Classical Composers

Introduced with more than 90 biographical entries that trace the friendships, loves, and rivalries that inspired each musical genius and their work. Profiles offer revealing insights into what drove each individual to create the musical masterpieces - symphonies, concertos, and operatic scores - that changed the direction of classical music and are still celebrated as masterpieces today.

In The Indispensable Composers, Tommasini offers his own personal guide to the canon - and what greatness really means in classical music. What does it mean to be canonical now? Who gets to say? And do we have enough perspective on the 20th century to even begin assessing it? To make his case, Tommasini draws on elements of biography, the anxiety of influence, the composer's relationships with colleagues, and shifting attitudes toward a composer's work over time.

The first volume of Famous Composers, written by Darren Henley and read by Marin Alsop, the American conductor, won a prestigious Audie in the US. Here, Henley and the Naxos AudioBooks team bring the combination of an entertaining but informative "life" and numerous musical selections to a further set of six composers.

Probably the most naturally gifted musician the world has ever known, Mozart began his career early as a child prodigy. By the age of five, he was already proficient in the violin, the harpsichord, and piano keyboard. He had also begun composing music that had integrity. Ludwig van Beethoven is a crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven displayed his musical talents at an early age. Listen to the full biographies of these two musicians, from the beginning to the end!

Based on 10 years of research and a vast cache of primary sources located in archives in Warsaw, Paris, London, New York, and Washington, D.C., Alan Walker's monumental Fryderyk Chopin: A Life and Times is the most comprehensive biography of the great Polish composer to appear in English in more than a century. Walker's work is a corrective biography, intended to dispel the many myths and legends that continue to surround Chopin.

The iconic image of Beethoven is of him as a lone genius: hair wild, fists clenched, and brow furrowed. Beethoven may well have shaped the music of the future, but he was also a product of his time, influenced by the people, politics, and culture around him. Oxford scholar Laura Tunbridge offers an alternative history of Beethoven's career, placing his music in contexts that shed light on why particular pieces are valued more than others, and what this tells us about his larger-than-life reputation.

In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring listeners a deeper appreciation of the most viscerally rewarding of all art forms.

Let Osvaldo Mouszee guide your children through the life and work of three of the greatest classical composers: Beethoven, Berlioz, and Brahms. The book explains their life and works. Not only that, but you can hear their works included in the recording after learning about the composer. This is great way to educate children on classical composers and bring their works to life!

Every Valley presents a depressive dissenter stirred to action by an ancient prophecy; an actress plagued by an abusive husband and public scorn; an Atlantic sea captain and penniless philanthropist; and an African Muslim man held captive in the American colonies and hatching a dangerous plan for getting back home. At center stage is Handel himself, composer to kings but, at midlife, in ill health and straining to keep an audience’s attention. Set amid royal intrigue, theater scandals, and political conspiracy, Every Valley is entertaining, inspiring, unforgettable.

As his mother was dying, Philip Kennicott began to listen to the music of Bach obsessively. It was the only music that didn't seem trivial or irrelevant, and it enabled him to both experience her death and remove himself from it. He spent the next five years trying to learn one of the composer's greatest keyboard masterpieces, the Goldberg Variations. In Counterpoint, he recounts his efforts to rise to the challenge, and to fight through his grief by coming to terms with his memories of a difficult, complicated childhood.

A concentrated study of Johann Sebastian Bach's creative output and greatest pieces, capturing the essence of his art.

As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they'd watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Celebrating the band's 50th anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older.

Join Donald Macleod, presenter of BBC Radio 3’s Composer of the Week, as he brings Beethoven vividly to life: from his childhood in Bonn to how he won over the aristocratic music circles of Vienna, from the creation of his timeless works to the tragic loss of his hearing - and everything in between.

The lives and music of the great composers of classical music unfold in this entertaining account, introduced by the conductor and musical personality Marin Alsop. In 1200 years, classical music grew from the chanting of medieval monks through the symphonies of Beethoven and the grand operas of Wagner to the huge orchestral sound-world of the 21st century, with its electronics and its film music.

Beethoven imbibed Enlightenment and revolutionary ideas in his hometown of Bonn, where they were fervently discussed in cafes and at the university. Moving to Vienna at the age of 21 to study with Haydn, he gained renown as a brilliant pianist and innovative composer. In that conservative city, capital of the Hapsburg empire, authorities were ever watchful to curtail and punish overt displays of radical political views. Nevertheless, Beethoven avidly followed the meteoric rise of Napoleon.

"Wonderful compilation" -- Henry Fogel, Dean, Chicago College of Performing Arts, Roosevelt University; former president, Chicago Symphony Orchestra, American Symphony Orchestra League "An enjoyable read, and a great conversation starter." -- James McCarthy, Limelight magazine, Australia "...for those seeking to shake up their listening habits and explore musical rarities -- Opera America Focus on obscure composers from 19th century Romantic Period, drawn from Obscure Composers series, volumes 1, 2, and 3.

With a lifetime of experience, profound knowledge and understanding, and heartwarming appreciation, an internationally celebrated conductor and teacher answers the questions: Why should I listen to classical music? How can I get the most from the listening experience? Unpretentious, graceful, instructive, this is a book for the aficionado, the novice, and anyone looking to have the love of music fired within them.

Amit Chaudhuri, novelist, critic, and essayist, is also a musician, trained in the Indian classical vocal tradition but equally fluent as a guitarist and singer in the American folk music style, who has recorded his experimental compositions extensively and performed around the world. A turning point in his life took place when, as a lonely teenager living in a high-rise in Bombay, far from his family's native Calcutta, he began, contrary to all his prior inclinations, to study Indian classical music.

Focus on more than 40 obscure composers from 18th century Classical Period and 20th century Neoclassical, drawn from Obscure Composers series, volumes 1, 2, and 3.

At thirteen years old Wolfgang Amadeus Mozart was a child prodigy who had captured the hearts of northern Europe, but his father Leopold was now determined to conquer Italy. Together, they made three visits there the last when Mozart was seventeen, all vividly recounted here by acclaimed conductor Jane Glover. Father and son travelled from the theatres and concert salons of Milan to the church-filled streets of Rome to Naples, poorer and more dangerous than the prosperous north, and to Venice, the carnivelesque birthplace of public opera.