situate Bond in his own time.
Part of the legend of James Bond (ignoring the films) is his lifestyle.
So why then would you attempt to impose a 21st century lifestyle?
If Anthony Horowitz has such strong feelings on smoking then why even take on a project where the main character is a known avowed smoker?
There were several anti smoking references in this book which jarred and immediately caused a "suspension of disbelief." Which to me is the biggest crime an author can commit.
That brings me to the second of the major problems I mentioned at the start of this review.
David Oyelowo.
I listened to this person narrate a book before and I thought then that it was one of the most awful things I had ever heard and I was immediately dismayed to learn that he had been chosen to read this book.
Aware that several years had passed since I last heard him I was prepared to give him a chance and to his credit he has improved.
Unfortunately not enough by quite a long shot!
There were several points where he was trying to perform female roles and quite frankly I was reminded of Donald Duck.
And that brings us back to "the suspension of disbelief."
The story (ignoring the above faults) is quite engaging, provided that one doesn't stop to think about it too much.
Because if you do you''ll notice that the route from "A" to "B" and so on is extremely tenuous. And that is where the crime of "suspension of disbelief" really hits home because it's in those moments I found myself thinking about how the plot was strung together.
To my mind Horowitz had a plot but didn't achieve tying that together with the Fleming material.
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13 people found this helpful