Nothing escapes the snooping opera glasses of Miss Elizabeth Mapp. She whiles away her busy hours observing the small English village of Tilling, and recording the antics in her notebook. But her observations are set to be disrupted by amorous advances of two retired army generals, both vying for her affection. With Miss Mapp distracted, who will keep Miss Susan Poppit in her place or oversee the correct playing of bridge? More importantly will quiet Tilling be subject to a violent duel?

E. F. Benson, best known for his irresistible Mapp and Lucia novels set in the fictional town of Tilling, England, was a prolific and beloved novelist. Though the Mapp and Lucia books remain popular to this day, this kindred book will be back in print for the first time since its initial publication. The son of E. W. Benson, archbishop of Canterbury from 1883 to 1896, the young E. F. Benson was educated at Marlborough School and at King's College, Cambridge.

Barbara Jefford is the hilariously outrageous Lucia in this BBC Radio 4 dramatisation of the novel by E.F. Benson. Lucia is the uncrowned queen of 1920s provincial society, the Everest of social climbers and the most delicious of snobs. In the pastoral serenity of the village of Riseholme, Lucia and her unforgettable cronies face up to an Indian guru, spiritualism, and a cultural usurper.

Barbara Pym is one of the 20th-century's wittiest, and most underrated, novelists. Her perceptive comedies of manners, centred around the domestic lives and loves of unassuming middle-class Englishwomen, won her many devoted readers and saw her hailed as a modern-day Jane Austen. Yet she spent 15 years out of print in the 1960s and '70s, until Philip Larkin championed her work in the Times Literary Supplement. Her seventh novel was subsequently shortlisted for the Booker Prize, and writers from Jilly Cooper to Alexander McCall Smith continue to laud her talent today.

The scene of this entertaining story is laid in a charming English village. The plot centres round Miss Barbara Buncle, a maiden lady who was obliged to write a book because – as she naively explained – her dividends were so poor. Unfortunately, Miss Buncle had no imagination, so she wrote about her friends – quite kindly and truthfully, of course, for she was a benevolent and veracious soul.

Jimmy, Gerald, and Cathy discover an enchanted garden and wake a beautiful princess from a hundred-year-sleep - only to have her immediately made invisible by a magic ring. The quest to rescue her from her own magic proves difficult, humorous, and at times very frightening.

Strange things are happening at Belpher Castle. For starters, the Earl's sister is intent on pairing off her stepson, Reggie, and niece, Lady Patricia (known as Maud). Maud, however, is in hot pursuit of Geoffrey Raymond, and she is also being pursued by the unacceptable composer, George Bevan.

William Brown, the loveable rogue created by Richmal Crompton in the 1930s, is as well-received and enjoyed today as he was almost 80 years ago. Martin Jarvis has long been the voice of William, and brings a youthful sense of joy and a childlike excitement to the reading.

Collected here are eleven of Wodehouse's Jeeves and Wooster short stories (comprising all of the Jeeves tales from "Carry On, Jeeves" and "My Man Jeeves") as well as the complete novels Right Ho, Jeeves and The Inimitable Jeeves. Along with Jeeves and Bertie, we are introduced to an entire cast of beloved Wodehouse characters: Gussie Fink-Nottle, Madeline Bassett, Bingo Little, James "Corky" Corcoran, Tuppy and Honoria Glossop, Rockmetteller Todd, and the terrifying and bombastic Aunt Agatha.

The one thing that could be expected to disturb the peace of life at Blandings is the incursion of imposters. Blandings has imposters like other houses have mice. On this occasion there are two of them--both intent on a dangerous enterprise.

Vivacious, young Hester Christie tries to run her home like clockwork, as would befit the wife of British Army officer, Tim Christie. However hard Mrs Tim strives for seamless living amidst the other army wives, she is always moving flat-out to remember groceries, rule lively children, side-step village gossip and placate her husband with bacon, eggs, toast and marmalade. Left alone for months at a time whilst her husband is with his regiment, Mrs Tim resolves to keep a diary of events large and small in her family life.

The Diary of Nobody (1892) created a cultural icon, an English archetype. Anxious, accident-prone, occasionally waspish, Charles Pooter has come to epitomize English suburban life. His diary chronicles encounters with difficult tradesmen, the delights of home improvements, small parties, minor embarrassments, and problems with his troublesome son. The suburban world he inhabits is hilariously and painfully familiar in its small-mindedness and its essential decency.

'Lady B. stays to tea. (Mem.: Bread-and-butter too thick. Speak to Ethel.) We talk some more about bulbs, the Dutch School of Painting, our Vicar's wife, sciatica, and All Quiet on the Western Front. (Query: is it possible to cultivate the art of conversation when living in the country all the year round?)' If the question suggests a qualified answer, there is no doubt that the art of diary writing is alive and well and very, very funny in Devonshire in the 1920s. At least in the hands of E. M. Delafield.

On a beautiful spring day, Julia Harburn sat on a seat in Kensington Gardens enjoying the sunshine. She was wearing a white frock and a large straw hat with a sapphire-blue ribbon which exactly matched her eyes - a strange coincidence, as it turned out, for the blue sapphire was to have a far-reaching influence upon her life. So far, her life had been somewhat dull and circumscribed; but quite suddenly her horizons were enlarged. She began to make new friends.

When Cakes and Ale was first published in 1930 it roused a storm of controversy, since many people imagined they recognised portraits of literary figures now no more. It is the novel for which Maugham wished to be remembered.

The scene of this entertaining story is laid in a charming English village. The plot centres round Miss Barbara Buncle, a maiden lady who was obliged to write a book because – as she naively explained – her dividends were so poor. Unfortunately, Miss Buncle had no imagination, so she wrote about her friends – quite kindly and truthfully, of course, for she was a benevolent and veracious soul.

The one thing that could be expected to disturb the peace of life at Blandings is the incursion of imposters. Blandings has imposters like other houses have mice. On this occasion there are two of them--both intent on a dangerous enterprise.

To Those who Appreciate Wisteria and Sunshine. Small medieaval Italian Castle on the shores of the Mediterranean to be Let Furnished for the month of April. This small advertisement sparks something long dormant in the reluctant hearts of two downcast London women - the possibility of happiness.

The Diary of Nobody (1892) created a cultural icon, an English archetype. Anxious, accident-prone, occasionally waspish, Charles Pooter has come to epitomize English suburban life. His diary chronicles encounters with difficult tradesmen, the delights of home improvements, small parties, minor embarrassments, and problems with his troublesome son. The suburban world he inhabits is hilariously and painfully familiar in its small-mindedness and its essential decency.

'Lady B. stays to tea. (Mem.: Bread-and-butter too thick. Speak to Ethel.) We talk some more about bulbs, the Dutch School of Painting, our Vicar's wife, sciatica, and All Quiet on the Western Front. (Query: is it possible to cultivate the art of conversation when living in the country all the year round?)' If the question suggests a qualified answer, there is no doubt that the art of diary writing is alive and well and very, very funny in Devonshire in the 1920s. At least in the hands of E. M. Delafield.

When Cakes and Ale was first published in 1930 it roused a storm of controversy, since many people imagined they recognised portraits of literary figures now no more. It is the novel for which Maugham wished to be remembered.

Successful lady novelist Laura Morland and her boisterous young son, Tony, set off to spend Christmas at her country home in the sleepy surrounds of High Rising. But Laura's wealthy friend and neighbor, George Knox, has taken on a scheming secretary whose designs on marriage to her employer threaten the delicate social fabric of the village.

Orphaned cousins Jane and Lucilla, both 19, receive the exciting news that their guardian is at last allowing them to leave boarding school. But their rosy future is thwarted when they find he has made some bad investments and fled, leaving them with a cottage in the English countryside and a modest bank account.

Since her mother's death, Jennifer has devoted years of her life to her father, managing the family home. After the sudden announcement that he has taken a new wife, Jennifer, at 33, seizes the opportunity to lead an independent life. Quickly she secures the lease of Rose Cottage and turns her attention to her own interests. While Jennifer is desperate to experience life on her own terms within her reduced financial means, her neighbour, Alice, is pre-occupied with ensuring her position as head of her brother's household is never challenged.

Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those excellent women - the smart, supportive, repressed women whom men take for granted. As Mildred gets embroiled in the lives of her new neighbors - anthropologist Helena Napier; Helen's handsome, dashing husband, Rocky; and Julian Malory, the vicar next door - the novel presents a series of snapshots of human life as actually, and pluckily, lived.

In 1889, satirist Jerome K. Jerome fully intended to write a serious travel guide when he and his two best friends embarked on a boating trip up the river Thames to Oxford. But his musings on landmarks and local history were soon hijacked by his own digressive, waggish voice. And so, what began as a peaceful and edifying two-week exploration soon floated upriver into farce - aided, quite naturally, by a portly ration of cheese, some very bad weather, and a dog named Montmorency.

Guy de Maupassant is revered for his naturalistic fiction, which brilliantly captures flesh-and-blood characters as it evokes the most telling details of everyday life. Considered one of the finest French novels ever written, Bel Ami follows journalist Georges Duroy and his increasing stature among the Paris elite. With an immense thirst for power, Georges is not above an almost gleeful use of wealthy mistresses to achieve his ends.

This is a journey of both escape and discovery for four exquisitely different women, a month of bliss and privacy for four weary souls. Their refuge on the Italian Riviera provides the perfect backdrop for a story about the search for spiritual harmony within and without.

An amateur production of The Tempest provides a colorful backdrop for a hilarious look at unrequited love. Mathematics teacher Hector Mackilwraith, stirred and troubled by Shakespeare's play, falls in love with the beautiful Griselda Webster. When Griselda shows she has plans of her own, Hector despairs on the play's opening night.

An elderly couple living in Victorian London struggle against despair as their small resources dwindle. When an eccentric and mysterious gentleman answers their advertisement for a lodger, they celebrate. But as women begin dying at the hands of "The Avenger", they start to suspect something too horrific for words.