Coming Soon

Jamie Wendon-Dale (transmasc they/them) creates haunted houses for a living. Haunting is their life—but nobody working New Orleans' spooky circuit actually believes in ghosts. Edgar Lovejoy (cis he/him) is 100% haunted. No, really. Ghosts have tormented him since childhood and he’s organized his life around attempts to avoid them. Opposites? Get ready to attract. But while Jamie’s biggest concern is that Edgar sometimes seems a bit distracted, Edgar’s fears are much greater.

Odysseus Johnson dreams of musical stardom for his three sons: Roman, the rebel, more interested in being a teenager than a performer; Rocco, arguably the most talented of the bunch, but different in a way the world doesn’t understand; and dutiful River, the youngest, who dreams of fame just like his dad. Driving back from another failed audition in Detroit, the Johnson boys come upon the ghost of Christmas Jones the Third, an ebullient, if lonely, young Black orphan who carries the scars of a horrific past as a minstrel sensation.

Silent film star Venita Rost's malevolent spirit lurks spider-like in her cliffside mansion, a once-beautiful home that's claimed countless unlucky souls. And she's not alone. Snared in her terrible web, Inspector Bartholomew Sloan—her eternal nemesis—watches her wreak havoc in helpless horror, shackled by his own guilt and Venita's unrelenting wrath. Now the house has yet another new owner. This time it's Ronnie Mitchell, a grieving woman who buys the run-down place sight unseen.

Etwas lauert unter dem Sand ... und seine Rache wird furchtbar sein ... Nachdem ihr erster Job als Ghostwriterin sie auf Hawaii beinah das Leben gekostet hätte, hofft Penny, dass ihr nächster Auftrag sie nicht erneut in tödliche Gefahr bringen wird. Doch sie soll sich irren. Um die Memoiren eines Kriegshelden zu schreiben, reist Penny für ein paar Tage in einen abgelegenen Außenposten des US-Militärs nach Syrien. Dort gerät sie bereits kurz nach ihrer Ankunft zwischen die Fronten und muss am eigenen Leib die Folgen des andauernden Bürgerkrieges spüren.

Teetering on the edge of the North Sea in Norfolk, Grimdark Hall is both grim and dark in name and nature. When Cló and Jude Honeyborne arrive from Toronto to claim Jude's inheritance, Cló is unsettled by the foreboding ancient building and the hostility of Jude's sisters, who stalk her every move. But Cló is drawn to the strange energy of the treacherous fens and the haunting sadness of a drowned village in the bay where ghostly church bells toll thirteen, sweeping her back into another woman's memories.

In Man, F*ck This House, Sabrina Haskins and her family have just moved into their dream home. At first glance, the house is perfect. But things aren’t what they seem. Sabrina’s hearing odd noises, seeing strange visions. Their neighbors are odd or absent. And Sabrina’s already-fraught relationship with her son is about to be tested in a way no parent could ever imagine. Because while the Haskins family might be the newest owners of this house, they’re far from its only residents …

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.

Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something. Then she meets the mysterious mother and young boy who live on the grounds—and together they begin to unpack the secrets of this place. As the truth comes to the surface and the darkness moves in, Pearl must rethink everything she knew—and risk what she holds most dear.

Konstantin Duhovny is a haunted man. His father died when he was ten, and ghosts have been hovering around him ever since. Kostya can’t exactly see the ghosts, but he can taste their favorite foods. Flavors of meals he’s never eaten will flood his mouth, a sign that a spirit is present. Kostya has kept these aftertastes a secret for most of his life, but one night, he decides to act on what he’s tasting. And everything changes. Kostya discovers that he can reunite people with their deceased loved ones—at least for the length of time it takes them to eat a dish that he’s prepared.

Max didn’t believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he is still here, he watches his girlfriend, Hannah, lost in grief in the apartment they shared and begins to realize how much of her life was invisible to him. In the weeks and months before Max’s death, Hannah was haunted by the secrets she left Australia to escape. A relationship with Max seemed to offer the potential of a fresh new chapter, but the past refused to stay hidden.

John’s House provides all he needs. Surrounded by a vast, beautiful ocean under a void of sky, the House is John’s haven. He is alone, but never lonely; he is here now, but neither remembers nor longs for a before. In his House, John is safe and untroubled. But then a terrible shadow creature breaks in—and it wants him out. Pushed from the House, John falls into the light… And finds himself in modern-day Los Angeles, the first person to ever come back from the other side.

In the summer of 1925, the winds of change are particularly chilling for a young woman whose life has suddenly become unbalanced. Devastated by her mother’s death and a cruel, broken engagement, Sadie Halloran learns that her great-aunt Marguerite, a renowned artist now in the throes of dementia, needs a live-in companion. Grasping at newfound purpose, Sadie leaves her desolate Kansas City boardinghouse for Blackberry Grange, Marguerite’s once-grand mansion sitting precariously atop an Arkansas bluff.

When legendary horror author Mortimer Queen passes, a group of writers find themselves invited to his last will and testament reading expecting a piece of his massive fortune. Each have their own unique connection to the literary icon, some known, some soon to be discovered, and they've been waiting for their chance to step into the author’s shoes for some time. Instead, they arrive at his grand manor and are invited to play a game. The rules are simple, solve the riddle and progress to the next room. If they don’t, the manor will take one of them for itself.

Piper Lowery, a public library clerk in charge of liaising with the local middle school, can tell right away there’s something strange about the new girl in eighth grade. Avery Wallace won’t touch any kind of technology, not even the computers at the library, and her mother comes to school with her every day, refusing to leave her side—not even when Avery uses the restroom. And then there are the rumors, the whispers Piper hears from kids in the hallway and parents around town: Avery’s mother is a witch. Her sister and father were killed by something supernatural. A strange virus killed them.

In 1923 Soacha, Colombia, La Casona—an opulent mansion perched above the legendary Salto del Tequendama waterfall—was once home to Antonia and her family, who settle in despite their constant nightmares and the house’s malevolent spirit. But tragedy strikes when Antonia’s mother takes a fatal fall into El Salto and her father, consumed by grief, attempts to burn the house down with Antonia still inside. Three years later, haunted by disturbing dreams and cryptic journal entries from her late mother, Antonia is drawn back to her childhood home when it is converted into a luxurious hotel.

One day Ben Gould slips on the ice, hits his head, and is supposed to die. But he doesn’t. Instead, Gould finds himself in a strange situation where he continues to live as if nothing happened. As a result, a ghost that was originally sent to guide Ben to the Afterlife is stuck on earth while its bosses try to figure out what went wrong. The situation catches the attention of various supernatural entities, besides the ghost.

When Beatrice’s husband Hugh returns from his excursion to the New World, he is not alone. Accompanying him are an unnamed pregnant woman, and an enormous painted globe. No one will explain who Hugh’s mysterious female house guest is. Meanwhile, Beatrice's resentment of the globe grows. To her, it represents a world that belongs entirely to her husband – a world where she will never belong. Then at night, the great hulking globe begins to turn. Terrifying new illustrations appear on its face – and when a chain of untimely deaths ensues, Beatrice is sure the drawings are connected.

Two bodies lie in the garden of a sprawling property in Oak Creek Estate, a wealthy gated community in Dallas, Texas. The bodies belong to the parents of Ezri, Eve and Emmanuel, who have long since abandoned the childhood home in which their parents remained all these years. A home that has haunted and hollowed them throughout their lives, in a neighbourhood where they grew up as the only Black family, hoping to survive a place that wanted to claim them, expel them and ruin them all at once.

After fleeing her mundane life in the Midwest, Carolyn Banks finds herself in her enigmatic great-aunts’ eerie mansion on Manhattan’s Upper East Side. Inside its crumbling façade, suspense director Alfred Hitchcock is throwing a party, gleefully informing his celebrity guests that the venue is supposedly haunted. It all seems like a fun gag, but Carolyn knows that the line between reality and the supernatural is dangerously blurred here.

Two weeks ago, Christine Sinclaire's husband slipped off the roof while hanging Christmas lights and fell to his death on the front lawn. Desperate to escape her guilt and her grief, Christine packs up her fifteen-year-old son and the family cat and flees to the cabin they'd reserved deep in the remote Pennsylvania Wilds to wait out the holidays. It isn't long before Christine begins to hear strange noises coming from the forest