Mexican Women

Alejandra Campoverdi has been a child on welfare, a White House aide to President Obama, a Harvard graduate, a gang member’s girlfriend, and a candidate for U.S. Congress. She’s ridden on Air Force One and in G-rides. She’s been featured in Maxim magazine and had a double mastectomy. Living a life of contradictory extremes often comes with the territory when you’re a “First and Only.” It also comes at a price. With candor and heart, Alejandra retraces her trajectory as a Mexican American woman raised by an immigrant single mother in Los Angeles.

Cousins Mari, Erica, Selena, and Gracie are inseparable. They aren’t just family but best friends—sharing secrets, traditions, and a fierce love for their abuelita. But their idyllic childhood ends when Mari’s parents divorce, forcing her to move away. With Mari gone, the girls’ tight-knit bond unravels.

Rene "Boxer" Enriquez grew up on the violent streets of East L.A., where gang fights, robberies, and drive-by shootings were fueled by rage, drugs, and alcohol. When he finally landed in prison - at the age of 19 - Enriquez found an organization that brought him the respect he always wanted: the near-mythic and widely feared Mexican Mafia, La Eme. What the organization saw in Enriquez was a young man who knew no fear and would kill anyone - justifiably or not - in the blink of an eye.

When Aida Hernandez was born in 1987 in Agua Prieta, Mexico, the nearby US border was little more than a worn-down fence. Eight years later, Aida’s mother took her and her siblings to live in Douglas, Arizona. By then, the border had become one of the most heavily policed sites in America. Undocumented, Aida fought to make her way. She learned English, watched Friends, and, after having a baby at 16, dreamed of teaching dance and moving with her son to New York City. But life had other plans.

You can always recognize a painting by Kahlo because she is in nearly all of them, with her black braided hair and colorful Mexican outfits. A brave woman who was an invalid most of her life, she transformed herself into a living work of art. As famous for her self-portraits and haunting imagery as she was for her marriage to another famous artist, Diego Rivera, this strong and courageous painter was inspired by the ancient culture and history of her beloved homeland, Mexico. Her paintings continue to inform and inspire popular culture around the world.

It is 1887, and Alma Rosales is on the hunt for stolen opium. Trained in espionage by the Pinkerton Detective Agency - but dismissed for bad behavior and a penchant for going undercover as a man - Alma now works for Delphine Beaumond, the seductive mastermind of a West Coast smuggling ring. When product goes missing at their Washington Territory outpost, Alma is tasked with tracking the thief and recovering the drugs. In disguise as the scrappy dockworker Jack Camp, this should be easy.

Malintzin was the indigenous woman who translated for Hernando Cortes in his dealings with the Aztec emperor Moctezuma in the days of 1519 to 1521. The Spanish called her doña Marina, and she has become known to posterity as La Malinche. As Malinche, she has long been regarded as a traitor to her people, a dangerously sexy, scheming woman who gave Cortes whatever he wanted out of her own self-interest. The life of the real woman, however, was much more complicated.

The vocabulary words you'll find in Learn Mexican Spanish - Word Power 101 were hand selected by our Mexican Spanish language teachers as the top 101 most frequently used words in the Mexican Spanish language. Hear the word to master the pronunciation. Then you'll see how the word is actually used in everyday speech with sample sentences and phrases. Learning Mexican Spanish vocabulary has never been easier!

Sheriff Gus knows it’s going to be a bad week when he sees Sedric Hedgecock’s breathalyzer score. With a blood alcohol level of 0.62 percent, Hedgecock should be dead. If the breathalyzer’s isn’t on the fritz, Hedgecock’s superhuman. Either way, he’s blind drunk, so off to the county jail he goes. Joining the wannabe Bacchus in Gus’s cells is Jennifer Louis Bachman, awaiting extradition to Kansas on a murder charge. The victim in question is Jennifer’s unborn child, and the murder weapon is an illegal Mexican abortion. With the governor vacillating on whether to extradite, ...

One of the most significant books ever written by a head of state, the Meditations are a collection of philosophical thoughts by the Emperor Marcus Aurelius (121 - 180 ce). Covering issues such as duty, forgiveness, brotherhood, strength in adversity and the best way to approach life and death, the Meditations have inspired thinkers, poets and politicians since their first publication more than 500 years ago. Today, the book stands as one of the great guides and companions - a cornerstone of Western thought.

For generations, the Olivares women have sought to control their daughters’ destinies, starting with their names. In life, Olvido constantly clashed with her carefree daughter. Then teenage Angustias discovered she was pregnant and left her mother’s home in search of her own. Ten years later, Felicitas finally meets her estranged grandmother and is terribly disappointed when Olvido is nothing like a grandmother should be. She is strict, cold, and…dead. Now, Olvido is convinced the only way her spirit will cross over is if she resolves her unfinished business.

In the second book of The Lighthouse Trilogy we follow Charity, the third and youngest child of the Henley family. As a teen, in book one, she was sweet and lovable with a bit of a rebellious streak. Now as a grown woman fresh out of college, she must face some troubles from her past as she forges her way in an adult world. Charity has decided that she wants nothing to do with men. According to her they only cause trouble and interfere with a girl's life. But unfortunately she runs into Tucker, an old flame from high school who is quite persistent. Just as she is trying to figure out her ...

With contributions from a wide array of scholars and activists, including leading Chicana feminists from the period, this groundbreaking anthology is the first collection of scholarly essays and testimonios that focuses on Chicana organizing, activism, and leadership in the movement years. The essays in Chicana Movidas: New Narratives of Activisim and Feminism in the Movement Era demonstrate how Chicanas enacted a new kind of politica at the intersection of race, class, gender, and sexuality, and developed innovative concepts, tactics, and methodologies that in turn generated new theories, art forms, organizational spaces, and strategies of alliance.

In answer to the question of what happened following her New York Times best seller Kabul Beauty School, Deborah Rodriquez is back with a new memoir Irreverent, insightful, and blatantly honest, Deborah takes us along on her inspiring journey of self-discovery and renewal after she is forced to flee Afghanistan in 2007. She first lands in California, where she feels like a misfit teetering on the brink of sanity. Where was that fearless redhead who stared danger in the face back in Kabul?

A collection of stories, whose characters give voice to the vibrant and varied life on both sides of the Mexican border. The women in these stories offer tales of pure discovery, filled with moments of infinite and intimate wisdom.

In Dancing with Butterflies, Reyna Grande renders the Mexican immigrant experience in “lyrical and sensual” (Publishers Weekly, starred review) prose through the poignant stories of four women brought together through folklorico dance.

Prieta is a term of endearment. When I tell people who don’t speak Spanish what prieta means—dark or the dark one—their eyes pop open and a small gasp escapes. I see the offense they feel for me sprinkled on their faces like the freckles I will never have. How do I tell them that when I heard Ita say Prieta, I felt the caress of her strong hands on the top of my head as she braided my hair?

Sky Light, pure Comanche, was too strong and too wild for the mission to hold her. In her ill-planned escape, she tangled with a man she would never have even thought about. He was a proud man, a strong man, and he looked the part, as Apache as they come. But he stepped up and helped. With his training and his love, he won her heart. As mismatched as they could be, they were not welcome in any Comanche village, but soon, she found herself, found her calling, and vowed to be free. Told from her last years, her memoirs. This is what our elders are made of: memories. A fascinating tale of love...

Olivia and Mia Flores are married to the highest level drug traffickers ever to become US informants. Their husbands worked with - and then brought down - El Chapo as well as dozens of high-level members of the Mexican cartels. They had everything money could buy - luxury cars, huge houses, and expensive jewelry - but they chose to give it all up when they cooperated with the US government. They knew that life was about more than wealth; it was about love, family, and doing what's right.

The Witch is dead. And the discovery of her corpse - by a group of children playing near the irrigation canals - propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.