In the frigid pre-dawn hours, in a distressed Midwestern city, hundreds of desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes. Mr. Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.

A master storyteller at his best - the O. Henry Prize winner Stephen King delivers a generous collection of stories, several of them brand-new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story. Magnificent, eerie, utterly compelling, these stories comprise one of King's finest gifts to his constant fan. "I made them especially for you," says King. "Feel free to examine them, but please be careful. The best of them have teeth."

The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly?

Number-one New York Times best-selling author Harlan Coben set huge sales records with last year’s Six Years - and he’s poised to do it again in his next breathtaking stand-alone thriller. Harlan Coben, author of six consecutive instant number-one New York Times best sellers and a total of 24 award-winning, best-selling, and internationally acclaimed novels, returns with another ripped-from-real-life thriller full of impossibly high emotional stakes and the real-to-life characters for which he has become famous.

Bob Arctor is a dealer of the lethally addictive drug Substance D. Fred is the police agent assigned to tail and eventually bust him. To do so, Fred takes on the identity of a drug dealer named Bob Arctor. And since Substance D, which Arctor takes in massive doses, gradually splits the user's brain into two distinct, combative entities, Fred doesn't realize he is narcing on himself.

*My name is Ellis DeAngelo.* I tend to get caught in the midst of trouble quite often. I'm an unlucky guy, but fortunate to have friends to help me out. These aren't the memoirs of a geisha you'll be hearing. And most definitely not some soul-searching discovery that depicts eating, praying, and loving. This is so much better...or worse, depending on your perspective.

When Hazel Nash was six years old, her father taught her: Mysteries need to be solved. He should know. Hazel's father is Jack Nash, the host of America's favorite conspiracy TV show, The House of Secrets. Even as a child, she loved hearing her dad's tall tales, especially the one about a leather book belonging to Benedict Arnold that was hidden in a corpse. Now, years later, Hazel wakes up in the hospital and remembers nothing, not even her own name. She's told she's been in a car accident that killed her father and injured her brother.

Emily the Strange: 13 years old. Able to leap tall buildings, probably, if she felt like it. More likely to be napping with her four black cats; or cobbling together a particle accelerator out of lint, lentils, and safety pins; or rocking out on drums/ guitar/ saxophone/ zither; or painting a swirling feral sewer mural; or forcing someone to say "swirling feral sewer mural" 13 times fast.... and pointing and laughing.

A glittering landscape of twenty-five speculative stories that challenge oppression and envision new futures for America - from N. K. Jemisin, Charles Yu, Jamie Ford, G. Willow Wilson, Charlie Jane Anders, Hugh Howey, and more.

Back when I started this project, I was thinking what the heck, writing a few short stories will keep me fresh, let me try things I might not try otherwise, act as a sketch book of my story ideas: the funny, the weird, the scary, the sappy, and sometimes all of that mashed up together.

Surviving 60,000 years takes cunning and more than a little luck. But in the 21st century, Adam confronts new dangers - someone has found out what he is, a demon is after him, and he has run out of places to hide. Worst of all, he has had entirely too much to drink.

The Term Sheet is a fast-paced techno-thriller about entrepreneurship, startups, encryption, and the delicate balance between national security and individual privacy. Its complex characters explore thought-provoking questions about the role of technology in an ever-changing society. Step into the high-stakes game played by today's technology innovators, who push the envelope and risk it all. Get ready. This thrilling book gives you a taste of what startups are really like.

Short novels are movie-length narratives that may well be the perfect length for science fiction stories. This audio collection presents the best-of-the-best short science fiction novels published in 2014 by current and emerging masters of this vibrant form of storytelling.

"My name is Mike Ross. I'm a Ferryman. I help people with ghost problems, or ghosts with people problems. Funny thing, no one ever helps me with my problems. Civil War ghosts bent on killing me, Skinwalkers who just want my body, and a vindictive spirit linked both to my bloodline and my destiny... It turns out the dead still hold a good deal of influence over the world, and they don't want to give it up. I'm in way over my head. Fortunately, I'm too stubborn to quit."

There are two types of people who think professionally about the future: Foresight strategists are civil futurists who think about geoengineering and smart cities and ways to evade Our Coming Doom; strategic forecasters are spook futurists, who think about geopolitical upheaval and drone warfare and ways to prepare clients for Our Coming Doom. The former are paid by nonprofits and charities, the latter by global security groups and corporate think tanks.