Some women are destined to arouse in men either fierce hatred or insatiable desire. Such a woman was Katie Mulholland. At 15, a scullery maid in the house of the Rosires, she had been raped by the master. Now, many years later, she had enough money to maintain three carriages if she wanted to and she was on her way to see Bernard Rosier under very different circumstances.

When Fred Carpenter suggests to his wife, Sally, that they should take a boating holiday on the Norfolk Broads, she is filled with trepidation. Nevertheless she summons her courage and they and their bull-terrier Bill set off, with Fred at the helm of Dogfish Three. Sally's misgivings are soon justified, as a series of disasters - human, nautical, and canine - threaten to ruin their holiday. Then everything changes as they make friends with the boating fraternity and encounter the remarkable 15-year-old Rosie, whose family history stirs their curiosity and sympathy.

When Connie buys a house on the moors, she has to negotiate with the abrupt Vincent O'Connor. She soon discovers that mystery is a way of life for Vincent, who has an increasing influence on her life. Then the shocking truth about the man with whom she shared many years of her life comes to light.

Mary Hetherington was a mother who dominated her family. And when David brought home Sarah from the "wrong end" of the 15 Streets, a girl who brought life and laughter into her dustless house, she soon took against her.

Set in 1920s London, this is the inspiring story of Kate Goss' struggle against poverty, hunger and cruel family secrets. Her mother died in a fall, her father has vanished without trace, and now her aunt and cousins treat her viciously. In a freezing, vermin-infested garret, factory girl Kate has only her own brave spirit and dreams of finding her father to keep her going. She has barely enough money to feed herself, or to pay the rent. The factory where she works begins to lay off people and it isn't long before she has fallen into the hands of the violent local money-lender.

At 97 years old, Winnifred Ellis knows she doesn’t have much time left, and it is almost a relief to realize that once she is gone, the truth about her shameful past will die with her. But when her great-grandson Jamie, the spitting image of her dear late husband, asks about his family tree, Winnifred can’t lie any longer, even if it means breaking a promise she made so long ago....

“And you are telling me,” said Gil Cunningham, “that David Drummond vanished away forty years ago and is now returned, seemingly not a day older?” “That’s about the sum of it,” agreed Sir William Stewart. In Sir William’s remote part of Scotland it seems almost possible that a young boy could have been stolen away by the fairies and returned forty years later, no older – and if he isn’t Davie Drummond, who is he? And then he suffers a succession of near-fatal ‘accidents’.

Major Matthew Southam returns from India, hoping to put the trauma of war behind him and forget his past. Instead, he finds a derelict estate and a family who wish he'd died abroad. Charlotte MacKinnon married without love to avoid her father's unpleasant choice of husband. Now a widow with a young son, she lives in a small Cotswold village with only the money she earns by her writing. Matthew is haunted by his past, and Charlotte is fearful of her father's renewed meddling in her future. After a disastrous first meeting, can they help each other find happiness?

When the peat-cutters came to report the dead man, Gil Cunningham was up in the roof-space of his mother's house, teaching his new young wife swordplay. They believe the corpse to be that of a local missing man. His wife and the widow who runs the local coalmine are sure the body belongs to someone else, but then they find themselves accused of having killed him by witchcraft. And if the corpse is not the missing man, who is it? Gil and Alys try to get to the heart of the matter.

England, 1943: Home is no longer safe for eight-year-old twins Molly and Jacob. Night after night, wailing bombs and screeching planes skim the rooftops overhead. They cradle each other, shivering in terror, not knowing if they'll live to see dawn. Their mother, Martha, has no choice but to evacuate them to the safety of the countryside. At the train station, Martha bites back tears as she says good-bye to her precious children. Knowing she might never see them again, she gives Jacob a letter, pressing the envelope into his hands and telling him to only read it if they are in danger.

Mary Stewart, one of the great British storytellers of the 20th century, transports listeners to rural Northumberland for this tale of romance, ambition and deceit - a perfect fit for fans of Agatha Christie and Barbara Pym. Whitescar is a beautiful old house and farm situated in Roman Wall country. It will make a rich inheritance for its heirs, but in order to secure it, they enlist the help of a young woman named Mary who bears remarkable resemblance to missing Whitescar heiress Annabel Winslow. Their deception will spark a powder keg of ambition, obsession and long-dead love.

Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.

The house was built in the Old Queen's time: built for an Elizabethan pirate who was knighted for the plunder he brought home. It survived many eras, many reigns: it saw the passing of Cromwell and the Civil War. It became rich with an Indian Nabob and poor with a 20th century innkeeper. It saw wars, and lovers, and death. Children were born there, both heirs and bastards. It had ghosts and legends and a history that grew stranger with every generation.

Will Sedgwick can’t believe that after months of searching for his oldest friend, Martin Easterbrook is found hiding in an attic like a Gothic nightmare. Intent on nursing Martin back to health, Will kindly kidnaps him and takes him to the countryside to recover, well away from the world. Martin doesn’t much care where he is or even how he got there. He’s much more concerned that the man he’s loved his entire life is currently waiting on him hand and foot, feeding him soup and making him tea. Martin knows he’s a lost cause, one he doesn’t want Will to waste his life on.

Keara Michaels doesn't want to leave her family in Ireland, but fate sends her first to Lancashire, then across the sea to Australia, pregnant and penniless. And Theo Mullane, the man who loves her, is married, with an ailing baby son, so cannot follow her as he longs to. Mark Gibson leaves Lancashire to avoid marriage. But gold prospecting is a dangerous pursuit, and when his gentle young wife dies in childbirth, his father-in-law kidnaps the baby. So Mark runs away again, this time to Western Australia, where he employs Keara in his country inn.