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Troilus and Cressida
- Narrated by: Jonathan Keeble
- Length: 7 hrs and 43 mins
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Publisher's summary
Considered one of Chaucer’s finest poems, second only to The Canterbury Tales in richness and depth, Troilus and Cressida is a tragic love story set against the background of the siege of Troy by the Greeks.
Written in the 1380s, it presents Troilus, son of Priam and younger brother of Hector, as a Trojan warrior of renown who sees, and falls deeply in love with, the beautiful Cressida. Cressida is the daughter of Calchas, a Trojan priest and seer who, having divined the eventual fall of Troy, has deserted to Agamemnon’s camp, leaving his daughter in the besieged city. With the help of Pander, friend to Troilus and uncle to Cressida, the young couple meet and merge - but with unhappy consequences.
Chaucer’s long poem is cast in seven-line rhymed stanzas and is eased out of Middle English to be presented here in a lively modern verse translation by George Philip Krapp, who has retained not only the structure but its spirit. Emotions run high, the love is intense, the story unfolds with a dramatic urgency that draws the listener ever onwards; yet Chaucer is Chaucer, and there are times when a deft line, a light insinuation, suggests the smile, the benevolence and the immediacy of the author of The Canterbury Tales.
Troilus and Cressida, though often overshadowed by the Tales and time (and even Shakespeare, who took up the story) is a monument in its own right in the canon of English literature. Once listened to it will never be forgotten.
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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The Jane Austen Collection
- An Audible Original Drama
- By: Jane Austen
- Narrated by: Claire Foy, Gugu Mbatha-Raw, Billie Piper, and others
- Length: 45 hrs
- Unabridged
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Renowned as much for her wit and satirical social commentary as for her stories of love and romance, Jane Austen remains unfailingly relevant and one of Britain’s best loved authors. In this Audible Original collection, an all-star list of narrators (Billie Piper, Claire Foy, Emma Thompson, Florence Pugh and Gugu Mbatha-Raw) capture Austen’s pin-sharp humour and tone in these dramatisations of her six beloved novels accompanied by a full cast.
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Not a faithful rendition
- By Anne McClain on 12-13-20
By: Jane Austen
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Dietrich
- By: Don Winslow
- Narrated by: Ed Harris
- Length: 1 hr and 11 mins
- Original Recording
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It’s the summer of ’77 in New York City, and the only thing more unnerving than the scorching heatwave is the rampant murder, leaving washed-up homicide detective Richard Dietrich on edge. When Dietrich investigates a brutal mob hit the brass doesn’t want him to solve, he goes from phoning it in to getting in over his head. Caught up in a mysterious second homicide with an even more perplexing perpetrator, Dietrich starts to second guess his instincts—and his memory—as he searches for answers at the bottom of a bottle.
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Very good!
- By Kathleen on 04-17-24
By: Don Winslow
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All the Ugly and Wonderful Things
- A Novel
- By: Bryn Greenwood
- Narrated by: Jorjeana Marie
- Length: 11 hrs and 8 mins
- Unabridged
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As the daughter of a drug dealer, Wavy knows not to trust people, not even her own parents. It's safer to keep her mouth shut and stay out of sight. Struggling to raise her little brother, Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house until one night her stargazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold.
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So many 'hard to listen to' moments
- By jksullycats on 12-27-16
By: Bryn Greenwood
What listeners say about Troilus and Cressida
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Tad Davis
- 03-21-19
Loved it
Chaucer’s take on the Trojan War.
I wasn't familiar with the translation (by the early 20th century scholar George Philip Krapp), but it reads smoothly: the rhymes come through with satisfying regularity, and the syntax remains simple and straightforward. Krapp uses the same 7-line stanza as Chaucer, with the rhyme scheme ababbcc. There are some archaisms — some “thees” and “thines” — but they do not distract; in fact I would say they add to the charm of this very accessible version.
I have to admit that in the poem and in the play Shakespeare based on it, I don’t quite get one of the central issues. Troilus is single; Cressida is a widow; why can’t they just get married? Apparently, at least as far as Chaucer is concerned, it’s a matter of class: Troilus is a son of Priam, and therefore royal; Cressida isn’t. If there's anything more than that, I missed it.
But take that as a given. To come together, they need the help of Cressida’s uncle Pandar (or Pandarus). He negotiates the time and place for them to sleep together, and in the process gives his name to panders everywhere. He plans their first sexual encounter like a bank heist (pausing several times to talk down Cressida’s resistance). He says at one point that he doesn’t want to be his niece’s “pimp,” but in effect that’s exactly what he becomes.
So.... they come together first as smitten lovebirds — at least Troilus is smitten; Cressida has to talk herself into it — and then, secretly and guiltily, as lovers. It doesn’t end well. Her father goes over to the Greeks and takes her with him. Troilus continues to carry the torch, but Cressida, alone and afraid, accepts the advances of the Greek warrior Diomede.
A brief interjection: Chaucer presents Cressida's dilemma sympathetically, letting us overhear her internal debate; but he still condemns her. I have to wonder — what did these medieval lunatics expect her to do? To try to escape would mean turning her back on her father; to reject Diomede would be to embrace a life of isolation and poverty.
Jonathan Keeble is a great reader for this. I especially enjoyed his reading of Pandarus, but he does a remarkable job with all the characters. The grief of Troilus as he realizes Cressida is truly lost to him is heartbreaking.
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