Why We Read Fiction: Theory of Mind and the Novel
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Narrated by:
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Rosemary Benson
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By:
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Lisa Zunshine
About this listen
Why We Read Fiction offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as “Theory of Mind” and discusses its implications for literary studies. It covers a broad range of fictional narratives, from Richardson's Clarissa, Dostoyevsky's Crime and Punishment, and Austen's Pride and Prejudice to Woolf's Mrs. Dalloway, Nabokov's Lolita, and Hammett's The Maltese Falcon.
Zunshine's surprising new interpretations of well-known literary texts and popular cultural representations constantly prod her listeners to rethink their own interest in fictional narrative. Written for a general audience, this study provides a jargon-free introduction to the rapidly growing interdisciplinary field known as cognitive approaches to literature and culture.
The book is published by The Ohio State University Press.
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Rand takes listeners step by step through the writing process, providing insightful observations and invaluable techniques along the way. She discusses the psychological aspects of writing and the roles played by the conscious and subconscious mind. She talks about articles and books, explaining how to select a subject and theme, how to identify your audience, and how to write the first draft.
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Great Content, but the narrator is annoying
- By Ms on 01-26-09
By: Ayn Rand
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Mastermind
- How to Think Like Sherlock Holmes
- By: Maria Konnikova
- Narrated by: Karen Saltus
- Length: 10 hrs
- Unabridged
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No fictional character is more renowned for his powers of thought and observation than Sherlock Holmes. But is his extraordinary intellect merely a gift of fiction, or can we learn to cultivate these abilities ourselves, to improve our lives at work and at home? We can, says psychologist and journalist Maria Konnikova, and in Mastermind she shows us how. Beginning with the "brain attic", Konnikova unpacks the mental strategies that lead to clearer thinking and deeper insights.
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Mindless: How to Regurgitate Useless Information
- By CC on 02-12-13
By: Maria Konnikova
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On Becoming a Person
- A Therapist's View of Psychotherapy
- By: Carl R. Rogers, Peter D. Kramer MD - introduction
- Narrated by: Joe Hempel
- Length: 14 hrs and 19 mins
- Unabridged
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The late Carl Rogers, founder of the humanistic psychology movement, revolutionized psychotherapy with his concept of "client-centered therapy." His influence has spanned decades, but that influence has become so much a part of mainstream psychology that the ingenious nature of his work has almost been forgotten. With a new introduction by Peter Kramer, this landmark book is a classic in its field and a must-listen for anyone interested in clinical psychology or personal growth.
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An introduction to the core humanistic issues
- By Amazon Customer on 04-08-18
By: Carl R. Rogers, and others
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Talking About Detective Fiction
- By: P. D. James
- Narrated by: Diana Bishop
- Length: 4 hrs and 18 mins
- Unabridged
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To judge by the worldwide success of Arthur Conan Doyle's Sherlock Holmes and Agatha Christie's Poirot, it is not only the Anglo-Saxons who have an appetite for mystery and mayhem. Talking about the craft of detective writing and sharing her personal thoughts and observations on one of the most popular and enduring forms of literature, P. D. James examines the challenges, achievements and potential of a genre which has fascinated her as a novelist for nearly 50 years.
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Fascinating and Informative
- By Nancy J on 03-17-13
By: P. D. James
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Riveted
- The Science of Why Jokes Make Us Laugh, Movies Make Us Cry, and Religion Makes Us Feel One with the Universe
- By: Jim Davies
- Narrated by: Matthew Josdal
- Length: 9 hrs and 15 mins
- Unabridged
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Professor Jim Davies's fascinating and highly accessible book, Riveted, reveals the evolutionary underpinnings of why we find things compelling. Drawing on work from philosophy, anthropology, religious studies, psychology, economics, computer science, and biology, Davies offers a comprehensive explanation to show that in spite of the differences between the many things that we find compelling, they have similar effects on our minds and brains.
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Fun and excellent listen!
- By Alejandro Franco on 04-13-18
By: Jim Davies
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Primates and Philosophers
- How Morality Evolved
- By: Frans de Waal
- Narrated by: Alan Sklar
- Length: 6 hrs and 4 mins
- Unabridged
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"It's the animal in us," we often hear when we've been bad. But why not when we're good? Primates and Philosophers tackles this question by exploring the biological foundations of one of humanity's most valued traits: morality.In this provocative book, primatologist Frans de Waal argues that modern-day evolutionary biology takes far too dim a view of the natural world, emphasizing our "selfish" genes.
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Having Just Read...
- By Douglas on 12-14-13
By: Frans de Waal
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Truth and Truthfulness
- By: Bernard Williams
- Narrated by: Ralph Cosham
- Length: 10 hrs and 42 mins
- Unabridged
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What does it mean to be truthful? What role does truth play in our lives? What do we lose if we reject truthfulness? No philosopher is better suited to answer these questions than Bernard Williams. Writing with his characteristic combinationof passion and elegant simplicity, he explores the value of truth and finds it to be both less and more than we might imagine.
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Content is excellent but the sound quality falters
- By Andy B. on 09-08-23
By: Bernard Williams
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William Blake vs the World
- By: John Higgs
- Narrated by: John Higgs
- Length: 11 hrs and 12 mins
- Unabridged
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A wild and unexpected journey through culture, science, philosophy, and religion to better understand the mercurial genius of William Blake.
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Best book ever
- By idamae on 11-04-22
By: John Higgs
What listeners say about Why We Read Fiction: Theory of Mind and the Novel
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Sparky McGhee
- 05-20-13
Classic in the 'cognitive turn' in the humanities
If you could sum up Why We Read Fiction: Theory of Mind and the Novel in three words, what would they be?
This book explains why we can read fictional minds in a similar way that we can read real minds.
What was one of the most memorable moments of Why We Read Fiction: Theory of Mind and the Novel?
I think the reading of Samuel Richardson's "Clarissa" is the best section.
Which character – as performed by Rosemary Benson – was your favorite?
It is a work of nonfiction, so this question is not applicable.
If you could rename Why We Read Fiction: Theory of Mind and the Novel, what would you call it?
I think the title is pretty good. I wouldn't change it.
Any additional comments?
If you ever wondered what cognitive science has to say about literary criticism, this book is a great place to start. I think it helps if you have read the texts discussed -- Richardson's "Clarissa" and Nabokov's "Lolita" would be particularly helpful, but you can follow along even if you have not read these novels. She also discusses theory of mind in detective fiction. You can also buy the ebook on Amazon for $1.99, I think, if you like to follow along while you are listening. This is a really fascinanating subject and I know this title is very influential in the field of narratology.
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2 people found this helpful
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- frank lindemann
- 05-09-21
A fascinating approach to understanding literature
Insightful approach to classic novels. In this view, there is no such thing as an easily-understood classic -- ambiguity, unreliable narration, and authorial misdirection are at the center of literature's meaning.
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- Matt
- 11-11-13
Theory of the Reader
Would you recommend this book to a friend? Why or why not?
Not really. I was looking forward to learning about theory of mind, particulary as it relates to fiction, but the presentation of the book was so monotone, and so clinical in its delivery, that I frequently lost interest in the direction it was moving. Ironically, you would think a book about deciphering what another person is thinking/perceiving would do a better job of reaching out to the reader.
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3 people found this helpful
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- Mary F
- 01-10-15
cognitive snob
Would you recommend this audiobook to a friend? If so, why?
the topic.
What was one of the most memorable moments of Why We Read Fiction: Theory of Mind and the Novel?
i am interested in pursuing this topic.
How did the narrator detract from the book?
Yes! not the correct intonations for nonfictions. Too dramatic, this is nonfiction and requires a more formal tone.It made me cringe because the performance distracted from the content and the vocabulary distracted from the purpose.
Did you have an extreme reaction to this book? Did it make you laugh or cry?
Any additional comments?
Tone down the need to be so....verbose. it produces a very heavy style. And because the vocabulary is not conducive to cognition I would surmise that this book is written to a very select audience and is more pedagogical erring on the side of being ostentatious. Although I found the topic interesting but the lack of plain speaking is distracting. Quoting Matthew Arnold," Have something to say, and say it as clearly as you can.'
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1 person found this helpful
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- Ann
- 10-13-16
Interesting text, robotic delivery
How could the performance have been better?
The delivery is very odd and robotic, and I wonder if "Rosemary Benson" is a computerized voice. The inflection is strange and at times the ends of words are cut off so cleanly, it does not sound like a human voice. The narration is distracting.
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