It is the story of Mr. Vane, an orphan and heir to a large house - a house in which he has a vision that leads him through a large old mirror into another world. In chronicling the five trips Mr. Vane makes to this other world, MacDonald hauntingly explores the ultimate mystery of evil.

One moment a man sits on a suburban hill, gazing curiously at the stars. The next, he is whirling through the firmament, and perhaps the most remarkable of all science fiction journeys has begun. Even Stapledon's other great work, 'Last and First Men' pales in ambition next to 'Star Maker' which presents nothing less than an entire imagined history of life in the universe, encompassing billions of years.

New York Times best seller and Whitebread Book of the Year, Nobel Laureate Seamus Heaney's new translation of Beowulf comes to life in this gripping audio. Heaney's performance reminds us that Beowulf, written near the turn of another millennium, was intended to be heard not read.

The House on the Borderland is a supernatural horror novel written by British writer William Hope Hodgson in 1908. The story opens with the discovery of a journal in the ruins of an unusual house in rural Ireland. Penned by a recluse, the journal details the man's stay at the house and his supernatural experiences with menacing monsters and dreaded dimensions.

E.R. Edison’s The Worm Ouroboros inspired the epic-fantasy that followed him. This production is of the first edition (1922). The Lords of Demonland are celebrating Lord Juss’s birthday when an envoy arrives from Witchland. He brings demands from King Gorice XI of Witchland that the Lords of Demonland “kiss his toe, and acknowledge him to be their King and they, his ill-conditioned, disobedient children”. The Lords of Demonland reject this utterly and, to settle the matter, they challenge King Gorice to a wrestling match against their champion, Lord Goldry Bluszco.

A mysterious island, shrouded in fear, evil, and darkness. Here the amoral General Zaroff hunts. And what, you ask, is the most dangerous game? It is the manner and substance of his nightly killings.

"If God is good and all-powerful, why does he allow his creatures to suffer pain?" And what of the suffering of animals, who neither deserve pain nor can be improved by it? The greatest Christian thinker of our time sets out to disentangle this knotty issue. With his signature wealth of compassion and insight, C. S. Lewis offers answers to these crucial questions and shares his hope and wisdom to help heal a world hungering for a true understanding of human nature.

Hans Castorp is, on the face of it, an ordinary man in his early 20s, on course to start a career in ship engineering in his home town of Hamburg, when he decides to travel to the Berghof Santatorium in Davos. The year is 1912 and an oblivious world is on the brink of war. Castorp’s friend Joachim Ziemssen is taking the cure and a three-week visit seems a perfect break before work begins. But when Castorp arrives he is surprised to find an established community of patients, and little by little, he gets drawn into the closeted life and the individual personalities of the residents.

Set on Egdon Heath, a fictional barren moor in Wessex, Eustacia Vye longs for the excitement of city life but is cut off from the world in her grandfather's lonely cottage. Clym Yeobright who has returned to the area to become a schoolmaster seems to offer everything she dreams of: passion, excitement and the opportunity to escape. However, Clym's ambitions are quite different, and marriage only increases Eustacia's destructive restlessness, drawing others into a tangled web of deceit and unhappiness.

The first book written by C.S. Lewis after his conversion, The Pilgrim's Regress is, in a sense, a record of Lewis's own search for meaning and spiritual satisfaction that eventually led him to Christianity.

In Frankenstein, a classic tale of bio-engineering gone horribly wrong, Victor Frankenstein uses body parts of the dead to bring a creature to life. When Frankenstein abandons his experiment in horror, the Monster embarks on a quest that results in the ultimate revenge. In Dracula, a timeless gothic vampire romance, young solicitor Jonathan Harker must shield his fiancé, Mina, from the predations of the insatiable Count Dracula. Mysteriously drawn to the Count, Mina, however, struggles to break free from the psychic grip of the mysterious dark stranger from Transylvania.

Rosalie Vanderpoel, the daughter of an American multimillionaire marries an impoverished English baronet and goes to live in England. She all but loses contact with her family in America. Years later her younger sister Bettina, beautiful, intelligent and extremely rich, goes to England to find what has happened to her sister. She finds Rosalie shabby and dispirited, cowed by her husband's ill-treatment. Bettina sets about to rectify matters.

Far from the Madding Crowd, which first appeared in Cornhill Magazine in monthly installments back in the late 19th century, features the love life of the young Bathsheba Everdene who is as poor as she is beautiful. Fortunately, Bathsheba's uncle leaves her his farm, which she goes to manage in the small town of Weatherbury. Before she leaves, however, she has an interesting encounter with a young farmer, Gabriel Oak, for whom she does a tremendous favor ,and he becomes indebted to her....

In what many refer to as one of the first and greatest science fiction thrillers, a mysterious stranger wanders into an inn, wrapped head-to-toe in bandages. What lies beneath the bandages is something even more mysterious. As Wells tackles issues of identity, deception, and the deterioration of the human mind, listeners will be drawn into the story of the mysterious man, whose own mistakes end up whisking him into a whirlwind of deceit, terror, and even murder. In the end, the question will be asked: when your sense of self and identity vanish, who will you become?

Tess of the d'Urbervilles is the 19th century novel lately thought to be one of the inspirations of E .L.James' Fifty Shades of Grey. It depicts the life of an impressionable, naive, somewhat educated young woman who yearns to be free to live her own life, but finds herself constricted by the bonds of the sexual, religious and socially hypocritical customs that have surrounded her from birth.