Connie can't deny she's nervous about meeting her boyfriend's family. Spending the weekend at their ritzy woodland summer home, Evan's already given her fair warning that his parents are cold, snobbish, and especially unpleasant toward those outside their usual social circles. So when Evan's mother warmly greets them with open arms, Connie is as confused as he is. They're so friendly, in fact, Evan himself can hardly believe they're real. Then, while helping Evan's mother with dinner, Connie overhears strange noises coming from the basement—what almost sounds like voices calling out for help.

Ava Bonney is a compassionate and studious fourteen-year-old girl with a dark secret: she has an obsessive interest in the macabre. She is fascinated by the rate at which dead animals decompose. The highway she lives by regularly offers up gifts of roadkill, and in the dead of night Ava loves nothing more than to pull her latest discovery into her roadside den and record her findings. One night, she stumbles across the body of her classmate and, fearing that her secret ritual could be revealed, she makes an anonymous call to the police.

Eunice lives her life by three simple rules: One, always refer to Cinderella as family. Two, never let Cinderella gain access to rats or mice. Three, never look upon Cinderella between the hours of twelve and three a.m.

Alfred Smettle is not your average Hitchcock fan. He is the founder, owner, and manager of The Hitchcock Hotel, a sprawling Victorian house in the White Mountains dedicated to the Master of Suspense. There, Alfred offers his guests round-the-clock film screenings, movie props and memorabilia in every room, plus an aviary with fifty crows. To celebrate the hotel’s first anniversary, he invites his former best friends from his college Film Club for a reunion. He hasn’t spoken to any of them in sixteen years, not after what happened. But who better than them to appreciate Alfred’s creation?

At first glance, Phil Pendleton and his son Adam are just an ordinary father and son, no different from any other. What no one knows is that Phil is a prisoner, and that up until a few weeks ago and a chance encounter at a grocery store, he had never seen the child before in his life.

When a grisly murder occurs on the Isle of Lewis that bears similarities to a brutal killing on the mainland, Edinburgh detective Fin Macleod is dispatched to the Outer Hebrides to investigate, embarking at the same time on a voyage into his own troubled past. As Fin reconnects with the people and places of his tortured childhood, the beautiful island and its ancient customs once again begin to assert their grip on his psyche. Every step toward solving the case brings Fin closer to a confrontation with the dark events of the past that shaped - and nearly destroyed - his life.

Since time immemorial, the Haddesley family has tended the cranberry bog. In exchange, the bog sustains them. The staunch seasons of their lives are governed by a strict covenant that is renewed each generation with the ritual sacrifice of their patriarch, and in return, the bog produces a “bog-wife.” Brought to life from vegetation, this woman is meant to carry on the family line. But when the bog fails—or refuses—to honor the bargain, the Haddesleys, a group of discordant siblings still grieving the mother who mysteriously disappeared years earlier, face an unknown future.

Remi Finch has spent the better part of her adult life avoiding family—especially her sisters. They just don’t click. Besides, her unconventional upbringing and major anxiety have convinced Remi that she can’t build a relationship with anyone. Period. When her parents plan a family reunion camping trip to celebrate their anniversary, Remi’s willing to reconnect, if only because she doesn’t have a choice. But then a dead body turns up at their campsite, and their sisterly bonding kicks into high gear.

After moving from a small country town to Seattle, Heather Baxter marries Tom, a widowed doctor with a young son and teenage daughter. A working vacation overseas seems like the perfect way to bring the new family together, but once they’re deep in the Australian outback, the jet-lagged and exhausted kids are so over their new mom. When they discover remote Dutch Island, off-limits to outside visitors, the family talks their way onto the ferry. But as soon as they set foot on the island, which is run by a tightly knit clan of locals, everything feels wrong.

Laboring under a shared loss, Doug and his young son, Tim, set out on a late season backpacking trip through the White Mountains of New Hampshire. They find beauty and solidarity in the outdoors, making friends along the trail and falling into the rhythms of an expedition. But when reports of warfare and social collapse reach the ranger station, Doug—seeking to protect the only family he has left—withdraws even further into the backcountry.