Most of the big money belongs to Torquil Paterson Frisby, the dyspeptic American millionaire--but that doesn't stop him wanting more out of it. His niece, the beautiful Ann Moon, is engaged to "Biscuit", Lord Biskerton, who doesn't have very much of the stuff and so he has to escape to Valley Fields to hide from his creditors. Meanwhile, his old school friend Berry Conway, who is working for Frisby, himself falls for Ann--just as Biscuit falls for her friend Kitchie Valentine. Life in the world of Wodehouse can sometimes become a little complicated.

Strange things are happening at Belpher Castle. For starters, the Earl's sister is intent on pairing off her stepson, Reggie, and niece, Lady Patricia (known as Maud). Maud, however, is in hot pursuit of Geoffrey Raymond, and she is also being pursued by the unacceptable composer, George Bevan.

Collected here are eleven of Wodehouse's Jeeves and Wooster short stories (comprising all of the Jeeves tales from "Carry On, Jeeves" and "My Man Jeeves") as well as the complete novels Right Ho, Jeeves and The Inimitable Jeeves. Along with Jeeves and Bertie, we are introduced to an entire cast of beloved Wodehouse characters: Gussie Fink-Nottle, Madeline Bassett, Bingo Little, James "Corky" Corcoran, Tuppy and Honoria Glossop, Rockmetteller Todd, and the terrifying and bombastic Aunt Agatha.

Wilhemina 'Billie' Bennett, red-haired daughter of an American millionaire, loves golf, dogs, and Tennyson ¿ and is to marry Eustace Hignett, the weak, poetry-writing son of a famous English writer on theosophy. Enter San Marlowe, Eustace's tournament golfing cousin, and Jane Hubbard, Billie's big-game-hunting friend, and another romp in the inimitable Wodehouse style unfolds.

Uncle Fred, or to give him his full title of Frederick Altamont Cornwallis Twistleton, fifth Earl of Ickenham, is considered by some as a splendid gentleman - a sportsman to his fingertips. Mr. Twistleton, nephew to the Earl, and otherwise known as Pongo to his friends, has a differing view. He simply describes his uncle as being loopy to the tonsils. But when the eccentric and well-loved Uncle Fred plays Cupid to Lord Emsworth, his old friend at Blandings Castle, little did he know that he would be known as Impostor A and the Lord’s beloved pig, the Empress, as Impostor B....

Webster's Dictionary gives the meaning of the word "miasma" as "an infection floating in the air; a deadly exhalation". And in the opinion of Mr. Robert Ferguson, that description, though perhaps a little too flattering, on the whole summed up Master Roland Bean pretty satisfactorily. Until the previous day, Master Bean had served Mr. Ferguson in the capacity of office-boy. But there was that about Master Bean which made it practically impossible for anyone to employ him for long.

Pretty, impecunious Sally Nicholas never dreamed a fortune could prove a disadvantage, until she became an heiress and watched in bewilderment as her orderly existence went haywire. Coping first with her brother's wild theatrical ambitions, then with the defection of her fiancé and his immediate replacement by a much more appropriate but strangely unattractive suitor, Sally finds that life in New York is becoming altogether too complicated, and a trip to England only makes the whole situation worse.

A rollicking collection of six acclaimed dramatisations of P.G Wodehouse's Jeeves & Wooster novels, starring Michael Hordern and Richard Briers as Jeeves and Wooster. Also featuring Maurice Denham, Paul Eddington, David Jason, John Le Mesurier, Miriam Margolyes, Jonathan Cecil, Liza Goddard and Patrick Cargill.

Michael Hordern stars as Jeeves, with Richard Briers as Bertie, in a BBC Radio 4 full-cast dramatisation. It's the stuff of nightmares for Bertie as he is hauled back to Totleigh Towers and the whole loony crew of Madeline, Gussie, Roderick Spode, Stiffy Byng, and the dog Bartholomew.

We find ourselves in the austerity of the 1950s, when England's aristocracy was feeling the pinch. Bertie Wooster has gone to a residential self-help school to learn how to darn his socks. Until he re-emerges, Jeeves has signed up with Bill Rowcester (pronounced Roaster), an earl who is failing to make ends meet in trade, and yearning to sell his stately home, which has charm and damp in equal measure. In his new environment Jeeves is required to exert his mammoth brain to what would be breaking point for any normal intellect.

Bigger, newer, faster. Demolish and rebuild, then demolish and rebuild again. Smoke, soot, and noise are the badges of prosperity, and growth is for growth's sake.

In Scoop, surreptitiously dubbed "a newspaper adventure", Waugh flays Fleet Street and the social pastimes of its war correspondants as he tells how William Boot became the star of British super-journalism and how, leaving part of his shirt in the claws of the lovely Katchen, he returned from Ishmaelia to London as the "Daily's Beast's" more accoladed overseas reporter.

Set in stifled, industrial Staffordshire in the late 19th century, against a strong evangelical background, Anna of the Five Towns tells of the courting of hard businessman Ephraim Tellright's daughter by prosperous and accomplished Henry Mynors. As her father's fortune grows, so does Anna understanding. She realises her legacy and responsibility for the possible ruination of her father's tenants, Titus Price and his son, Willie, who also loves her.

Is it a gesture of goodwill or a sinister trap that lures Rupert St. Vincent and his family to a magnificent estate? How desperate is Joyce Lambert, a destitute young widow whose only recourse is to marry a man she despises? What unexpected circumstance stirs old loyalties in Theodora Darrell, an unfaithful wife about to run away with her lover?

In this collection of short stories, the answers are as unexpected as they are satisfying. The Queen of Mystery takes bizarre romantic entanglements, supernatural visitations, and classic murder to inventive new heights.

The three novels that make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women.