Showing results by author "H P Lovecraft" in All Categories

H.P. Lovecraft often warned us that there are things not meant to be understood—truths too ancient, too vast, or too alien for the human mind to hold. In The Unnamable, he takes that warning a step further: some things cannot even be described. This story, first published in 1925, is part philosophical debate, part ghost story, and part quiet apocalypse.

There are certain stories which stand out from the crowd owing to the unique creativity of the plot and the skill with which the author unfolds his tale. This selection contains 50 of the most ingenious short stories ever written. Includes: 'The Lighthouse on Shivering Sand' by J. S. Fletcher; 'The Umbrella' by Arnold Bennett; 'The Lovely Lady' by D. H. Lawrence; 'The Lake' by W. F. Harvey; 'A Tiger’s Skin' by W. W. Jacobs; and 'The Strange Case of Mr. Todmorden' by F. Britten Austin.

"The Dunwich Horror" is a horror novella by American writer H. P. Lovecraft. Written in 1928, it was first published in the April 1929 issue of Weird Tales (pp. 481–508). It takes place in Dunwich, a fictional town in Massachusetts. It is considered one of the core stories of the Cthulhu Mythos.

The lurking fear dwelt in the shunned and deserted Martense mansion, which crowned the high but gradual eminence whose liability to frequent thunderstorms gave it the name of Tempest Mountain. For over a hundred years the antique, grove-circled stone house had been the subject of stories incredibly wild and monstrously hideous; stories of a silent colossal creeping death which stalked abroad in summer. It seemed the stories might have been true when myself and a horde of reporters descended on the Catskills to follow up a rumour that an entire village had sunk into the earth.

El horror de Dunwich narra la historia de Wilbur Whateley, hijo de Lavinia Whateley, una mujer albina deformada, los acontecimientos suscítados vienen como consecuencia del nacimiento de Wilbur Whateley. Todo lo que rodea a la familia Whateley está marcado por el misterio y los rumores del pueblo que afirman que el viejo Whateley, padre de Lavinia, practica la brujería.

This volume showcases arguably some of Lovecraft's best work. "Imprisoned with the Pharaohs" was originally written for the world-famous escape artist Harry Houdini and was published under Houdini's name in the magazine Weird Tales.

In the most cold and remote region of the planet lies mountains towering higher than the Himalayas and containing abominable secrets the mind can scarcely fathom. When an intrepid expedition stumbles across the remains of an ancient race of creatures that predates humanity by millions of years, they believe they've discovered the scientific find of the century. Instead, they've unearthed a terror beyond all reckoning which may devour them both body and soul. Enter into the icy realms of one of H. P. Lovecraft's most seminal cornerstones of the Cthulhu mythos... If you dare.

"History of the Necronomicon" is a short text written by H. P. Lovecraft in 1927, and published in 1938. It describes the origins of the fictional book of the same name: the occult grimoire Necronomicon, a now-famous element of some of his stories. The short text purports to be non-fiction, adding to the appearance of 'pseudo-authenticity' which Lovecraft valued in building his Cthulhu Mythos oeuvre. Accordingly, it supposes the history of the Necronomicon as the inspiration for Robert W. Chambers' The King in Yellow, which concerns a book that overthrows the minds of those who read it.

The Statement of Randolph Carter is the first person testimony of the titular character, who has been found wandering through swampland in an amnesiac shock. In his statement, Carter attempts to explain the disappearance of his companion, the occultist Harley Warren. Warren has come into the possession of a book, written in an unknown language, the exact contents of which he never revealed to Carter. Carter mentions that Warren has other "strange, rare books on forbidden subjects", several of which are in Arabic.

A museum should be a lonely place at night; scary and lonely if one has an active imagination, and finds himself locked inside at night. But what if the things in the museum began to move, and you are trapped inside? This short story of horror, ghostwritten for Hazel Heald by H. P. Lovecraft and narrated by Mike Vendetti, should not be listened to alone and in the dark.

While taking a break from work and passing through Egypt, Harry Houdini and his wife take a tour of the pyramids. Harry returns after dark with his guide and suddenly finds himself assaulted and thrown into a pit of eldritch horror that challenges his sanity and escapist skills. FNH Audio presents an unabridged narration of this Lovecraft classic.

Barzai the Wise, a high priest and prophet greatly learned in the lore of the "gods of earth", or Great Ones, attempts to scale the mountain of Hatheg-Kla in order to look upon their faces, accompanied by his young disciple Atal. Upon reaching the peak, Barzai at first seems overjoyed until he finds that the "gods of the earth" are not there alone, but rather are overseen by the "other gods, the gods of the outer hells that guard the feeble gods of earth!" Atal flees, and Barzai is never seen again.

"Cool Air" is a short story by the American horror fiction writer H. P. Lovecraft, written in March 1926 and published in the March 1928 issue of Tales of Magic and Mystery. Plot summary: The narrator offers a story to explain why a "draught of cool air" is the most detestable thing to him. His tale begins in the spring of 1923, when he was looking for housing in New York City. He finally settles in a converted brownstone on West Fourteenth Street.

Narra la historia en el que el protagonista, por un lado, va a tener la curiosidad por saber qué hay más allá, pero por otro lado siente que la información obtenida se le escapa de las manos con la conclusión de que no quisiera jamás haberse adentrado en lo desconocido.

H.P. Lovecraft’s short story Beyond the Wall of Sleep was first published in 1919 and reprinted in Weird Tales in 1938. The tale is about an intern in a mental hospital recounting his experiences with Joe Slater, an inmate who died at the facility after being incarcerated as a criminally insane murderer. During his confinement, Slater had a series of violent seizures in which his rants and ravings revealed strange other-worldly visions.

Francis Wayland Thurston, un anthropologue qui a enquêté sur un culte obscur. Howard Phillips Lovecraft est sans nul doute l'auteur fantastique le plus influent du XXe siècle.
 Son imaginaire unique et terrifiant n'a cessé d'inspirer des générations d'écrivains, de cinéastes, d'artistes ou de créateurs d'univers de jeux, de Neil Gaiman à Michel Houellebecq en passant par Metallica.

This particularly chilling short story was inspired by a trip that Lovecraft made with Rheinhart Kleiner to the 18th-century Dutch Reformed Church on Flatbush Avenue in Brooklyn - and to its adjacent graveyard, full of grave markers dating from the mid-1700s. While there, Lovecraft pocketed a piece of one of the grave markers; and it set him to thinking about the possibilities of a story plot in which a vengeful tomb-denizen, resenting a similar act of souvenir-taking, claws its way out of the grave to track down the desecrator.

This collection of short stories contains several gothic tales to bear macabre and chilling witness to writers as diverse as HP Lovecraft, Rudyard Kipling and Edith Nesbit. These tales are designed to unsettle you, just a little, as you sit back, and take in their words as they lead you on a walk to places you’d perhaps rather not visit on your own. Our stories are “Reanimator” by H. P. Lovecraft, “The End of the Passage” by Rudyard Kipling and “From the Dead” by Edith Nesbit.

"La Cité sans nom" est une nouvelle retraçant l'histoire d'un explorateur qui découvre une cité enfouie au milieu du désert arabe. Au plus profond des tunnels, il découvre des fresques évoquant une attaque de la ville ainsi que des momies d'êtres reptiliens. Il finit par comprendre que ceux-ci étaient les habitants de la cité. Il conclut que c'est de cet endroit que l'Arabe fou Abdul al-Hazred avait rêvé avant d'écrire : "N'est pas mort ce qui à jamais dort, Et dans les ères peut mourir même la Mort."

The two stories in this collection, The Shunned House and The Dunwich Horror, are notable demonstrations of Lovecraft’s ability to build and sustain narratives permeated with a unique flavor of foreboding and horror.