Literary Nonfiction

Why we think it’s a great listen: Never before has an author’s narration of his fiction been so important to fully grasping the book’s impact and global implications. Taking us from Afghanistan in the final days of its monarchy to the present, The Kite Runner is the unforgettable story of the friendship between two boys growing up in Kabul. Their intertwined lives, and their fates, reflect the eventual tragedy of the world around them.

Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child's soul as she searches for her place in the world.

One of America's favorite African-American storytellers remembers her childhood in tender, unforgettable new stories. Jackie Torrence, a frequent headliner at the National Storytelling Festival, is known to audiences nationwide as The Story Lady.

Distinguished author Phillip Lopate, editor of the celebrated anthology The Art of the Personal Essay, is universally acclaimed as “one of our best personal essayists” ( Dallas Morning News). Here, combining more than 40 years of lessons from his storied career as a writer and professor, he brings us this highly anticipated nuts-and-bolts guide to writing literary nonfiction. A phenomenal master class shaped by Lopate’s informative, accessible tone, and immense gift for storytelling.

In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

His name is synonymous with high-stakes wilderness survival stories. Now, beloved author Gary Paulsen portrays a series of life-altering moments from his turbulent childhood as his own original survival story. If not for his summer escape from a shockingly neglectful Chicago upbringing to a North Woods homestead at age five, there never would have been a Hatchet. Without the encouragement of the librarian who handed him his first book at age 13, he may never have become a reader.

Alexander Chee, an essayist of “virtuosity and power” (Washington Post), selects twenty essays out of thousands that represent the best examples of the form published the previous year.

In the 1970s, Lee Gutkind, a leather-clad hippie motorcyclist and former public relations writer, fought his way into the academy. His goal: to make creative nonfiction an accepted academic discipline, one as vital as poetry, drama, and fiction. In this book Gutkind tells the true story of how creative nonfiction became a leading genre for both audiences and writers.

The essays in this collection are the work of a group of friends known as the Northwoods Essayists: The Write People. The name comes from a very special place where we first met each other, the Northwoods Unitarian Universalist Church in The Woodlands, Texas. The group began in 2020, and its membership has evolved over time. Our current members include Hallie Moore, Mira Dessy, Dorothy Kennedy, John Hammond, and Ann McAlpin. Our friend and fellow writer Sharon Ossowski passed away while this book was in progress. We know you’ll be delighted by her wonderful essays in this collection. Our ...

In 1914, Harry Colebourn, a veterinarian on his way to tend horses in World War I, followed his heart and rescued a baby bear. He named her Winnie, after his hometown of Winnipeg, and he took the bear to war. Harry Colebourn's real-life great-granddaughter tells the true story of a remarkable friendship and an even more remarkable journey - from the fields of Canada to a convoy across the ocean to an army base in England...and finally to the London Zoo, where Winnie made another new friend: a real boy named Christopher Robin.

What did your face look like before your parents were born? In The Face: A Time Code, best-selling author and Zen Buddhist priest Ruth Ozeki recounts, in moment-to-moment detail, a profound encounter with memory and the mirror. According to ancient Zen tradition, 'your face before your parents were born' is your original face. Who are you? What is your true self? What is your identity before or beyond the dualistic distinctions, like father/mother and good/evil, that come to define us?

In this book, Jaime Harker uncovers a largely forgotten literary renaissance in southern letters. Anchored by a constellation of southern women, the Women in Print movement grew from the queer union of women's liberation, civil rights activism, gay liberation, and print culture. Broadly influential from the 1970s through the 1990s, the Women in Print movement created a network of writers, publishers, bookstores, and readers that fostered a remarkable array of literature.

Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written by an award-winning Gitxsan journalist who survived life on the streets against all odds.

Nevermore brings one of America’s most enigmatic writers to the attention of a new generation of children. This intriguing biography examines the life and times of the author and poet who would have a huge influence on future generations of writers, poets, artists, and even songwriters. Poe pioneered the psychological horror story, the detective story, and the emerging genre of science fiction. Through his dark tales and unforgettable verse, as well as his literary criticism, he made major contributions to the development of the modern short story and modern poetry in America.

In the summer of 1879, the young writer Robert Louis Stevenson received a telegram from America. Fanny, a dear friend in California, was ill. Stevenson packed his bags and left his home in Scotland. When the steamer reached the east coast of America, his journey had just begun. Stevenson had little money, so he traveled across America the cheapest way: he went by train.

A bestselling historian takes listeners on an intellectual and cultural adventure, offering a carefully curated guide to great, short nonfiction works by some of the world’s most influential writers—from Plato to Toni Morrison, Ernest Hemingway to bell hooks, and Marcus Aurelius to Joan Didion. A delightful roadmap to a year’s worth of reading briefly, plus biographies, fascinating facts, and idea-rich insights into the lives of the thinkers, historians, and literary giants who have shaped our world.

Fair warning: Raised in Captivity does not slot into a smooth preexisting groove. If Saul Steinberg and Italo Calvino had adopted a child from a Romanian orphanage and raised him on Gary Larsen and Thomas Bernhard, he would still be nothing like Chuck Klosterman. They might be good company, though. Funny, wise and weird in equal measure, Raised in Captivity bids fair to be one of the most original and exciting story collections in recent memory, a fever graph of our deepest unvoiced hopes, fears and preoccupations.

This is definitely not a ghost story. But for a while after you're gone, I see you everywhere. Every ragged young person sitting huddled on a pavement, every stretched-out body under cardboard in a shop doorway. Two parents stand by powerlessly as their only child seems intent on destroying herself. As the mother-a novelist-attempts to understand her daughter, she finds herself revisiting her own uneasy, unresolved relationship with her mother.

What kind of mother abandons her child? During the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who overcame both society’s condemnation and their own maternal guilt to leave their children—at will or due to economic or other circumstances. The Abandoners is sharp, at times slyly humorous, and always deeply empathetic.

Kendra Allen’s first collection of essays—at its core—is a bunch of mad stories about things she never learned to let go of. Unifying personal narrative and cultural commentary, this collection grapples with the lessons that have been stored between parent and daughter. These parental relationships expose the conditioning that subconsciously informed her ideas on social issues such as colorism, feminism, war-induced PTSD, homophobia, marriage, and “the n-word,” among other things.