A History of Horror
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Narrated by:
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Aaron Henkin
About this listen
Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels. A History of Horror explores how the horror film fits into the Hollywood studio system and how its enormous success in American and European culture expanded globally over time.
Dixon examines key periods in the horror film - in which the basic precepts of the genre were established, then banished into conveniently reliable and malleable forms, and then, after collapsing into parody, rose again and again to create new levels of intensity and menace. A History of Horror brings over 50 timeless horror films into frightfully clear focus, zooms in on today's top horror Web sites, and champions the stars, directors, and subgenres that make the horror film so exciting and popular with contemporary audiences.
Named an "Outstanding Academic Title" by Choice.
©2010 Wheeler Winston Dixon (P)2012 Redwood AudiobooksListeners also enjoyed...
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Overall
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In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the listener to the startling origins of the horror genre in the United States, drawing a surprising through-line between the lingering influence of the European Gothic, the enslaved insurrection tales propagated by slaveholders, and the apocryphal chronicles of colonial settlers kidnapped by Native Americans, among many others.
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A catalog of creepy and a discourse of darkness
- By J. Moulton on 01-06-25
By: Jeremy Dauber
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Dark Carnivals
- Modern Horror and the Origins of American Empire
- By: W. Scott Poole
- Narrated by: Enrique McGavin
- Length: 14 hrs and 16 mins
- Unabridged
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The American empire emerged from the shadows of World War II. As the nation's influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie.
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Loses Way in Last 3rd
- By Chris H on 01-05-23
By: W. Scott Poole
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House of Psychotic Women
- An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films
- By: Kier-La Janisse
- Narrated by: Kier-La Janisse
- Length: 10 hrs and 23 mins
- Unabridged
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Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.
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House of Psychotic Outsiders
- By Nicholas A. Sanchez on 03-25-24
By: Kier-La Janisse
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Wasteland
- The Great War and the Origins of Modern Horror
- By: W. Scott Poole
- Narrated by: Andrew Eiden
- Length: 11 hrs and 30 mins
- Unabridged
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In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.
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An interesting take
- By CN on 07-30-19
By: W. Scott Poole
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Shock Value
- How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror
- By: Jason Zinoman
- Narrated by: Pete Larkin
- Length: 8 hrs and 56 mins
- Unabridged
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Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.
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A good listen, but narrow in scope
- By Billy on 01-31-13
By: Jason Zinoman
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The Horror of It All
- One Moviegoer’s Love Affair with Masked Maniacs, Frightened Virgins, and the Living Dead…
- By: Adam Rockoff
- Narrated by: R.C. Bray
- Length: 7 hrs and 7 mins
- Unabridged
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The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.
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Great book, if you were a teen in the 80's
- By Lila Fowler on 10-02-15
By: Adam Rockoff
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American Scary
- A History of Horror, from Salem to Stephen King and Beyond
- By: Jeremy Dauber
- Narrated by: Jeremy Dauber
- Length: 16 hrs and 54 mins
- Unabridged
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Overall
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Performance
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Story
In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the listener to the startling origins of the horror genre in the United States, drawing a surprising through-line between the lingering influence of the European Gothic, the enslaved insurrection tales propagated by slaveholders, and the apocryphal chronicles of colonial settlers kidnapped by Native Americans, among many others.
-
-
A catalog of creepy and a discourse of darkness
- By J. Moulton on 01-06-25
By: Jeremy Dauber
-
Dark Carnivals
- Modern Horror and the Origins of American Empire
- By: W. Scott Poole
- Narrated by: Enrique McGavin
- Length: 14 hrs and 16 mins
- Unabridged
-
Overall
-
Performance
-
Story
The American empire emerged from the shadows of World War II. As the nation's influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie.
-
-
Loses Way in Last 3rd
- By Chris H on 01-05-23
By: W. Scott Poole
-
House of Psychotic Women
- An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films
- By: Kier-La Janisse
- Narrated by: Kier-La Janisse
- Length: 10 hrs and 23 mins
- Unabridged
-
Overall
-
Performance
-
Story
Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.
-
-
House of Psychotic Outsiders
- By Nicholas A. Sanchez on 03-25-24
By: Kier-La Janisse
-
Wasteland
- The Great War and the Origins of Modern Horror
- By: W. Scott Poole
- Narrated by: Andrew Eiden
- Length: 11 hrs and 30 mins
- Unabridged
-
Overall
-
Performance
-
Story
In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.
-
-
An interesting take
- By CN on 07-30-19
By: W. Scott Poole
-
Shock Value
- How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror
- By: Jason Zinoman
- Narrated by: Pete Larkin
- Length: 8 hrs and 56 mins
- Unabridged
-
Overall
-
Performance
-
Story
Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.
-
-
A good listen, but narrow in scope
- By Billy on 01-31-13
By: Jason Zinoman
What listeners say about A History of Horror
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Melissa Eisner
- 03-29-16
:)
Great information for anyone into the genre! gets a little opinionated at the end, but otherwise he sticks to the facts pretty well.
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1 person found this helpful
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- Lila Fowler
- 10-03-17
Enjoyable
I found this book to be an enjoyable read. It takes you back to the beginnings of horror all the way up to current. For every era several movies are mentioned with a synopsis and an comprehensive theme for the time. It can lag in parts, if you are not a fan of that generations movies, but overall it's a fun read. Narrator does a great job.
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- eric
- 05-24-16
good not great
well researched and entertaining, this book reads as if the author cut a two paragraphs from the Wikipedia article of every major horror movie and only briefly touched on any of them. as an overview not bad and still entertaining but again just brief tidbits of information that most horror fans already know just on the reputation of the movies and their creators
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6 people found this helpful
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- Jesivid
- 08-20-21
A wealth of Horror facts
Extremely comprehensive without being derivative. Deeply detailed without ever being boring. The cadence of the narrator kept my attention as he emphasized all of the historical tidbits, and although the author may be a little too harsh on some fims, he was phenomenal in presenting a buffet of information.
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- Amy Broughton
- 07-06-15
Boring
I am a "scary movie" fan and I was looking forward to a book that explained many of the thematic underpinnings of horror movies and the evolution of those themes from the very early horror through the modern horror movie. What I got was a list of ever horror movie ever made and a short synopsis of each. It was incredibly boring. At first I thought that perhaps the author wanted to give appropriate background on all the films before getting into the heart of the subject matter. But no, there was no scholarly analysis of the subject matter at all.
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8 people found this helpful
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- Irish in LA
- 01-27-18
Author is NOT a Horror Fan
Author thinks we need more movies like the Twilight series and less movies like John Carpenter's The Thing. I don't know of any horror fans who would agree.
It's questionable whether or not he's seen the movies he criticizes the most. He doesn't always get the facts about characters or the storyline correct.
Theoretically the book is organized in chronological order; however, the near the bounces all over the place and feels chaotic. he jumps from the 60s all the way in to the 2000s, leaping all over the place without concern for consistency.
In addition, he is inconsistent about spoilers. Sometimes he spoils everything,. Sometimes he gives a little plot information, but mostly hints at where the story is going. Sometimes he just lists the a bunch movie titles wiithout any description at all. He's unpredictable.
One other thing, he frequently starts sentences using words like, "Indeed." There's a lot of purple prose - stuff that feels somebody got a thesaurus for his birthday.
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3 people found this helpful