
On His Majesty's Secret Service
A James Bond Adventure
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Narrated by:
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Charlie Higson
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By:
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Charlie Higson
About this listen
It is the 4th of May, two days before the Coronation of King Charles III and the world’s favourite spy has his work cut out for him. Bond is sent at the last minute to thwart an attempt to disrupt the Coronation by the wealthy, eccentric and self-styled Athelstan of Wessex, who is on a deadly mission of his own to teach the United Kingdom a lesson. Can Bond dismantle his shady plans and defeat his privately hired team of mercenaries?
Charlie Higson returns with a brand new Bond adventure. On His Majesty’s Secret Service celebrates the Coronation of King III Charles and will be published on Thursday 4 May ahead of the Coronation on Saturday 6 May–60 years after the publication of Ian Fleming’s tenth novel, On Her Majesty’s Secret Service, in 1963. Ian Fleming Publications and the author, Charlie Higson, are donating all royalties from print, audio and ebooks to the National Literacy Trust.
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007 lives again.
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Welcome back, Bond.
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James Bond Fights The Crazy's
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The author reads his own work with confidence and gusto, as one would hope (I’m not qualified to say whether his South African accent is accurate, but it’s a delight to hear, and I can tell he enjoys doing it).
The villain isn’t one for the hall of fame, but he’s got a strong enough presence to sustain interest for the duration of this brief story. As far as political tone (there’s more talk of politics than in any other Bond novel I can think of), Higson conveniently splits the difference between offering an essentially approving depiction of Royalism and a straightforward willingness to single out the far right as the natural enemies of… basically everybody.
Jeffery Deaver’s Carte Blanche remains, for me, the definitive millennial update of the literary 007, but this really ain’t half bad, either. Higson knows how to make a knife fight exciting and what it feels like to be captivated by a weird, beautiful, possibly dangerous lady, and that’s what counts. He doesn’t reinvent the wheel, but he has a grand old time playing with the wheel we’ve got.
The final pages aren’t all that remarkable on their own (I wish Bond’s introspection about the indignities of the spying life were a couple paragraphs shorter, to be honest) but is pretty damn cheeky when you read it—as was surely intended—as an indictment of the narrative trajectory of the recent Bond films. I don’t totally share his disapproval, but this bit of candor is a welcome touch all the same.
James Bond and Twitter now exist in the same universe, that much has been made very clear.
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Pitch Perfect 007
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