Eljaybee

DI Fenella Sallow has retreated to her work, escaping the trauma of the last case, when a strange man is found dead in the ruins of an ancient castle. There are no clues, the police investigation stalled, and Fenella is reluctant to take on a case which will toss her into dark memories she'd rather forget. She soon finds herself in conflict with the locals and is stunned by the ripples of shock spreading outward from the ancient past to the killer's front door.

When a landslip on Pembrokeshire’s stunning coastal path reveals the harrowing remains of two bodies, ex-DCI Evan Warlow’s quiet retirement is shattered.

Amy King's new business is off to a killer start! Amy King's excited that her new business has been invited to stage a birthday party at a prestigious Austin investment fund. The festivities barely get underway when a band of kilt-wearing clowns playing bagpipes joins the celebration. But fun soon turns to tragedy when the charismatic founder of the investment fund is shot dead in broad daylight. In the chaos that follows the crime scene is trampled and vital clues lost. While Amy is always ready to help her town solve a mystery, this one turns personal when her son-in-law Noel gets swept ...

Inspector Fenella Sallow is haunted by her past and obsessive about the truth…no matter how painful. When a body is found on an isolated footbridge in the scenic village of St. Bees, Fenella must piece together the events that lead to the grizzly death. All evidence points to a murder by the escaped serial killer dubbed "Mr. Shred". As the investigation heats up, Fenella and her team discover a world darker than most can imagine. And it soon becomes clear the killer is determined to teach the police a lesson.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

It is the autumn of 1910, and for 15 long years, Sherlock Holmes and Dr. John Watson have battled R’lluhloig, the Hidden Mind that was once Professor James Moriarty. Europe is creeping inexorably towards war, and a more cosmic conflict is nearing its zenith, as in a single night all the most eminent members of the Diogenes Club die horribly, seemingly by their own hands. Holmes suspects it is the handiwork of a German spy working for R’lluhloig, but his search for vengeance costs an old friend his life.

Elizabeth, Joyce, Ron and Ibrahim—the Thursday Murder Club—are still riding high off their recent real-life murder case and are looking forward to a bit of peace and quiet at Cooper’s Chase, their posh retirement village. But they are out of luck. An unexpected visitor—an old pal of Elizabeth’s (or perhaps more than just a pal?)—arrives, desperate for her help. He has been accused of stealing diamonds worth millions from the wrong men and he’s seriously on the lam.

Clarence, ninth Earl of Emsworth, sank back in his chair looking like the good old man in a Victorian melodrama whose mortgage the villain had just foreclosed. Lord Emsworth needed Galahad. There are tricky corners to be rounded, and assorted godsons, impostors, and pretty girls to be paired off. Fortunately, many years’ membership of the Pelican Club means the Hon. Galahad Threepwood is able to keep cool, stiffen his upper lip, and always think a shade quicker than the next man.

Here are three award-winning Harry Bosch thrillers, all voiced by standout Broadway veteran Len Cariou: The Narrows, Echo Park, and The Overlook.

Most of us grew up having always known when to touch wood or cross our fingers, and what happens when a princess kisses a frog or a boy pulls a sword from a stone, yet sadly some of these things are beginning to be forgotten. Legends, myths, and fairy tales: Our world is made up of the stories we told ourselves about where we came from and how we got here. It is the same on Discworld, except that beings, which on Earth are creatures of the imagination - like vampires, trolls, witches and, possibly, gods - are real, alive and, in some cases kicking, on the Disc.