"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

The house was built in the Old Queen's time: built for an Elizabethan pirate who was knighted for the plunder he brought home. It survived many eras, many reigns: it saw the passing of Cromwell and the Civil War. It became rich with an Indian Nabob and poor with a 20th century innkeeper. It saw wars, and lovers, and death. Children were born there, both heirs and bastards. It had ghosts and legends and a history that grew stranger with every generation.

When William the Conqueror wished to reward his armourer, he made him a grant of land - land worked by freemen and already belonging to a Saxon lord. But the men of the Conquest had no time for the niceties of land tenure and legal possession. Rolf, the armourer, hacked his way through the Saxon defiance and savagely claimed his royal bequest.

Sir Godfrey Tallboys was a knight-errant, famous for his success at tourneys, but far from wealthy. In an attempt to make his fortune he left his wife Sybilla and travelled to Spain to fight a minor rusade against the Moors. But treachery lurked in that far distant land and soon Sir Godfrey became a prisoner, a helpless slave in a hostile country. Back in quiet Suffolk he was reported dead. And so it fell to Sybilla to fend for the whole family.

She was the daughter of a preacher and a gypsy. A strange and elusive child with powers of prophecy, she grew into an even stranger woman. From those around her she inspired love and admiration or furious hatred. Nothing in between. And somehow Jassy could transform even those who loved her into her enemies. Barney Hatton, the dispossessed heir of Mortiboys, loved her but not enough. Lindy, a girl who worked there, loved her too much.

When, at the Pollards Harvest Supper of 1817, Araminta Glover was seduced by Jan Honeywood, the outcome seemed inevitable. Araminta, like so many servant girls, would marry her poor suitor and prepare to raise a large family on nine shillings a week. But 17-year-old Araminta was determined enough to rebel against the pattern of impoverished rural life, and, putting marriage and Jan firmly behind her, she accepted the post of dairymaid in the house of the strange Mrs Stancy.

For the Spender family, the ancient, beautifully kept house had seemed a godsend, an incredible bargain, almost a gift from its owner - a kindly man who merely wanted someone to protect the family homestead, to make Gad’s come alive again. And it did. Soon a strong-willed, sensible woman would be overtaken by irrational feelings she could not control, all because of the unspeakable secret kept by the women who had lived at Gad’s Hall more than a century ago.…

Out of the courts of 12th-century England strode the legendary figure of Richard of England leading his knights onto the Saracen battlefields, inspired by a vision of the Holy Land. Here is the story of the Soldier-King and the Third Crusade - of his strange, ill-fated union with Berengaria, Princess of Navarre; and of his mother, the She-Wolf, Eleanor of Aquitaine, who loved her son with a frantic, possessive pride. And, above all, here is the story of the minstrel whose life was linked with that of the King - the story of Blondel, the Lute Player....

Forced to flee Revolutionary France after the brutal guillotining of her beloved father, Isabella de Savigny arrives at Nethergate, the Suffolk house of her cousin, hoping for sympathy and succour. Instead, as a poor relation, she is forced to live the life of a servant and suffer the casual cruelty of lady’s maid Martha Pratt. When she is seduced and abandoned by the son of the house, Isabella is forced to marry Martha’s brother, and her struggle to survive truly begins. However, her misery is lessened when her daughter is born....

In the autumn of 1817, the arrival of the Ipswich coach and its occupants – a strange, ill-assorted company – changed the lives of those who lived at the Fleece Inn forever…. Will Oakley, landlord and host, with his two daughters, beautiful Myrtle, and the repellent Harriet, waited to receive his guests. Along with the usual farmers, merchants and the “quality”, there were others who fitted into none of these categories.

Julia Ashley was born to a life of dramatic twists and tragedy. Her future and any possible lasting happiness depended entirely on a "glove marriage" to a man who was no more than a name. The Dutch East Indies, in the 17th century, were the lands of legendary riches; of "nutmeg princes"; of fortunes built on barbaric plantations and slavery. And amid the extravagance, the cruelty, the bizarre customs, perhaps the strangest events of all were the curious weddings that sent girls halfway around the world.

Pargeting is a highly skilled trade. And Pargeters is the name given to the Suffolk home of John Mercer in honour of Adam Woodley, the craftsman who had decorated it so lovingly. Over two generations, and throughout the turbulent years of the Civil War, Pargeters comes to stand as a symbol of unity for a household divided by conflicting political loyalties and abandoned by its menfolk. And it is the mistress of Pargeters, Sarah Woodley-Mercer, who holds the small household together in this troubled time.

When young John Vincent died, the outward respectability of the Cornwall household was undermined. Strangers pried, asked too many questions and pointed accusing fingers at Charlotte - herself eager to escape from the oppressive atmosphere of her father's home.

Eleanor…young, high-spirited, supremely intelligent, heiress to the vast Duchy of Aquitaine – at a time when a woman’s value was measured in terms of wealth. Her vivid leadership inspired and dazzled those about her. And yet, born to rule, she was continually repressed and threatened by the men who overshadowed her life. This is the story of a brilliant, medieval figure – of a princess who led her own knights to the Crusades, who was bride to two kings and mother of Richard the Lionheart.

Here is Edward Rutherfurd's classic novel of London, a glorious pageant spanning 2,000 years. He brings this vibrant city's long and noble history alive through the ever-shifting fortunes, fates, and intrigues of half-a-dozen families, from the age of Julius Caesar to the 20th century. Generation after generation, these families embody the passion, struggle, wealth, and verve of the greatest city in the world.

Lark Rise is Flora Thompson's childhood memories of a north Oxfordshire village, the people who lived and worked in it, and a way of life that has totally disappeared. The story is built around Laura and her brother Edmund, through whose eyes are seen 'old Sally', whose grandfather built the house she lived in before the enclosure of the heathland, children's games, the interaction of village and gentry, and the way in which the seasons governed life.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

The house was built in the Old Queen's time: built for an Elizabethan pirate who was knighted for the plunder he brought home. It survived many eras, many reigns: it saw the passing of Cromwell and the Civil War. It became rich with an Indian Nabob and poor with a 20th century innkeeper. It saw wars, and lovers, and death. Children were born there, both heirs and bastards. It had ghosts and legends and a history that grew stranger with every generation.

When the peat-cutters came to report the dead man, Gil Cunningham was up in the roof-space of his mother's house, teaching his new young wife swordplay. They believe the corpse to be that of a local missing man. His wife and the widow who runs the local coalmine are sure the body belongs to someone else, but then they find themselves accused of having killed him by witchcraft. And if the corpse is not the missing man, who is it? Gil and Alys try to get to the heart of the matter.

Wessex Tales, a collection of short stories including "The Three Strangers", "The Withered Arm", and "The Distracted Preacher", deals with a number of timeless themes seen so often in Hardy’s work: marriage, class, revenge, and disappointed love. Many of the tales have a supernatural tinge, and all are set around Hardy’s much loved homeland.

Margaret of Ashbury wants to write her life story. However, like most women in 14th-century England, she is illiterate. Three clerics contemptuously decline to be Margaret’s scribe, and only the threat of starvation persuades Brother Gregory, a Carthusian friar with a mysterious past, to take on the task. As she narrates her life, we discover a woman of startling resourcefulness.

“And you are telling me,” said Gil Cunningham, “that David Drummond vanished away forty years ago and is now returned, seemingly not a day older?” “That’s about the sum of it,” agreed Sir William Stewart. In Sir William’s remote part of Scotland it seems almost possible that a young boy could have been stolen away by the fairies and returned forty years later, no older – and if he isn’t Davie Drummond, who is he? And then he suffers a succession of near-fatal ‘accidents’.

The year is 1729, and Resolute Talbot and her siblings are captured by pirates, taken from their family in Jamaica and brought to the New World. Resolute and her sister are sold into slavery in colonial New England and taught the trade of spinning and weaving. When Resolute finds herself alone in Lexington, Massachusetts, she struggles to find her way in a society that is quick to judge a young woman without a family. As the seeds of rebellion against England grow, Resolute is torn between following the rules and breaking free.

Tess of the d'Urbervilles is the 19th century novel lately thought to be one of the inspirations of E .L.James' Fifty Shades of Grey. It depicts the life of an impressionable, naive, somewhat educated young woman who yearns to be free to live her own life, but finds herself constricted by the bonds of the sexual, religious and socially hypocritical customs that have surrounded her from birth.

In the home where Arabella Godwin was raised it is forbidden to speak her name, and her picture is turned to the wall. But in the turbulent America of the 1850s, everyone knows her as "Belle Cora", madam of San Francisco's finest bordello. Judges and senators do her bidding; a vicious newspaper editor plots her downfall; a preacher looks at her from across his pulpit and tries to forget that once she was his wife. Merchant's daughter, farm girl, prostitute, mother - the only thing that never changes is her tireless pursuit of the one man who can see her for who she really is.

"The Other Crowd", "The Good People", "The Wee Folk", and "Them" are a few of the names given to the fairies by the people of Ireland. Honored for their gifts and feared for their wrath, the fairies remind us to respect the world we live in and the forces we cannot see. In these tales of fairy forts, fairy trees, ancient histories, and modern true-life encounters with the Other Crowd, Eddie Lenihan opens our eyes to this invisible world with the passion and bluntness of a seanchai, a true Irish storyteller.

Fourteen-year-old Ileth grew up in an orphanage, and thanks to her stutter was never thought to be destined for much beyond kitchen work and cleaning. But she's dreamed of serving with the dragons ever since a childhood meeting with a glittering silver dragon and its female dragoneer. For years she waits, and as soon as she is old enough to join, Ileth runs away to become a novice dragoneer at the ancient human-dragon fortress of the Serpentine.

The Colonial Radio Theatre pulls out all the stops in this magnificent production of the Charles Dickens classic Christmas story! This full cast dramatization features a powerful music score - from the magnificent, booming opening of "God Rest Ye Merry Gentlemen" to the frightening tones of "The Ghost of Christmas Future". It's a holiday treat both you and your family will enjoy for years to come.

Accepting employment as a governess after hard times hit her family, medieval scholar Rosalind Hawkins is surprised when she learns that her mysterious employer has no children and only wants her to read to him through a speaking tube.

First published in 1869, Lorna Doone is the story of John Ridd, a farmer who finds love amid the religious and social turmoil of 17th-century England. He is just a boy when his father is slain by the Doones, a lawless clan inhabiting wild Exmoor on the border of Somerset and Devon. Seized by curiosity and a sense of adventure, he makes his way to the valley of the Doones, where he is discovered by the beautiful Lorna.