Investigative journalist Laurie Forbes is planning her wedding to Elliott Russell when she receives a tip-off that a group of illegally smuggled women is being held somewhere in the East End of London. During her search, unexpected and devastating events begin throwing her own life into chaos, so fellow journalist Sherry MacElvoy steps in to help. Taking on undercover roles to get to the heart of the ruthless gang of human-traffickers, neither reporter can even begin to imagine what dangers they are about to face.

When journalist Laurie Forbes turns up on Beth Ashby's doorstep, minutes after Beth's husband, political high-flier Colin Ashby, has been arrested for murder, neither can even begin to guess the shocking repercussions that have just been triggered in both their lives. Beth attempts to escape from her shattered life by throwing herself into the kind of reckless high-living that seems destined for disaster, while Laurie finds herself being threatened, terrorised and even taken prisoner for what she knows.

Hanna’s world is crumbling. An unimaginable crime has been committed, and everyone’s looking for someone to blame. Her loved ones are under suspicion. Now Hanna must work out who is threatening her family – before it’s too late.

Kirsten Meredith is a successful, rich and beautiful woman who seems to have it all. But she is also a woman haunted by her past which threatens to ruin her life—a lingering past of loneliness and rejection. And most dangerous of all, of burning vengeance. Lawrence McAllister is the man who walked out on her and broke her heart. Yet he is the only man who can help her fight her worst enemy—Dyllis Fisher, a woman who has vowed to destroy Kirsten's life at all costs. And in a world where bitter vengeance will know no limit, Kirsten needs all the help she can get.

It's an early autumn day like any other as Miles Avery drives his wife, Jacqueline, to the station. Nothing remarkable crops up in conversation, nor do either of them appear anything other than their normal selves. At the station, Jacqueline gets out, takes an overnight bag from the back seat, then turns towards the platforms. This is the last anyone sees of her. Three weeks later, Miles calls the police. Enquiries are made, but there is no evidence of her boarding a train, or even entering the station.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.