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The Worm Ouroboros
- Narrated by: Chris MacDonnell
- Length: 20 hrs and 5 mins
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Publisher's summary
E.R. Edison’s The Worm Ouroboros inspired the epic-fantasy writers that followed him. This production is of the first edition (1922).
The Lords of Demonland are celebrating Lord Juss's birthday when an envoy arrives from Witchland. He brings demands from King Gorice XI of Witchland that the Lords of Demonland "kiss his toe, and acknowledge him to be their King and they, his ill-conditioned, disobedient children". The Lords of Demonland reject this utterly and, to settle the matter, they challenge King Gorice to a wrestling match against their champion, Lord Goldry Bluszco.
But the situation is worsened by the result of that match and ultimately, war is declared. A war that includes dark magic, sorcery, quests, mystical lands, and heroic high-adventure. Ursula K. Le Guin called it "An eccentric masterpiece", C. S. Lewis said it represented "A new climate of the imagination", Orville Prescott said it was "A literary event of the first order."
Critics compared Tolkien’s writing to it when he first published The Lord of the Rings and he freely acknowledged its influence. Eddison writes his narrative in a lyrical, medieval style and in the tradition of Norse mythology, Arthurian myths, and Greek tragedy. In his short dedication he says, "It is neither allegory nor fable but a story to be read for its own sake", however, the theme of repetition (the cyclical nature of life, history, and war), is undeniable. The "worm (serpent or dragon) Ouroboros" is, after all, “The serpent which eats its own tail”.
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By: Charlotte Guest
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Sir Gawain and the Green Knight
- By: J. R. R. Tolkien
- Narrated by: Terry Jones
- Length: 4 hrs and 25 mins
- Unabridged
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A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.
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An absolute delight!
- By Shannon Slee on 07-15-18
By: J. R. R. Tolkien
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Marie
- By: H. Rider Haggard
- Narrated by: Shelly Frasier
- Length: 10 hrs and 3 mins
- Unabridged
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Allan Quatermain, hero of King Solomon's mines, tells a moving tale of his first wife, the Dutch-born Marie Marais, and the adventures that were linked to her beautiful, tragic history. This moving story depicts the tumultuous political era of the 1830s, involving the Boers, French colonists and the Zulu tribe in the Cape colony of South Africa. Hate and suspicion run high between the home government and the Dutch subjects.
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Confusing narration!
- By Browsing on 02-22-14
By: H. Rider Haggard
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The Gods of Pegana
- By: Lord Dunsany
- Narrated by: Ritchard Milton
- Length: 1 hr and 35 mins
- Unabridged
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" The Gods of Pegana" is the first book by Lord Dunsany, published in 1905. The book is a series of short stories linked by Dunsany's invented pantheon of deities who dwell in Pegana.
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Dunsany is great. This reader/performance is...
- By Advocatus Peregrini on 06-23-18
By: Lord Dunsany
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She And Allan
- By: H. Rider Haggard
- Narrated by: Barnaby Edwards
- Length: 15 hrs and 36 mins
- Unabridged
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She and Allan is a novel by H. Rider Haggard, first published in 1921. It brought together his two most popular characters, Ayesha from She (to which it serves as a prequel), and Allan Quatermain from King Solomon's Mines. Its significance was recognized by its republication by the Newcastle Publishing Company as the sixth volume of the celebrated Newcastle Forgotten Fantasy Library series in September 1975.
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Best of the Trilogy
- By emett holloway barfield III on 05-26-19
By: H. Rider Haggard
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Macbeth
- By: William Shakespeare
- Narrated by: Stephen Dillane, Fiona Shaw, full cast
- Length: 2 hrs and 20 mins
- Unabridged
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By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.
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Fire burn and cauldron bubble - an excellent stew
- By Marius on 04-06-04
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Taliesin
- The Pendragon Cycle, Book 1
- By: Stephen R. Lawhead
- Narrated by: Wanda McCaddon
- Length: 19 hrs and 17 mins
- Unabridged
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It was a time of legend, as the last shadows of the mighty Roman conqueror faded from the captured Isle of Britain. Meanwhile, across a vast sea, bloody war shattered a peace that had flourished for 2,000 years in the doomed kingdom of Atlantis. This is the remarkable adventure of Charis, the courageous princess from Atlantis who escapes the terrible devastation of her land, and of the fabled seer and druid prince Taliesin, singer at the dawn of the age. It is a story of an incomparable love that joins two astonishing worlds....
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A Classic interpretation of a Classic tale
- By John on 08-11-03
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Bulfinch’s Mythology
- The Age of Fable, or Stories of Gods and Heroes
- By: Thomas Bulfinch
- Narrated by: Jonathan Cowley
- Length: 13 hrs and 52 mins
- Unabridged
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First published in three separate volumes from 1855 to 1863, Bulfinch's Mythology quickly became the standard source of classic tales from ancient Greece and Rome, the Norse tradition, and beyond. This edition contains the full text of The Age of Fable, or Stories of Gods and Heroes, the first volume of Bulfinch's seminal work. From stories of the Greek gods of Mt. Olympus to retellings of the Iliad and the Odyssey, from descriptions of mythological monsters to tales of Hindu and Egyptian deities, Bulfinch's versions of these classic stories bring their characters to life.
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new stories, and covers alot.
- By Felisa Kay on 03-28-17
By: Thomas Bulfinch
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The Aeneid
- By: Virgil
- Narrated by: Charlton Griffin
- Length: 15 hrs and 36 mins
- Unabridged
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Story
The Aeneid represents one of the greatest cultural and artistic achievements of Western Civilization. Within the brooding and melancholy atmosphere of Virgil's pious masterpiece lies the mythic story of Aeneas and his flight from burning Troy, taking with him across the Mediterranean the survivors of the Greek onslaught. Aeneas, after many travails and adventures, including a love affair with Dido Queen of Carthage and a visit to the underworld to see his father, ends up in Italy.
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An epic in every sense of the word
- By James on 01-06-05
By: Virgil
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The Children of Hurin
- By: J. R. R. Tolkien
- Narrated by: Christopher Lee
- Length: 7 hrs and 51 mins
- Unabridged
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Overall
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Performance
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Story
There are tales of Middle-earth from times long before The Lord of the Rings. The story told in this book is set in the great country that lay beyond the Grey Havens in the West: lands where Treebeard once walked, but which were drowned in the great cataclysm that ended the First Age of the World.
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Powerful and Disturbing
- By Catherine Dalzell on 12-19-09
By: J. R. R. Tolkien
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Phantastes
- A Faerie Romance for Men and Women
- By: George MacDonald
- Narrated by: Rebecca K. Reynolds
- Length: 7 hrs and 7 mins
- Unabridged
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Overall
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Performance
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Story
The classic fantasy that influenced C. S. Lewis and Tolkien, considered one of George MacDonald's most important works, is the story of the young man, Anodos, and his adventures in fairyland which ultimately reveal the human condition. "I write, not for children," wrote George MacDonald, "but for the child-like, whether they be of five, or 50, or 75." All-at-once written with an innocent whimsy and soulful yearning, the heart of Anodos' journey through fairyland reveals a spiritual quest that requires a surrender of the self.
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Finally
- By Aaron Elrod on 04-12-21
By: George MacDonald
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Beowulf
- By: Robert K. Gordon, translator
- Narrated by: Robertson Dean
- Length: 2 hrs and 46 mins
- Unabridged
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Overall
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Performance
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Story
Beowulf is considered the finest heroic poem in Old English. It celebrates the character and exploits of Beowulf, a young nobleman and warrior, as he proves his superhuman strength and endurance. He also represents the ideal lord and vassal, rewarding his men generously and accomplishing glorious deeds to honor his king.
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Translator Preferred
- By JerryT on 05-10-05
By: Robert K. Gordon, and others
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High Fantasy from the Renaissance
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The Black Company
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Some feel the Lady, newly risen from centuries in thrall, stands between humankind and evil. Some feel she is evil itself. The hardbitten men of the Black Company take their pay and do what they must, burying their doubts with their dead - until the prophesy: The White Rose has been reborn, somewhere, to embody good once more. There must be a way for the Black Company to find her....
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Hard Boiled Morally Ambiguous Epic Fantasy
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The Silmarillion
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The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included on the recording are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age.
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TIPS when reading this book:
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Elric of Melniboné
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When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero: a rock-and-roll antihero who would channel all the violent excesses of the '60s into one enduring archetype.
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Skip the first chapter, it's not Moorcock.
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What listeners say about The Worm Ouroboros
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Alex Garrett
- 06-22-18
Lacking for me.
For me the story was lacking and felt like I kept stopping and picking back up at a later date. just didn't pull me in. just took to long to finish.
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- Grant Smith
- 05-21-18
Perfect performance by Chris MacDonnell
Chris gives a stellar performance to this classic that includes Shakespearean like English, songs and poems. Chris breathed life into this epic novel bringing each character to life in my mind. This narration of The Worm of Ouroboros is not as easy feat and not one most narrators can achieve, but Chris nailed it. The story was good but Chris MacDonnell made this story epic. Well done.
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5 people found this helpful
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- Robert W. McGlotten III
- 07-06-18
Divine intentions.
The depth of intentional fantasy. A classic, in its inclusion of fairytale norms while holding to a backdrop of exoticism that endears this fantasy realm as reminder that the natural world was never meant to be a playground for the ideas and technologies of mankind but rather as the proving ground for the divine. This book and this series describes the concept of eternity as Divinity originally intended... from waxing to waxing.
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3 people found this helpful
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- Midwestbonsai
- 06-18-18
Epic Tale Told in Archaic Language
Witchland and Demonland shared a common peace for many years until Witchland arrives and begins making unpopular and humiliating demands. Peace becomes nothing more than a memory and war ensues. Juss and Spitfire send their brother Goldry to defeat the witch king, King Gorice, and exact revenge. Goldry’s success is short lived as he must be rescued. There are manipulations and using magic and deception, the quest to overcome the evil doers of Witchland begins.
This is not a book one can listen to in one setting for several reasons – first, it is an epic length audiobook; second, it is spoken in archaic English; and third, there are several things at the beginning that are distracting – I had to listen to the first couple of chapters two times just to be able to follow the plot. This is not necessarily bad, I found I had to do this with many medieval based stories. The language is difficult to understand at times but once the listener gets into the flow of things, it becomes easier. It is well worth the listen.
Chris MacDonnell, the narrator, did a magnificent job! His voice flowed without error. His voice was very relaxing but engaging as well. His reading was smooth and seemed almost effortless. An amazing feat given the use of the ancient style of language. MacDonnell saved the book for me – his voice kept me interested.
If you are a fan of JR Tolkien – Lord of the Rings series, this book is perfect for you. There are light moments as well as dark ones, but the style follows Tolkien.
Although I enjoy medieval style writing – Shakespeare, Tolkien, Chaucer, etc. this one was difficult for me because it is not something I am used to hearing. The distracting bit – the man in the beginning who then just fades away … that bothered me throughout most of the book. I don’t like loose ends, and this was a major one for me.
There were no issues with the quality or production of this audiobook.
Audiobook was provided for review by the author/narrator/publisher.
Please find this complete review and many others at my review blog.
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7 people found this helpful
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- Deedra
- 07-19-18
The worm
I found this to be a good but LONG read.Great writing.Really good narration by Chris MacDonnell.I was given this book by the narrator,author or publisher free for an honest review.
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3 people found this helpful
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- Michael
- 03-09-19
NoTolkien
I really love Tolkien, and enjoy C.S. Lewis, but did not enjoy this book.
The language is dense middle English, the gods are Greek, the society is a combo of Norse and middle age English, the names are not related to anything else.
For me the story lacks the basics of great fantasy, the mapping of our real world onto an alternate reality that allows a fresh examination of our challenges and ourselves. Instead this is rather one dimensional heroic epic that describes only events and actions with almost zero internal states, with, for me, a completely unbelievable and unsatisfying ending.
There are several inclusions of historical, including Shakespeare, poetry, which instantly stands out favorably from the rest of the text.
The narrator does an excellent job with the very difficult material.
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1 person found this helpful
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- Kindle Customer
- 06-05-22
The Wyrm
I will revisit The Worm Ouroboros again. Outstanding adventure and the basis of Fantasy the came here after ✨❣️💫
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- LITRPG Audiobook Reviews
- 05-05-18
Heavy in language but light in heart
The first thing I am going to do is lay out a warning. The language here is pretty thick, and I do not mean vulgarity or swearing. No, I am talking about an ancient almost shakespearian prose that can be a little difficult to follow. It may take you sometime to get used to it, and being able to follow along. I suspect that the written word might not present as much of a challenge, but I think that once you have it, you will have it, but it does take some getting used to before you can just follow along without deciphering.
If I am disclosing that, I must also let you know that the first bit of the book revolves around a character, who, once things get going just kind of vanishes into the background. It reminded me of Moby Dick in that aspect.
Also, this book preceded the creations of Tolkien, and may not resemble a fantasy world that you are used to seeing. That's OK, because I never feel like all fantasy worlds should look or feel the same. And, man does this one step far and away from JRR's world.
The story takes place on a world in which the people live in "lands". For example, there are realms known as Witchland, Golinland, Impland, Ghoulland, and Demonland. Witchland is filled with troublemakers, as they pull off a kidnapping in Demonland, and set off a flurry of events that causes the people of Demonland to try to get back their man.
This almost comes off like a round of haves vs have nots, as the aristocracy can be both noble and thoughtful for their underlings or completely uncaring. The book is also scarce on magic, but this is because of the dangers inherent in its usage, and only risk takers would dare to employ it.
The story is about honor, friendship, and integrity and is very well written for the time period that it comes from. As I said, it does have a few flaws (or not, maybe you like having to learn an odd speech pattern or starting off with an irrelevant character), but it is well worth the listen.
BTW, can I say what an amazing job MacDonnell did in the narration? Seriously, getting a good patter down for the language style used here had to be a bear. At least with some of Shakespeare's stuff you know to use Iambic pentameter when talking. So, lacking that I really can't say how he made it sound so flawless and natural, but he did it! I am not a fan of the cover art, I think it does nothing to sell you on what the story is about. Even though I did receive a promo code for this review it in no way influenced my considerations of the material, and in fact, inspired me to be more honest. In fact, getting a code generally makes me harsher as a reviewer as I am more often concerned what someone like Me will decide based on my review.
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- Nicole
- 11-02-23
Oh, THAT'S the ouroboros!
Language: 5/5. Delicious. The style is like Milton, and it imbues the story with an epic grandeur. A short sample:
“Nay, against all sound judgement; and this folly I enact in that very season when by patience and courage and my politic wisdom I had won that in despite of fortune's teeth which obstinately hitherto she had denied me: when after the brunts of divers tragical fortunes I had marvellously gained the favour and grace of the King…”
Chris MacDonnell reads all this stuff with perfect fluency and gravity.
Story: 3/5. The first four chapters are riveting, but it drags after the two kingdoms start warring. It’s like the Iliad. We follow (only) a handful of nobles from both sides as they battle and have war councils. Many macho words flow from gilded tongues, in gilded halls over gilded chalices. At one point two of them go on a long perilous mountain-climbing quest to rescue a third.
Characterization: 2/5. The characters’ motives are mainly Valor and Ambition. Their lofty words adhere to a strict chivalric script, and rarely could I discern any subtler underlying motives. So I found the characters to be remote and sort of interchangeable. It’s tough to avoid comparing with Tolkien here (who was influenced by this book). I can imagine walking in Bilbo’s shoes. Lord Juss is as inaccessible as Mercury.
Concept: 5/5. The ouroboros became clear to me only at the (brilliant) ending. No spoilers, but the concept of the book is especially thought-provoking in light of being written in the wake of WWI. Very glad I read it.
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- Greyson Neipp
- 09-07-19
Victorian Language is hard to follow
I thought the narrators performance was great! However, I struggled with following the story in people's motives. I found it easier and more enjoyable during portions where the author describes actions but when it came to characters talking to one another or dialoguing aloud it was harder for me to casually listen because of the Victorian language the Author chose to use. Therefore, there are sections of this book I totally didn't grasp while listening to the audiobook in the car on my way to work.
That being said, if you're more familiar with Victorian language and you listen to this kind of stuff often then you probably would enjoy this book a lot more than I did.
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