Hailed by The New York Times as "a marvel of storytelling", The Things They Carried’s portrayal of the boots-on-the-ground experience of soldiers in the Vietnam War is a landmark in war writing. Now, three-time Emmy Award winner-Bryan Cranston, star of the hit TV series Breaking Bad, delivers an electrifying performance that walks the book’s hallucinatory line between reality and fiction and highlights the emotional power of the spoken word.

Americans have built an empire on the idea of “race”, a falsehood that damages us all but falls most heavily on the bodies of Black women and men - bodies exploited through slavery and segregation and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a Black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’ attempt to answer these questions in a letter to his adolescent son.

The Witch is dead. And the discovery of her corpse - by a group of children playing near the irrigation canals - propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.

Postcolonial Love Poem, the brilliant second collection from Natalie Diaz, holds in its pages the urgent appeal for all bodies―bodies of lovers, family, enemies, as well as of language and rivers and land―to be held dearly. In her lyrical landscape, Diaz tenderly prods the wounds inflicted by America onto its Indigenous peoples.

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides - or are chosen.

Eddie is a grizzled war veteran who feels trapped in a meaningless life of fixing rides at a seaside amusement park. His days are a dull routine of work, loneliness, and regret.

No one knows exactly when it began or where it originated. A terrifying new plague is spreading like wildfire across the country, striking cities one by one: Boston, Detroit, Seattle. The doctors call it Draco Incendia Trychophyton. To everyone else it's Dragonscale, a highly contagious, deadly spore that marks its hosts with beautiful black and gold marks across their bodies - before causing them to burst into flames. Millions are infected; blazes erupt everywhere. There is no antidote. No one is safe.

Part epic of Texas, part classic coming-of-age story, part unflinching examination of the bloody price of power, The Son is a gripping and utterly transporting novel that maps the legacy of violence in the American west with rare emotional acuity, even as it presents an intimate portrait of one family across two centuries. Eli McCullough is just twelve-years-old when a marauding band of Comanche storm his Texas homestead and brutally murder his mother and sister, taking him as a captive.

A collection of four chilling novels, ingeniously wrought gems of terror from the brilliantly imaginative number one New York Times best-selling author of The Fireman, Joe Hill.

The fictionalized account of Louisiana's colorful and notorious governor, Huey Pierce Long, All the King's Men follows the startling rise and fall of Willie Stark, a country lawyer in the Deep South of the 1930s. Beset by political enemies, Stark seeks aid from his right-hand man Jack Burden, who will bear witness to the cataclysmic unfolding of this very American tragedy.

It is the present day, and the world is as we know it: smartphones, social networking, and Happy Meals. Save for one thing: The Civil War never occurred. A gifted young black man calling himself Victor has struck a bargain with federal law enforcement, working as a bounty hunter for the US Marshal Service. He's got plenty of work. In this version of America, slavery continues in four states called "the Hard Four". On the trail of a runaway known as Jackdaw, Victor arrives in Indianapolis knowing that something isn't right—with the case file, with his work, and with the country itself.

A quiet child, Moriko is forced into a monastic system she despises. Torn from her family and the forest she grew up in, she must fight to learn the skills she'll need to survive her tutelage under the realm's most dangerous assassin. Young, beautiful, and broke, Takako is sold to pay for her father's debts. Thrust into a world she doesn't understand and battles she didn't ask for, she must decide where her loyalties lie. When their lives crash together in a kingdom on the brink of war, the decisions they make will change both their lives and their kingdom forever.

East Sussex, 1914. It is the end of England's brief Edwardian summer, and everyone agrees that the weather has never been so beautiful. Hugh Grange, down from his medical studies, is visiting his aunt Agatha, who lives with her husband in the small, idyllic coastal town of Rye. Agatha's husband works in the Foreign Office, and she is certain he will ensure that the recent saber rattling over the Balkans won't come to anything.

In this daring debut, Susan Elia MacNeal blends meticulous research on the era, psychological insight into Winston Churchill, and the creation of a riveting main character, Maggie Hope, into a spectacularly crafted novel.

In the more shadowy corners of the world, frequented by angels and demons and everything in between, Laytham Ballard is a legend. It's said he raised the dead at the age of 10, stole the Philosopher's Stone in Vegas back in 1999, and survived the bloodsucking kiss of the Mosquito Queen. Wise in the hidden ways of the night, he's also a cynical bastard who stopped thinking of himself as the good guy a long time ago.

The living dead are more alive than ever! Zombies have become more than an iconic monster for the 21st century: They are now a phenomenon constantly revealing as much about ourselves - and our fascination with death, resurrection, and survival - as our love for the supernatural or post-apocalyptic speculation. Our most imaginative literary minds have been devoured by these incredible creatures and produced exciting, insightful, and unflinching new works of zombie fiction.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

No one knows exactly when it began or where it originated. A terrifying new plague is spreading like wildfire across the country, striking cities one by one: Boston, Detroit, Seattle. The doctors call it Draco Incendia Trychophyton. To everyone else it's Dragonscale, a highly contagious, deadly spore that marks its hosts with beautiful black and gold marks across their bodies - before causing them to burst into flames. Millions are infected; blazes erupt everywhere. There is no antidote. No one is safe.

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides - or are chosen.

Khorramshahr, Iran, May 1982 - It was the bloodiest battle of one of the most brutal wars of the twentieth century, and Najah, a 29-year-old wounded Iraqi conscript, was face to face with a 13-year-old Iranian child soldier who was ordered to kill him. Instead, the boy committed an astonishing act of mercy. It was an act that decades later would save his own life.

The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal.

Modern gods and goddesses, remote, revered - and like the pantheon of heroes and heroines of ancient myth - possessing great power tempered with flaws. Now, find within this anthology great tales by gifted and award-winning authors who move superheroes from the four-color panels of comic books to the fantastic pages of fiction, stories that will remind anyone who ever wanted to wear a cape or don a cowl of the extraordinary powers of the imagination!

Victoria McQueen has an uncanny knack for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. When she rides her bicycle over the rickety old covered bridge in the woods near her house, she always emerges in the places she needs to be. Vic doesn't tell anyone about her unusual ability, because she knows no one will believe her. She has trouble understanding it herself.

Zou Lei, orphan of the desert, migrates to work in America and finds herself slaving in New York's kitchens. She falls in love with a young man whose heart has been broken in another desert. A new life may be possible if together they can survive homelessness, lockup, and the young man's nightmares, which may be more prophecy than madness.

It begins with an explosion. Another day, another bus bomb. Everyone, it seems, is after a piece of Turkey. But the shockwaves from this random act of 21st century pandemic terrorism will ripple further and resonate louder than just Enginsoy Square. Welcome to the world of The Dervish House; the great, ancient, paradoxical city of Istanbul, divided like a human brain, in the great, ancient, equally paradoxical nation of Turkey. The year is 2027....

A seasoned war correspondent, Jeffrey Gettleman has covered every major conflict over the past 20 years, from Afghanistan to Iraq to the Congo. For the past decade, he has served as the East Africa bureau chief for the New York Times, fulfilling his teenage dream of living in Africa. Love, Africa is the story of how he got there - and of his difficult, winding path toward becoming a good reporter and a better man.

Few authors write with such sheer love of story and language as T. C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. Here are 14 new tales previously unpublished in book form. By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle's stories have mapped a wide range of human emotions. The stories here reflect his maturing themes.

After trying to help Benjamin Pearl, an undernourished, nearly feral 11-year-old boy living in the Montana wilderness, social worker Pete Snow comes face-to-face with the boy's profoundly disturbed father, Jeremiah. With courage and caution, Pete slowly earns a measure of trust from this paranoid survivalist itching for a final conflict that will signal the coming End Times. But as Pete's own family spins out of control, Pearl's activities spark the full-blown interest of the FBI, putting Pete at the center of a massive manhunt from which no one will emerge unscathed.

Why we think it’s a great listen: Never before has an author’s narration of his fiction been so important to fully grasping the book’s impact and global implications. Taking us from Afghanistan in the final days of its monarchy to the present, The Kite Runner is the unforgettable story of the friendship between two boys growing up in Kabul. Their intertwined lives, and their fates, reflect the eventual tragedy of the world around them.

Anders is an angry, cynical man. A book critic known for his scathing reviews, he finds any excuse to dismiss, belittle, or insult. This afternoon is no more agitating than the next. Angers finds himself in a long line at the bank, waiting to reach a teller. Even after two men - wearing masks and carrying guns - take control of the building, Anders is unfazed. It's this behavior that lands him with a pistol against his stomach and a man screamingin his face. And when the bank robber, indignant over Anders' behavior, shoots the book critic in the head, his mind floats through the memories of his life, settling on one particular event....