The Berisha family runs one of the largest import-export companies in the world, and they’ve always been lucky. Their rivals suffer strokes. Inconvenient buildings catch on fire. Earthquakes swallow up manufacturing plants, destroying harmful evidence. Things always seem to work out for the Berishas. They’re blessed. At least that is what Zef, the patriarch, has always told his three children.

“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.

Walking through his own house at night, a young boy thinks he sees another person stepping through a doorway. The figure reminds him of his long-dead father, who drowned mysteriously before his family left the reservation. When he follows, it he discovers his house is bigger and deeper than he ever knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have.

Kinsey has the perfect job as the team lead in a remote research outpost. She loves the isolation and the way the desert keeps temptations from the civilian world far out of reach. When her crew discovers a mysterious specimen buried deep in the sand, Kinsey breaks quarantine and brings it inside. But the longer it's there, the more her carefully controlled life begins to unravel. Temptation has found her after all, and it can't be ignored any longer.

Clio Louise Barnes leads a picture-perfect life as a stylist and influencer, but beneath the glossy veneer she harbors a not-so glamorous secret: she grew up in a haunted house. Well, not haunted. Possessed. After Clio’s parents' messy divorce, her mother, Alex, moved Clio and her sisters into a house occupied by a demon. Or so Alex claimed. That’s not what Clio’s sisters remember or what the courts determined when they stripped her of custody after she went off the deep end. But Alex was insistent; she even wrote a book about her experience in the house.

In 1765, plague sweeps through Zacatecas. Alba flees with her wealthy merchant parents and fiancé, Carlos, to his family’s isolated mine for refuge. But safety proves fleeting as other dangers soon bare their teeth: Alba begins suffering from strange hallucinations, sleepwalking, and violent convulsions. She senses something cold lurking beneath her skin. Something angry. Something wrong.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.

After losing her job and her fiancé and moving back from the city to live with her parents, Shell Pine needs some help. And according to the sign in the window, the florist shop in the mall does too. Shell gets the gig, and the flowers she works with there are just the thing she needs to cheer up. Or maybe it’s Neve, the beautiful shop manager, who is making her days so rosy? But you have to get your hands dirty if you want your garden to grow—and Neve’s secrets are as dark and dangerous as they come.

After an accident that nearly kills her, Emily and her husband, Freddie, move from London to a beautiful Dartmoor country house called Larkin Lodge. The house is gorgeous, striking—and to Emily, something about it feels deeply wrong. Old boards creak at night, fires go out, and books fall from the shelves, and all of it stems from the terrible presence she feels in the third-floor room. But these things happen only when Emily’s alone, so are they happening at all?

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

Isla Hansen, a mother reeling from a devastating loss, is beside herself when a mysteriously orphaned child appears on the outskirts of the Hansens’ secluded Colorado property. Although strange and unexplainable, the child’s presence breathes new life into Isla. But as the child settles in, Isla’s husband, Luke, and their five children notice peculiarities that hint at something far beyond the ordinary—anomalies that challenge the very fabric of reality itself.

Rose is in her late 70s, living out her golden years at the Autumn Springs Retirement Home. When one of her friends dies alone in her apartment, Rose isn’t too concerned. Accidents happen, especially at this age! Then another resident drops dead. And another. With bodies stacking up, Rose can’t help but wonder: are these accidents? Old age? Or something far more sinister? Together with her best friend Miller, Rose begins to investigate. The further she digs, the more convinced she becomes: there’s a killer on the loose at Autumn Springs, and if she isn’t careful, Rose may be their next victim.

Sensing his mother’s failing health, a struggling teenager pours out his worries in a letter and drops it through the mail slot of an abandoned show house. He’s surprised when a response arrives, promising good fortune for the price of just one name: someone he hates. He’d give anything for his mother. But the true cost may be more than he’s willing to pay.

Ten years ago, Jorie Stroud was the rising star of the October Film Haunt–a trio of horror enthusiasts who camped out at the filming locations of their favorite scary movies, sharing their love through their popular blog. But after a night in the graveyard from Proof of Demons–perhaps the most chilling cult film ever made, directed by the enigmatic Hélène Enriquez–everything unraveled.

One night, Jess, a struggling actress, finds a five-year-old runaway hiding in the bushes outside her apartment. After a violent, bloody encounter with the boy's father, she and the boy find themselves running for their lives. As they attempt to evade the boy's increasingly desperate father, Jess slowly comes to a horrifying understanding of the butchery that follows them—the boy can turn his every fear into reality. And when the wolf finally comes home, no one will be spared.

St. Medard’s Bay, Alabama is famous for three things: the deadly hurricanes that regularly sweep into town, the Rosalie Inn, a century-old hotel that’s survived every one of those storms, and Lo Bailey, the local girl infamously accused of the murder of her lover, political scion Landon Fitzroy, during Hurricane Marie in 1984.

Silent film star Venita Rost's malevolent spirit lurks spider-like in her cliffside mansion, a once-beautiful home that's claimed countless unlucky souls. And she's not alone. Snared in her terrible web, Inspector Bartholomew Sloan—her eternal nemesis—watches her wreak havoc in helpless horror, shackled by his own guilt and Venita's unrelenting wrath. Now the house has yet another new owner. This time it's Ronnie Mitchell, a grieving woman who buys the run-down place sight unseen.

Ten years ago, six college students meet in an Australian summer study abroad, ready to enjoy the break from their studies and travel the country. Their program is meant to introduce them to the beauty of Australia and immerse them in an unforgettable cultural experience. In reality, it’s a thrill-fueled summer of outdoor excursions, adrenaline rushes, alcohol, lust, and friendship turned wrong. When Phoebe, a troubled girl with jealousies and fractures spreading like wildfire between them all, suddenly disappears, the group decides to pack up and leave the past behind.

Nola Strate is being watched, again. After an encounter with a notorious serial killer in the Pacific Northwest as a child, Nola has grown up and tried her best to forget her traumatizing night with The Hiding Man. She installed security cameras outside her Oregon home, never spoke of her experience, and now hosts Night Watch, a popular radio call-in show her semi‑famous father used to run. When coincidences lead Nola to believe that she is being stalked, Nola is convinced that the killer has resurfaced and is coming for her.

Kinsey has the perfect job as the team lead in a remote research outpost. She loves the isolation and the way the desert keeps temptations from the civilian world far out of reach. When her crew discovers a mysterious specimen buried deep in the sand, Kinsey breaks quarantine and brings it inside. But the longer it's there, the more her carefully controlled life begins to unravel. Temptation has found her after all, and it can't be ignored any longer.

Ten years ago, Jorie Stroud was the rising star of the October Film Haunt–a trio of horror enthusiasts who camped out at the filming locations of their favorite scary movies, sharing their love through their popular blog. But after a night in the graveyard from Proof of Demons–perhaps the most chilling cult film ever made, directed by the enigmatic Hélène Enriquez–everything unraveled.

Clio Louise Barnes leads a picture-perfect life as a stylist and influencer, but beneath the glossy veneer she harbors a not-so glamorous secret: she grew up in a haunted house. Well, not haunted. Possessed. After Clio’s parents' messy divorce, her mother, Alex, moved Clio and her sisters into a house occupied by a demon. Or so Alex claimed. That’s not what Clio’s sisters remember or what the courts determined when they stripped her of custody after she went off the deep end. But Alex was insistent; she even wrote a book about her experience in the house.

When Emily Hauk’s mother dies, it’s time for her and her husband, Josh, to finally leave San Francisco. A farm in rural Nebraska is everything they want for a fresh start: clear skies, low costs, and distance from the grief back home. They should have asked why the farm was for sale. Three years ago, a teenage girl went missing from the farm. Soon after, the girl’s mother mysteriously died. The deeper Emily digs, the more stories she finds of women with a connection to her new home who’ve met their own dark ends.

Alice Haserot thought she’d escaped the curse. For sixteen years, she’s lived far from her family and the ghosts she used to conjure. But her past isn’t so easily left behind. When Alice discovers she’s pregnant and her estranged sister, Bronwyn, turns up on her doorstep, her carefully built new life begins to unravel. Bronwyn offers an ultimatum: one of her daughters is trying to possess the other, and only Alice has the power to save them. If Alice refuses, Bronwyn will go to their abusive mother and expose her location.

This camping trip is Chris’s last chance to repair his relationship with his daughters, Kayla and Emma. Nothing’s been the same since they lost their mom. But things go wrong as soon as they get to the mountains. When they make camp, nine-year-old Emma runs off into the woods. By the time they find her, there’s a snowstorm rolling in. And Emma’s leg is badly broken. They need to find shelter, fast. They think they’re safe when they come across an old farmstead. The woman inside welcomes them in from the howling blizzard and straps up Emma’s leg.

Crime fiction author Joe Penvale has won the most brutal battle of his life. Now that he has finished his intense medical treatment, he and his twin sister, Meredith, are boarding the glorious Orient Express in Paris, hoping for some much-needed rest and rejuvenation. Meredith also hopes that the literary ghosts on the train will nudge Joe’s muse awake, and he’ll be inspired to write again. And he is; after their first evening spent getting to know some of their fellow travelers, Joe pulls out his laptop and opens a new document. Seems like this trip is just what the doctor ordered…

Strange things happen in Fell, New York. A mysterious drowning at the town’s roadside motel. The unexplained death of a young girl whose body is left by the railroad tracks. For the Esmie siblings—Violet, Vail, and Dodie—the final straw was the shocking disappearance of their little brother. It started as a normal game of hide-and-seek. The three closed their eyes and counted to ten while Ben went to hide. But this time, they never found their brother—he was gone and the ongoing search efforts turned up no clues.

When Lexie's fiancé runs off with her so-called best friend on her birthday, her carefully crafted fairy-tale life shatters. Having survived horrors in her past, she was determined to finally get her happily-ever-after—and she's not giving up yet. To distract herself, Lexie throws herself into her unusual job: matchmaking psychopaths (a specialty her clients are blissfully unaware of). But the loneliness is crushing.

It's the ultimate haunted house challenge. A crumbling stone mansion nestled in the Gothic Quarter of Barcelona, it may be the best-kept secret in Europe—a little-known attraction featuring nine escape rooms to explore, nine puzzles to solve, and a large cash prize for anyone who makes it to the end. There's just one catch: no one makes it to the end of The No-End House . . . When Joe Hadfield hears about the house from a pair of backpackers, he's intrigued but not interested. He's trying to escape a nightmare of his own.

Isla Hansen, a mother reeling from a devastating loss, is beside herself when a mysteriously orphaned child appears on the outskirts of the Hansens’ secluded Colorado property. Although strange and unexplainable, the child’s presence breathes new life into Isla. But as the child settles in, Isla’s husband, Luke, and their five children notice peculiarities that hint at something far beyond the ordinary—anomalies that challenge the very fabric of reality itself.