E.F. Bloodworth has returned to his home - a forgotten corner of Tennessee - after 20 years of roaming. The wife he walked out on has withered and faded, his three sons are grown and angry. Warren is a womanizing alcoholic, Boyd is driven by jealousy to hunt down his wife's lover, and Brady puts hexes on his enemies from his mamma's porch. Only Fleming, the old man's grandson, treats him with the respect his age commands, and sees past all the hatred to realize the way it can posion a man's soul.

Billy Edgewater is a harbinger of doom. Estranged from his family, discharged from the navy and touched by a rising desperation, he sets out hitchhiking home to East Tennessee, where his father is slowly dying. On the road, separately, are Sudy and Bradshaw, brother and sister, and a one-armed con man named Roosterfish. All, in one way or another, have their pasts and futures embroiled with D. L. Harkness, a predator in all the ways there are.

Author William Gay is the winner of the 1999 William Peden Award and the 1999 James A. Michener Memorial Prize. In his debut collection, Gay brings to life 13 stories about a diverse group of colorful characters living in the fertile Tennessee country land.

William Gay’s work has appeared in Harper’s, The Georgia Review, and G.Q. Like Larry Brown, Gay creates deeply layered tales that plumb the depths of the human heart. The Long Home focuses on a volatile triangle of deception, love, and guilt. As Nathan Winer grows up in a rural Tennessee community, his life, and those closest to him, are touched by the evil that dwells in one ruthless and powerful man.

In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.

The Mississippi countryside is Joe Ransom's world. There, whiskey, fast trucks, and a hard right fist are the badges of manhood. But middle age is approaching, and Joe tries to not think too much about the future. At 15, Gary Jones' life is painful and unpredictable. His days are spent avoiding his brutish father and caring for a damaged mother an sister. When Joe's and Gary's paths cross, the resulting friendship is a bizarre rite of passage for both of them.

One of William Faulkner’s finest novels, As I Lay Dying, originally published in 1930, remains a captivating and stylistically innovative work. The story revolves around a grim yet darkly humorous pilgrimage, as Addie Bundren’s family sets out to fulfill her last wish: to be buried in her native Jefferson, Mississippi, far from the miserable backwater surroundings of her married life.

Outer Dark is a novel at once fabular and starkly evocative, set is an unspecified place in Appalachia, sometime around the turn of the century. A woman bears her brother's child, a boy; he leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.

From New York Times best-selling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American-Indian experience. Fans of Jordan Peele and Tommy Orange will love this story as it follows the lives of four American-Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a vengeful way.

The area surrounding Cashiers, North Carolina, is home to people of all kinds, but the world that Jacob McNeely lives in is crueler than most. His father runs a methodically organized meth ring, with local authorities on the dime to turn a blind eye to his dealings. Having dropped out of high school and cut himself off from his peers, Jacob has been working for this father for years, all on the promise that his payday will come eventually.

Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis' parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there's no window. And outside his door are other doors, behind which are other kids with special talents - telekinesis and telepathy - who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and 10-year-old Avery Dixon.

Writer Ben Mears has returned to his hometown of Jerusalem's Lot with the hope that moving into a delapidated mansion, long the subject of town lore, might help him get a handle on his life and provide inspiration for a new book. But when two young boys venture into the woods and only one comes out alive, Mears begins to realize that there may be something sinister at work.

It's 1949. When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of dos and a much longer list of don'ts: do report regularly to his parole officer, don't go to bars, certainly don't drink alcohol, do get a job - and don't ever associate with loose women. The small town quickly proves more complicated and dangerous than Archer's years serving in the war or his time in jail.

A provocative collection of literary horror stories by one of America’s most acclaimed and inventive writers whose unique prose “can be soul-shaking” (New Yorker).